Christian Rollinger – författare

From gaming consoles to smartphones, video games are everywhere today, including those set in historical times and particularly in the ancient world. This volume explores the varied depictions of the ancient world in video games and demonstrates the potential challenges of games for scholars as well as the applications of game engines for educational and academic purposes. With successful series such as “Assassin’s Creed” or "Civilization” selling millions of copies, video games rival even television and cinema in their role in shaping younger audiences’ perceptions of the past. Yet classical scholarship, though embracing other popular media as areas of research, has so far largely ignored video games as a vehicle of classical reception. This collection of essays fills this gap with a dedicated study of receptions, remediations and representations of Classical Antiquity across all electronic gaming platforms and genres. It presents cutting-edge research in classics and classical receptions, game studies and archaeogaming, adopting different perspectives and combining papers from scholars, gamers, game developers and historical consultants. In doing so, it delivers the first state-of-the-art account of both the wide array of ‘ancient’ video games, as well as the challenges and rewards of this new and exciting field.

From gaming consoles to smartphones, video games are everywhere today, including those set in historical times and particularly in the ancient world. This volume explores the varied depictions of the ancient world in video games and demonstrates the potential challenges of games for scholars as well as the applications of game engines for educational and academic purposes. With successful series such as “Assassin''s Creed” or "Civilization” selling millions of copies, video games rival even television and cinema in their role in shaping younger audiences'' perceptions of the past. Yet classical scholarship, though embracing other popular media as areas of research, has so far largely ignored video games as a vehicle of classical reception. This collection of essays fills this gap with a dedicated study of receptions, remediations and representations of Classical Antiquity across all electronic gaming platforms and genres. It presents cutting-edge research in classics and classical receptions, game studies and archaeogaming, adopting different perspectives and combining papers from scholars, gamers, game developers and historical consultants. In doing so, it delivers the first state-of-the-art account of both the wide array of ''ancient'' video games, as well as the challenges and rewards of this new and exciting field.

From gaming consoles to smartphones, video games are everywhere today, including those set in historical times and particularly in the ancient world. This volume explores the varied depictions of the ancient world in video games and demonstrates the potential challenges of games for scholars as well as the applications of game engines for educational and academic purposes. With successful series such as “Assassin''s Creed” or "Civilization” selling millions of copies, video games rival even television and cinema in their role in shaping younger audiences'' perceptions of the past. Yet classical scholarship, though embracing other popular media as areas of research, has so far largely ignored video games as a vehicle of classical reception. This collection of essays fills this gap with a dedicated study of receptions, remediations and representations of Classical Antiquity across all electronic gaming platforms and genres. It presents cutting-edge research in classics and classical receptions, game studies and archaeogaming, adopting different perspectives and combining papers from scholars, gamers, game developers and historical consultants. In doing so, it delivers the first state-of-the-art account of both the wide array of ''ancient'' video games, as well as the challenges and rewards of this new and exciting field.

From gaming consoles to smartphones, video games are everywhere today, including those set in historical times and particularly in the ancient world. This volume explores the varied depictions of the ancient world in video games and demonstrates the potential challenges of games for scholars as well as the applications of game engines for educational and academic purposes. With successful series such as “Assassin’s Creed” or "Civilization” selling millions of copies, video games rival even television and cinema in their role in shaping younger audiences’ perceptions of the past. Yet classical scholarship, though embracing other popular media as areas of research, has so far largely ignored video games as a vehicle of classical reception. This collection of essays fills this gap with a dedicated study of receptions, remediations and representations of Classical Antiquity across all electronic gaming platforms and genres. It presents cutting-edge research in classics and classical receptions, game studies and archaeogaming, adopting different perspectives and combining papers from scholars, gamers, game developers and historical consultants. In doing so, it delivers the first state-of-the-art account of both the wide array of ‘ancient’ video games, as well as the challenges and rewards of this new and exciting field.

Empresses-in-Waiting comprises case studies of late antique empresses, female members of imperial dynasties, and female members of the highest nobility of the late Roman empire, ranging from the fourth to the seventh centuries AD. Situated in the context of the broader developments of scholarship on late antique and byzantine empresses, this volume explores the political agency, religious authority, and influence of imperial and near-imperial women within the Late Roman imperial court, which is understood as a complex spatial, social, and cultural system, the centre of patronage networks, and an arena for elite competition. The studies explore female performance and representation in literary and visual media as well as in court ceremonial, and discuss the opportunities and constraints of female power within a male dominated court environment and the broader realms of imperial activity. By focusing on imperial women, the volume not only addresses questions of gendered rhetoric and agency but throws into relief general dynamics in the exercise of imperial power during a period in which the classical Mediterranean world at large, as well as the Roman monarchy, underwent crucial transformations.An Open Access version of the Lewis Dagnall's chapter The Empress Sophia and East Roman Foreign Policy will be available on publication on the Liverpool University Press website.

Empresses-in-Waiting comprises case studies of late antique empresses, female members of imperial dynasties, and female members of the highest nobility of the late Roman empire, ranging from the fourth to the seventh centuries AD. Situated in the context of the broader developments of scholarship on late antique and byzantine empresses, this volume explores the political agency, religious authority, and influence of imperial and near-imperial women within the Late Roman imperial court, which is understood as a complex spatial, social, and cultural system, the centre of patronage networks, and an arena for elite competition. The studies explore female performance and representation in literary and visual media as well as in court ceremonial, and discuss the opportunities and constraints of female power within a male dominated court environment and the broader realms of imperial activity. By focusing on imperial women, the volume not only addresses questions of gendered rhetoric and agency but throws into relief general dynamics in the exercise of imperial power during a period in which the classical Mediterranean world at large, as well as the Roman monarchy, underwent crucial transformations.An Open Access version of the Lewis Dagnall's chapter The Empress Sophia and East Roman Foreign Policy will be available on publication on the Liverpool University Press website.

The dangers and risks lurking in the deep waters of the world, be they profane and natural (storms, currents, shoals, cliffs, pirates) or divine and supernatural (the wrath of one or more gods, magic, sea monsters) are as individual and diverse as the stories of their consequences – and as numerous as the intentions behind these retellings and reconfigurations. In their telling, specific dangers become accepted risks that those who undertake the venture of a sea voyage choose (or not) to expose themselves to. Maritime actors make their assessments of the balance between risk and benefit according to historical and contemporary cultural criteria, which are contingent on the discursive horizon of their time, as reflected in iconographic and textual sources. Building on sociological and historical understandings of "risk" as conscious exposure to specific dangers, the case studies in this volume engage with conceptions and discourses of maritime risks in written and visual media from antiquity to the early modern world, with contributions ranging from early Greek epic to British Atlantic merchants in the 1700s. This broad perspective enables a multifaceted study of representations of maritime dangers in words, images, and numbers, and to discuss contemporary discourses on causes, consequences, and methods for avoidance of maritime risk.

The dangers and risks lurking in the deep waters of the world, be they profane and natural (storms, currents, shoals, cliffs, pirates) or divine and supernatural (the wrath of one or more gods, magic, sea monsters) are as individual and diverse as the stories of their consequences - and as numerous as the intentions behind these retellings and reconfigurations. In their telling, specific dangers become accepted risks that those who undertake the venture of a sea voyage choose (or not) to expose themselves to. Maritime actors make their assessments of the balance between risk and benefit according to historical and contemporary cultural criteria, which are contingent on the discursive horizon of their time, as reflected in iconographic and textual sources. Building on sociological and historical understandings of "e;risk"e; as conscious exposure to specific dangers, the case studies in this volume engage with conceptions and discourses of maritime risks in written and visual media from antiquity to the early modern world, with contributions ranging from early Greek epic to British Atlantic merchants in the 1700s. This broad perspective enables a multifaceted study of representations of maritime dangers in words, images, and numbers, and to discuss contemporary discourses on causes, consequences, and methods for avoidance of maritime risk.

The dangers and risks lurking in the deep waters of the world, be they profane and natural (storms, currents, shoals, cliffs, pirates) or divine and supernatural (the wrath of one or more gods, magic, sea monsters) are as individual and diverse as the stories of their consequences - and as numerous as the intentions behind these retellings and reconfigurations. In their telling, specific dangers become accepted risks that those who undertake the venture of a sea voyage choose (or not) to expose themselves to. Maritime actors make their assessments of the balance between risk and benefit according to historical and contemporary cultural criteria, which are contingent on the discursive horizon of their time, as reflected in iconographic and textual sources. Building on sociological and historical understandings of "e;risk"e; as conscious exposure to specific dangers, the case studies in this volume engage with conceptions and discourses of maritime risks in written and visual media from antiquity to the early modern world, with contributions ranging from early Greek epic to British Atlantic merchants in the 1700s. This broad perspective enables a multifaceted study of representations of maritime dangers in words, images, and numbers, and to discuss contemporary discourses on causes, consequences, and methods for avoidance of maritime risk.

The 'Tetrarchy', the modern name assigned to the period of Roman history that started with the emperor Diocletian and ended with Constantine I, has been a much-studied and much-debated field of the Roman Empire. Debate, however, has focused primarily on whether it was a true 'system' of government, or rather a collection of ad-hoc measures undertaken to stabilise the empire after the troubled period of the 3rd century CE. The papers collected here aim to go beyond this question and to present an innovative approach to a fascinating period of Roman history by understanding the Tetrarchy not as a system of government, but primarily as a political language. Their focus thus lies on the language and ideology of the imperial college and court, on the performance of power in imperial ceremonies, the representation of the emperors and their enemies in the provinces of the Roman world, as well as on the afterlife of Tetrarchic power in the Constantinian period.