Christina Zetterlund – författare

This book will highlight the motivation for coherent optics in access and introduce digital coherent optical systemin detail, including advanced modulation formats, architecture of modulation and detection, and DSP flow forboth transmitter and receiver. This book will also demonstrate potential approaches to re-design and re-engineerthe digital coherent concept from long-haul and metro solutions to the access network, leveraging reduction incomplexity and cost as well as the benefits of capacity increases and operational improvements. This book will illustrate the details on optimization of the digital, optical, and electrical complexity and standardization and interoperability.

Covering the 1960s and 1970s, this volume explores new ways of investigating, comparing and interpreting the different domains of design culture across the Nordic countries. Challenging the traditional narrative, this volume argues that the roots of the most prominent features of Nordic design’s contemporary significance are not to be found amongst the objects for the home collectively branded as ‘Scandinavian Design’ to great acclaim in the 1950s, but in the discourses, institutions and practices formed in the aftermath of that oft-told success story, during the turbulent period between 1960 and 1980. This is achieved by employing multidisciplinary approaches to connect the domains of industrial production, marketing, consumption, public institutions, design educations, trade journals as well as public debates and civic initiatives forming a design culture. This book makes a significant contribution to current, international agendas of historiographical critique focusing on transnational relations and the deconstruction of national design histories. This book will be of interest to scholars in design, design history and Scandinavian studies.The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Covering the 1960s and 1970s, this volume explores new ways of investigating, comparing and interpreting the different domains of design culture across the Nordic countries. Challenging the traditional narrative, this volume argues that the roots of the most prominent features of Nordic design’s contemporary significance are not to be found amongst the objects for the home collectively branded as ‘Scandinavian Design’ to great acclaim in the 1950s, but in the discourses, institutions and practices formed in the aftermath of that oft-told success story, during the turbulent period between 1960 and 1980. This is achieved by employing multidisciplinary approaches to connect the domains of industrial production, marketing, consumption, public institutions, design educations, trade journals as well as public debates and civic initiatives forming a design culture. This book makes a significant contribution to current, international agendas of historiographical critique focusing on transnational relations and the deconstruction of national design histories. This book will be of interest to scholars in design, design history and Scandinavian studies.The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Örnsbergsauktionen 2013 var en utställning som avslutades med en auktion med svensk och internationell studioproducerad design som ägde rum under Stockholm designweek 2013. Initiativtagarna till Örnsbergsauktionen var de tre formgivarna Simon Klenell, Fredrik Paulsen och Kristoffer Sundin. Katalogens förord är skrivet av Christina Zetterlund. Katalogen innehåller verk av: Kakan Hermansson Andreas Nobel Silo Studio Early Flower Sundin/Persson Pontus Lindwall Ann Wåhlström Therese Granlund Sara Lundkvist Fabien Capello Amba Molly Jakob Solgren Simon Klenell Mia Larsson Simon Whitfield Michael Marriot Kristoffer Sundin August Sörenson Fredrik Paulsen Bahbak Hashemi-Nezhad Ulrica Hydman Vallien Hilda Hellström Maria Harrysson Nils Kristoffersson Anton Alvarez Ivana Kralikova Gemma Holt TAF Åke Axelsson Katja Pettersson Stina Löfgren Pål Rodenius Katrin Greiling

Mot slutet av 1900-talet kom design i än högre grad än tidigare att handla om mer än enbart produktformgivning. Nu började design att bli en viktig del även för företagets visuella framtoning, något som skulle komma att särprägla inte bara företaget och varumärket utan även produkterna. Den visuella framtoningen skulle uttrycka varumärkenas värden som sedan skulle köpas av konsumenten. På så sätt kom design att inte enbart handla om produktformgivning. Christina Zetterlund undersöker här hur denna förändring tog sig uttryck. Detta är Christina Zetterlunds doktorsavhandling.