Christian Henriot – författare

The authors of this 2004 volume consult Chinese and Western archival materials to examine the Chinese War of Resistance against the Japanese in the Shanghai area. They argue that the war in China was a nationalistic endeavour carried out without an effective national leadership. Wartime Chinese activities in Shanghai drew upon social networks rather than ideological positions and these activities cut across lines of military and political divisions. Instead of the stark contrast between heroic resistance and shameful collaboration, wartime experience in the city is more aptly summed up in terms of bloody struggles between those committed to normalcy in everyday life and those determined to bring about its disruption through terrorist violence and economic control. The volume offers an evaluation of the strategic significance of the Shanghai economy in the Pacific War. It also draws attention to the feminisation of urban public discourse against the backdrop of intensified violence. The essays capture the last moments of European settlements in Shanghai under Japanese occupation.

Shanghai's nightlife, from the mid-nineteenth century until the victory of the Communist Party in 1949, was dominated by the world of prostitution. Henriot portrays the Chinese sex trade, from the sophisticated life of the courtesan to the common life of street prostitution. He examines the extent to which these worlds were integral to Chinese social life, commercial trends, and Chinese mores and sexuality. Henriot draws a picture of a sector that was sensitive to economic and social change, and thus a good reflection of Shanghai's changing social structure, societal attitudes, and commercial development. This is the most comprehensive treatment available of a social phenomenon that has been much discussed in studies of Chinese culture, but largely neglected as a subject of serious historical concern. At the crossroads of social and intellectual history, this study gets beyond the curtain of exoticism for a realistic look at a vibrant sector of Shanghai's economic and cultural life.

The authors of this 2004 volume consult Chinese and Western archival materials to examine the Chinese War of Resistance against the Japanese in the Shanghai area. They argue that the war in China was a nationalistic endeavour carried out without an effective national leadership. Wartime Chinese activities in Shanghai drew upon social networks rather than ideological positions and these activities cut across lines of military and political divisions. Instead of the stark contrast between heroic resistance and shameful collaboration, wartime experience in the city is more aptly summed up in terms of bloody struggles between those committed to normalcy in everyday life and those determined to bring about its disruption through terrorist violence and economic control. The volume offers an evaluation of the strategic significance of the Shanghai economy in the Pacific War. It also draws attention to the feminisation of urban public discourse against the backdrop of intensified violence. The essays capture the last moments of European settlements in Shanghai under Japanese occupation.

In the new world order mapped out by Japanese and Western imperialism in East Asia after the mid-nineteenth century opium wars, communities of merchants and settlers took root in China and Korea. New identities were constructed, new modes of collaboration formed and new boundaries between the indigenous and foreign communities were literally and figuratively established. Newly available in paperback, this pioneering and comparative study of Western and Japanese imperialism examines European, American and Japanese communities in China and Korea, and challenges received notions of agency and collaboration by also looking at the roles in China of British and Japanese colonial subjects from Korea, Taiwan and India, and at Chinese Christians and White Russian refugees. This volume will be of interest to students and scholars of the history and anthropology of imperialism, colonialism’s culture and East Asian history, as well as contemporary Asian affairs.

The issue of death has loomed large in Chinese cities in the modern era. Throughout the Republican period, Shanghai swallowed up lives by the thousands. Exposed bodies strewn around in public spaces were a threat to social order as well as to public health. In a place where every group had its own beliefs and set of death and funeral practices, how did they adapt to a modern, urbanized environment? How did the interactions of social organizations and state authorities manage these new ways of thinking and acting? Recent historiography has almost completely ignored the ways in which death created such immense social change in China. Now, Scythe and the City corrects this problem. Christian Henriot's pioneering and original study of Shanghai between 1865 and 1965 offers new insights into this crucial aspect of modern society in a global commercial hub and guides readers through this tumultuous era that radically redefined the Chinese relationship with death.

Modern China in Flux heralds a transformative epoch in historical research, spotlighting the innovative methodology of network analysis. As the digital age unfolds, historians encounter both an unparalleled opportunity and a daunting challenge: navigating the vast digital repositories of historical data. Central to this volume’s discourse is the imperative for a methodological shift in examining modern China's historical research. By embracing the digital evolution, this volume highlights the promise of network analysis as a model for historians. Modern China, rich in tales of socio-political upheavals, economic transformations, and cultural shifts, emerges as a nuanced tapestry of intertwined narratives. Capturing its intricacies necessitates an approach that illuminates the multiple connections, alliances, and conflicts that shaped its course. Here, network analysis proves invaluable. By exploring textual databases and archival documents, and leveraging the capabilities of full-text historical sources, historians can craft a dynamic, interconnected narrative of modern China. Previously obscured relationships come into sharp focus, revealing the delicate balance of power, influence, and change.

How does China project its image in the world? Why and how has the world come to form certain impressions of the Chinese and their way of life? These are issues that preoccupy Chinese citizens in the globalizing 21st century as they travel overseas, riding on the capacity of the country’s newly acquired economic power. In Visualizing China, the authors join forces to launch a broader inquiry aimed at a synergistic understanding of the larger story of visuality in modern China. The essays cluster around several nodal points including photographs, advertising, posters and movies, spanning from the 1840s to the 1960s, and devote special attention to modern Chinese practices in the visualization of things Chinese.