Christiane Czygan – författare

As the core theme of Early Modern Ottoman poetry, love inspired a plethora of Turkish research, the most enlightening of which explored questions of terminology, semantics, and mystic dimensions. Internationally, however, there have been few publications on this subject. This book closes this gap by investigating ʿışḳ in different genres and contexts. Whereas the terms ḥubb and maḥabbet point to comfort and care, the term ʿışḳ denotes passionate love; often laced with mystical connotations. Through this lens we show that Ottoman lyrical realities transgressed the rules, burgeoning beyond conventional settings and giving voice to vivid creativity. Large parts of urban society indulged in poetry and thereby challenged certain norms.

Ten experts in premodern literature and history examine the style, genre, and performance of sixteenth century Ottoman poetry. A large number of poems, including a newly discovered imperial poem collection and the work of a poet fallen into oblivion, are discussed with regard to their multifarious functions and their contemporary lyrical appeal. Though most of these poets worked in conventional settings many of the articles in this volume point out how they broke taboos, glossed over violence, and promoted or questioned political rule, even as they appealed to their listeners on an emotional level. The authors provide ample evidence for the importance attributed to certain cities and places, as well as local affiliations and networks. These analyses show how premodern poetry operated as a tool of communication and formed an integral part of premodern social and political life.