Christian Pentzold – författare

This book provides a clear and accessible introduction to media practice theory and everyday media use. It brings much-needed clarity by explaining what media practice theories mean, how they have evolved, been applied, and why they matter.The book maps the intellectual foundations of practice theory, drawing on thinkers like Wittgenstein, Giddens, and Bourdieu and showing how these diverse perspectives converge around understanding social life through enacted practices. Applied to media, this highlights what people do with communication technologies, how routines shape communication, and how digital platforms structure everyday life. With examples from journalism, organizational communication, social media cultures, and AI-driven processes, it connects theory to case studies while outlining practical research methods including ethnography, observation, situation analysis, and digital mapping. The book addresses fundamental tensions in practice scholarship regarding agency of people, things, and technologies, and material versus symbolic dimensions of media.Media Practice Theory is an essential resource for students, educators, and researchers working in the broad fields of communication and media studies, journalism, and media production as well as those who engage with (digital) media and communication in areas such as sociology, political science, cultural studies, science and technology studies, and management studies.

This book provides a clear and accessible introduction to media practice theory and everyday media use. It brings much-needed clarity by explaining what media practice theories mean, how they have evolved, been applied, and why they matter.The book maps the intellectual foundations of practice theory, drawing on thinkers like Wittgenstein, Giddens, and Bourdieu and showing how these diverse perspectives converge around understanding social life through enacted practices. Applied to media, this highlights what people do with communication technologies, how routines shape communication, and how digital platforms structure everyday life. With examples from journalism, organizational communication, social media cultures, and AI-driven processes, it connects theory to case studies while outlining practical research methods including ethnography, observation, situation analysis, and digital mapping. The book addresses fundamental tensions in practice scholarship regarding agency of people, things, and technologies, and material versus symbolic dimensions of media.Media Practice Theory is an essential resource for students, educators, and researchers working in the broad fields of communication and media studies, journalism, and media production as well as those who engage with (digital) media and communication in areas such as sociology, political science, cultural studies, science and technology studies, and management studies.

The definitive reference work with comprehensive analysis and review of peer productionPeer production is no longer the sole domain of small groups of technical or academic elites. The internet has enabled millions of people to collectively produce, revise, and distribute everything from computer operating systems and applications to encyclopedia articles and film and television databases. Today, peer production has branched out to include wireless networks, online currencies, biohacking, and peer-to-peer urbanism, amongst others. The Handbook of Peer Production outlines central concepts, examines current and emerging areas of application, and analyzes the forms and principles of cooperation that continue to impact multiple areas of production and sociality.Featuring contributions from an international team of experts in the field, this landmark work maps the origins and manifestations of peer production, discusses the factors and conditions that are enabling, advancing, and co-opting peer production, and considers its current impact and potential consequences for the social order. Detailed chapters address the governance, political economy, and cultures of peer production, user motivations, social rules and norms, the role of peer production in social change and activism, and much more. Filling a gap in available literature as the only extensive overview of peer production’s modes of generating informational goods and services, this groundbreaking volume: Offers accessible, up-to-date information to both specialists and non-specialists across academia, industry, journalism, and public advocacyIncludes interviews with leading practitioners discussing the future of peer production Discusses the history, traditions, key debates, and pioneers of peer productionExplores technologies for peer production, openness and licensing, peer learning, open design and manufacturing, and free and open-source softwareThe Handbook of Peer Production is an indispensable resource for students, instructors, researchers, and professionals working in fields including communication studies, science and technology studies, sociology, and management studies, as well as those interested in the network information economy, the public domain, and new forms of organization and networking.

Considering both retrospective memories and the prospective employment of memories, Memory in a Mediated World examines troubled times that demand resolution, recovery and restoration. Its contributions provide empirically grounded analyses of how media are employed by individuals and social groups to connect the past, the present and the future.

An extensive and inclusive account of the media environments of 45 countries worldwide In Media Compass: A Companion to International Media Landscapes, an international team of prominent scholars examines both long-term media systems and fluctuating trends in media usage around the world. Integrating country-specific summaries and cross-cutting studies of geopolitical regions, this interdisciplinary reference work describes key elements in the political, social, demographic, cultural, and economic conditions of media infrastructures and public communication. Enabling the mapping of media landscapes internationally, Media Compass contains up-to-date empirical surveys of individual countries and regions, as well as cross-country comparisons of particular areas of public communication. 45 entries, each guiding readers from a general summary to a more in-depth discussion of a country’s specific media landscape, address formative conditions and circumstances, historical background and development, current issues and challenges, and more. Designed to facilitate quick lookup of individual entries, as well as comparative readings of a country’s position in the wider media environment, Media Compass: A Companion to International Media Landscapes is an invaluable addition to libraries and institutions of higher education, and a must-read volume for students, educators, scholars, and practitioners working in communication and media studies, journalism, and media production.

It is said that the ontology of data resists slowness and also that the digital revolution promised a levelling of the playing field. Both theories are examined in this timely collection of chapters looking at time in the digital world. Since data has assumed such a paramount place in the modern neoliberal world, contemporary concepts of time have undergone radical transformation. By critically assessing the emerging initiatives of slowing down in the digital age, this book investigates the role of the digital in ultimately reinforcing neo-liberal temporalities. It shows that both "speed-up" and "slow down" imperatives often function as a form of biopolitical social control necessary to contemporary global capitalism. Problematic paradoxes emerge where a successful slow down and digital detox ultimately are only successful if the individual returns to the world as a more productive, labouring neoliberal subject. Is there another way? The chapters in this collection, broken up into three parts, ask that question.

It is said that the ontology of data resists slowness and also that the digital revolution promised a levelling of the playing field. Both theories are examined in this timely collection of chapters looking at time in the digital world. Since data has assumed such a paramount place in the modern neoliberal world, contemporary concepts of time have undergone radical transformation. By critically assessing the emerging initiatives of slowing down in the digital age, this book investigates the role of the digital in ultimately reinforcing neo-liberal temporalities. It shows that both "speed-up" and "slow down" imperatives often function as a form of biopolitical social control necessary to contemporary global capitalism. Problematic paradoxes emerge where a successful slow down and digital detox ultimately are only successful if the individual returns to the world as a more productive, labouring neoliberal subject. Is there another way? The chapters in this collection, broken up into three parts, ask that question.

Das Handbuch bietet einen umfassenden Überblick zu den Grundlagen, Schwerpunkten und Perspektiven der Beschäftigung mit kommunikativem Erinnern und medialem Gedächtnis. Damit erschließen seine Beiträge das Feld kommunikationswissenschaftlicher Erinnerungsforschung und verknüpfen es mit komplementären sozial-, geistes- und kulturwissenschaftlichen Ansätzen. Im Kompendium stehen originäre Beiträge aus dem deutschsprachigen Raum zu den Themenbereichen Journalismus und kollektive Erinnerung, Medienbilder in öffentlicher und privater Erinnerung sowie der Erinnerungskultur kommunikationswissenschaftlicher Fachgeschichte in Verbindung zu internationalen Sichtweisen. Neben der Darstellung erinnerungskultureller Konzepte und Kernfragen sowie ihrer interdisziplinären Anschlüsse werden die zentralen Arbeitsbereiche der wissenschaftlichen Auseinandersetzung mit medienkommunikativer Vergegenwärtigung kritisch aufgearbeitet. Auf diese Weise trägt das Handbuch zur Aufstellung und Ausrichtung einer kommunikationswissenschaftlichen Erinnerungsforschung bei.

Die Studie untersucht die Praktiken undInstitutionen erfolgreicher Kooperation, die durch das Internet als digitales,vernetztes Medium unterstützt wird.

Die Beiträge erklären Prinzipien der Grounded Theory und diskutieren deren methodisch fundierte Durchführung und Darstellung im Rahmen empirischer Vorhaben. An Beispielen aus der Forschungspraxis wird gezeigt, wie sich Methodologie und Verfahrensrahmen der Grounded Theory zur Analyse medienbezogener Lebenswelten einsetzen lassen.

Die Rede von Praktiken ist in der Kommunikations- und Medienwissenschaft weit verbreitet. Dieses Buch ist eine Einladung zur tieferen Beschäftigung mit Medienpraktiken und wirbt für eine entsprechende Neuorientierung von Kommunikationsforschung und Medienanalyse.