Christian Steer – författare

An examination of how academic colleges commemorated their patrons in a rich variety of ways.WINNER of a 2019 Cambridgeshire Association for Local History award.The people of medieval Cambridge chose to be remembered after their deaths in a variety of ways - through prayers, Masses and charitable acts, and bytomb monuments, liturgical furnishings and other gifts. The colleges of the university, alongside their educational role, arranged commemorative services for their founders, fellows and benefactors. Together with the town's parishchurches and religious houses, the colleges provided intercessory services and resting places for the dead.This collection explores how the myriad of commemorative enterprises complemented and competed as locations where the living and the dead from "town and gown" could meet. Contributors analyse the commemorative practices of the Franciscan friars, the colleges of Corpus Christi, Trinity Hall and King's, and within Lady Margaret Beaufort's Cambridge household; the depictions of academic and legal dress on memorial brasses, and the use and survival of these brasses. The volume highlights, for the first time, the role of the medieval university colleges within the family ofcommemorative institutions; in offering a new and broader view of commemoration across an urban environment, it also provides a rich case-study for scholars of the medieval Church, town, and university.JOHN S. LEE is Research Associate at the Centre for Medieval Studies, University of York; CHRISTIAN STEER is Honorary Visiting Fellow in the Department of History, University of York. Contributors: Sir John Baker, Richard Barber, Claire GobbiDaunton, Peter Murray Jones, Elizabeth A. New, Susan Powell, Michael Robson, Nicholas Rogers.

Nearly all major studies of contemporary documentation for medieval art in England fail to take into account the vast body of testamentary evidence. This study brings together for the first time a large corpus of wills relating to windows and their glazing, using a wide range of published and unpublished wills and benefitting from fieldwork undertaken to relate bequests to existing fabric and glazing. Most of the wills relate to parish churches, but there is also much evidence concerning cathedrals and religious houses; the last category is particularly important, as so little glazing has survived from such foundations. Testators span almost the entire social spectrum: monarchs and magnates, prelates and parish priests, gentry, lawyers, merchants, and (especially from the late 15th century) the more prosperous husbandmen and yeomen. The wills of a score or so of glass-painters also feature. Women are represented, not only as testators, but as executors and heiresses. Dates range from the late 13th century to the Reformation. The result is a treasure trove of information concerning patronage, iconography, commemorative strategies, costs, techniques, processes, and dating, which will be of value to historians of art, religion, culture, society at a local level, as well as to architectural scholars.