Christina Lee - Böcker

Screening Generation X: The Politics and Popular Memory of Youth in Contemporary Cinema examines popular representations of Generation X in American and British film. In arguing that the various constructions of youth are marked by major cultural shifts and societal inequalities, it analyzes the iconic 'Gen X' figures ranging from the slacker, the teenage time traveller, and third wave feminists, to the oeuvre of Molly Ringwald and Richard Linklater. This book explores the important cultural work performed by films that mediate the experiences of Generation X and critiques the ongoing marginalization of the youth who struggle to find their identity and a voice in increasingly unstable times. Specific analyses of such films as Pump Up the Volume, The Breakfast Club, Heathers, Donnie Darko and Waking Life are used to illustrate the research.

This anthology explores the spatial dimension and politics of haunting. It considers how the ‘appearance’ of absence, emptiness and the imperceptible can indicate an overwhelming presence of something that once was, and still is, (t)here. At its core, the book asks: how and why do certain places haunt us? Drawing from a diversity of mediums, forms and disciplinary approaches, the contributors to Spectral Spaces and Hauntings illustrate the complicated ways absent presences can manifest and be registered. The case studies range from the memory sites of a terrorist attack, the lost home, a vanished mining town and abandoned airports, to the post-apocalyptic wastelands in literary fiction, the photographic and filmic surfaces where spectres materialise, and the body as a site for re-corporealising the disappeared and dead. In ruminating on the afteraffects of spectral spaces on human experience, the anthology importantly foregrounds the ethical and political imperative of engaging with ghosts and following their traces.

Screening Generation X: The Politics and Popular Memory of Youth in Contemporary Cinema examines popular representations of Generation X in American and British film. In arguing that the various constructions of youth are marked by major cultural shifts and societal inequalities, it analyzes the iconic 'Gen X' figures ranging from the slacker, the teenage time traveller, and third wave feminists, to the oeuvre of Molly Ringwald and Richard Linklater. This book explores the important cultural work performed by films that mediate the experiences of Generation X and critiques the ongoing marginalization of the youth who struggle to find their identity and a voice in increasingly unstable times. Specific analyses of such films as Pump Up the Volume, The Breakfast Club, Heathers, Donnie Darko and Waking Life are used to illustrate the research.

Precariousness has become a defining experience in contemporary society, as an inescapable condition and state of being. Living with Precariousness presents a spectrum of timely case studies that explore precarious existences – at individual, collective and structural levels, and as manifested through space and the body. These range from the plight of asylum seekers, to the tiny house movement as a response to affordable housing crises; from the global impacts of climate change, to the daily challenges of living with a chronic illness. This multidisciplinary book illustrates the pervasiveness of precarity, but furthermore shows how those entanglements with other agents, human or otherwise, that put us at risk are also the connections that make living with (and through) precariousness endurable.

Precariousness has become a defining experience in contemporary society, as an inescapable condition and state of being. Living with Precariousness presents a spectrum of timely case studies that explore precarious existences – at individual, collective and structural levels, and as manifested through space and the body. These range from the plight of asylum seekers, to the tiny house movement as a response to affordable housing crises; from the global impacts of climate change, to the daily challenges of living with a chronic illness. This multidisciplinary book illustrates the pervasiveness of precarity, but furthermore shows how those entanglements with other agents, human or otherwise, that put us at risk are also the connections that make living with (and through) precariousness endurable.

`Women's Health has a great deal to offer students, academics and practitioners in health and clinical psychology, as well as people working in women's studies, sociology and social work. It is a thought-provoking text which left me feeling invigorated about carrying out research in this field' - Journal of Health Psychology

`This will be a useful source book for health psychology students and those in health professions who are interested in a social and feminist approach to health' - British Journal of Health Psychology

`Women's Health: Psychological and Social Perspectives has a great deal to offer students, academics and practitioners in health and clinical psychology, as well as people working in women's studies, sociology, and social work. It is a thought-provoking text which left me feeling invigorated about carrying out research in this field. Furthermore, it demonstrates how valuable feminist, social constructionist approaches are in identifying those social and cultural factors that influence women's lives, women's health, and more broadly, research into these topics.' - Journal of Health Psychology

What is `women's health', and what are the issues of women's health beyond the obstetric and the gynaecological? This wide-ranging book - the first volume in the new Behaviour and Health series - surveys the social and cultural influences on women, focusing on the ways these impact on their health. It looks at the social construction of gender and, from a psychological point of view, the unique aspects of women's health which are affected by social roles, and not just biology.

Women's Health is organized around restrictive social myths about women: women at the mercy of their hormones; the myth of the maternal instinct; the assumption that it is `natural' for women to carry out the majority of unpaid domestic labour and family care; and women as stereotypes conforming to images of youth, beauty and sexual availability to men. Drawing on research from a wide range of countries, non-western perspectives are included wherever possible. Each chapter includes a review of the psychological literature and relates it to feminist perspectives.

In this provocative book, Christina Lee takes a consciously critical approach to the apparently unchallenged principle that conscious thought is the cause of all human behavior. Without becoming polemical or destructive, she reconsiders a wide range of issues in mainstream American and European social psychology. Suitable for an international audience, the book deals with issues in mainstream American and European social psychology. It assumes some familiarity with contemporary social and applied psychology, and would be appropriate as a text or supplementary reading for senior undergraduate and postgraduate courses in social psychology and psychological theory, although it is also written with an academic research audience in mind. While it is written largely for psychologists, it would also be of interest to academics from other social-science disciplines with a general interest in explanations of individual social behavior.

This book explores ways in which screen-based storyworlds transfix, transform, and transport us imaginatively, physically, and virtually to the places they depict or film. Topics include fantasy quests in computer games, celebrity walking tours, dark tourism sites, Hobbiton as theme park, surf movies, and social gangs of Disneyland. How physical, virtual, and imagined locations create a sense of place through their immediate experience or visitation is undergoing a revolution in technology, travel modes, and tourism behaviour. This edited collection explores the rapidly evolving field of screen tourism and the affective impact of landscape, with provocative questions and investigations of social groups, fan culture, new technology, and the wider changing trends in screen tourism. We provide critical examples of affective landscapes across a wide range of mediums (from the big screen to the small screen) and locations. This book will appeal to students and scholars in film and tourism, as well as geography, design, media and communication studies, game studies, and digital humanities.

This book explores ways in which screen-based storyworlds transfix, transform, and transport us imaginatively, physically, and virtually to the places they depict or film. Topics include fantasy quests in computer games, celebrity walking tours, dark tourism sites, Hobbiton as theme park, surf movies, and social gangs of Disneyland. How physical, virtual, and imagined locations create a sense of place through their immediate experience or visitation is undergoing a revolution in technology, travel modes, and tourism behaviour. This edited collection explores the rapidly evolving field of screen tourism and the affective impact of landscape, with provocative questions and investigations of social groups, fan culture, new technology, and the wider changing trends in screen tourism. We provide critical examples of affective landscapes across a wide range of mediums (from the big screen to the small screen) and locations. This book will appeal to students and scholars in film and tourism, as well as geography, design, media and communication studies, game studies, and digital humanities.

This second collection of primary sources in English translation ranges across a gamut of places and moments in the early modern Spanish Pacific. It may be used in conjunction with Volume 1 or on its own. While its focus continues to be on the encounters and entanglements that arose in the Spanish Pacific, it more strongly emphasizes the challenges faced by secular and ecclesiastical authorities in their attempts to control a distant colony and reshape its culture, from the complex forms of identify formation in the diverse world of the colonial Philippines to the complexities of inter-imperial rivalry in East and Southeast Asia as a whole. As with Volume 1, each document is introduced by a specialist in the field and includes a list of suggestions for further reading. An introductory essay surveys current work in the field of early modern Spanish Pacific studies and provides a lengthy bibliography.

The Spanish Pacific designates the space Spain colonized or aspired to rule in Asia between 1521 - with the arrival of Ferdinand Magellan - and 1815 - the end of the Manila-Acapulco galleon trade route. It encompasses what we identify today as the Philippines and the Marianas, but also Spanish America, China, Japan, and other parts of Asia that in the Spanish imagination were extensions of its Latin American colonies. This reader provides a selection of documents relevant to the encounters and entanglements that arose in the Spanish Pacific among Europeans, Spanish Americans, and Asians while highlighting the role of natives, mestizos, and women. A-first-of-its-kind, each of the documents in this collection was selected, translated into English, and edited by a different scholar in the field of early modern Spanish Pacific studies, who also provided commentary and bibliography.

This anthology explores the spatial dimension and politics of haunting. It considers how the ‘appearance’ of absence, emptiness and the imperceptible can indicate an overwhelming presence of something that once was, and still is, (t)here. At its core, the book asks: how and why do certain places haunt us? Drawing from a diversity of mediums, forms and disciplinary approaches, the contributors to Spectral Spaces and Hauntings illustrate the complicated ways absent presences can manifest and be registered. The case studies range from the memory sites of a terrorist attack, the lost home, a vanished mining town and abandoned airports, to the post-apocalyptic wastelands in literary fiction, the photographic and filmic surfaces where spectres materialise, and the body as a site for re-corporealising the disappeared and dead. In ruminating on the afteraffects of spectral spaces on human experience, the anthology importantly foregrounds the ethical and political imperative of engaging with ghosts and following their traces.

Violating Time explores the complexity of nonlinear and disrupted cinematic time - the delayed period between the actual recording of an event and its eventual public viewing; the recreation of an historical event years after it has occurred; a nostalgic return to retro in the postmodern era; and manipulation of the clock in time travel movies to alter the course of events and create new cultural geographies of time, space and experience. This collection investigates the politics of tactical remembering and forgetting - the selective editing of time and narrative - not only as acts of subversion but also of creative potential and empowerment. It argues that representations of the past and projections of the future are not isolated commentaries of a romantic yesterday or grand visions of tomorrow. Rather, they evoke the preoccupations and anxieties of the present, whether it is the skepticism of nostalgic kitsch (The Royal Tenenbaums) or the projected post-millennial fears of disappearing histories and mutating pasts, manufactured memories and loss of identity (Eternal Sunshine of the Spotless Mind and 2046).

An examination of the frequently elaborate rituals of food and feasting in Anglo-Saxon funeral rites.Anglo-Saxons were frequently buried with material artefacts, ranging from pots to clothing to jewellery, and also with items of food, while the funeral ritual itself was frequently marked by feasting, sometimes at the graveside. The book examines the place of food and feasting in funerary rituals from the earliest period to the eleventh century, considering the changes and transformations that occurred during this time, drawing on a wide range of sources,from archaeological evidence to the existing texts. It looks in particular at representations of funerary feasting, how it functions as a tool for memory, and sheds light on the relationship between the living and the dead.CHRISTINA LEE is a lecturer in the School of English Studies at the University of Nottingham.

This second collection of primary sources in English translation ranges across a gamut of places and moments in the early modern Spanish Pacific.