Christine Evans - Böcker

The role of a genetic counsellor is to mediate between the rapid advances in molecular medicine and an individual's ability to understand and manage the risks of their inheritance. Counsellors therefore need to be fully in command of the psychological impact of their communications. Written by a psychiatrist who later became a psychotherapist, this manual is essential reading for counsellors of all disciplines. It examines the psychological processes and explains why people approach and respond differently. Effective genetic counselling requires a knowledge of attachment behaviour and non-directiveness, and an in-depth understanding of empathy in order to help individuals contain anxiety and process grief and so facilitate their decision-making or help with the effects of reviewing a test result. Along with an up-to-date discussion of similar approaches in family therapy and psychoanalysis, the effect of counselling on the counsellor is also examined creatively in order to enrich the interview with clients.

Past and present violently collide when Lotte an English tourist who repairs dolls is captured while on a tour of current-day Troy and flung back into the ancient camp of Euripides' Trojan Women.Part contemporary drama part homage to Euripides' Trojan Women Trojan Barbie recasts the legendary fall of the city of Troy against the vivid reality of modern warfare. Poetic compassionate and tinged with great warmth and humor Trojan Barbie is an epic war story with a most unlik

Do you ever wish your problems could be solved just by asking? Be careful what you wish for!

Do you ever wish your problems could be solved just by asking? Be careful what you wish for!

Do you ever wish your problems could be solved just by asking? Be careful what you wish for!

In this evaluation of the international legal standing of the right to reparation and its practical implementation at the national level, Christine Evans outlines State responsibility and examines the jurisprudence of the International Court of Justice, the Articles on State Responsibility of the International Law Commission and the convergence of norms in different branches of international law, notably human rights law, humanitarian law and international criminal law. Case studies of countries in which the United Nations has played a significant role in peace negotiations and post-conflict processes allow her to analyse to what extent transitional justice measures have promoted State responsibility for reparations, interacted with human rights mechanisms and prompted subsequent elaboration of domestic legislation and reparations policies. In conclusion, she argues for an emerging customary right for individuals to receive reparations for serious violations of human rights and a corresponding responsibility of States.

In this evaluation of the international legal standing of the right to reparation and its practical implementation at the national level, Christine Evans outlines State responsibility and examines the jurisprudence of the International Court of Justice, the Articles on State Responsibility of the International Law Commission and the convergence of norms in different branches of international law, notably human rights law, humanitarian law and international criminal law. Case studies of countries in which the United Nations has played a significant role in peace negotiations and post-conflict processes allow her to analyse to what extent transitional justice measures have promoted State responsibility for reparations, interacted with human rights mechanisms and prompted subsequent elaboration of domestic legislation and reparations policies. In conclusion, she argues for an emerging customary right for individuals to receive reparations for serious violations of human rights and a corresponding responsibility of States.

A gentle and moving story about an intergenerational friendship between a young child and their neighbor told through a series of letters, for fans of Ida, Always. When Jackson’s soccer ball accidentally lands in his neighbor’s rose bush, he thinks he’s ruined Mr. Graham’s roses forever. So he quickly writes a letter to Mr. Graham that blossoms into a marvelous friendship. Jackson writes letters, highlighting the everyday moments to make them feel larger than life, and Mr. G keeps writing back until the very end of his life, encouraging Jackson to live each day to the fullest. This breathtakingly beautiful epistolary story shows the strength of letter-writing and intergenerational bonds. The text is accompanied by tender and evocative artwork to remind us that even as seasons change, our loved ones always stay in our hearts.

How a simple creative act spreads a message of love and acceptance around the world?Emily’s idea started small. Many beautiful ideas do.She folded, doodled, and snipped.But also, like many ideas, Emily’s small idea grew.When a little girl decides to create a paper chain of dolls, her idea catches on. Then it spreads far and wide as children around the world begin to create and share their own. This is the story of how that girl makes it happen.For readers ages 4 to 8.Includes a make-your-own page to help you get started on your own paper doll chains.

Cometary Phases is Christine Evans' first collection of poetry for six years. It builds on the lyrical and unsentimental portrayal of rural life which is a feature of her work, but includes a striking new imaginative power. Ageing, change, the environment and the position of women are her subjects now, in poems often shot through with darkness and foreboding.At the centre of Cometary Phases are a group of remarkable poems from the small hours, the time 'between wakings': the poems of a gifted insomniac, as they have been called. Other poems imaginatively enter the world of animals, like the unforgettable 'Whale Dream', while the long title poem searches for meaning in change and death, a search lit by Halley's Comet.Christine Evans taught English on the Llyn Peninsula, where she lives with her husband and son on a farm. Her first collection, Looking Inland, was described as having 'something to say that is worth saying...a sane response to experience' . Her work is widely pubished; Seren produced four collections: Looking Inland, Falling Back, Cometary Phases and Island of Dark Horses.

Featuring a generous selection from four published collections of the poems of Christine Evans, this book also features her new work. Spanning two decades, the book opens with pieces from "Looking Inland. The visiting farmers in "Callers" with their "blunt, nervous hands" set the tone for the early poems, which are poignant, precise observations of the author's surroundings, a farm on the Llyn Peninsula in north Wales. Also included is the entire "Falling Back, an accomplished longer poem. It tells the story of a woman's attempts to come to terms with the death of her husband, a shepherd, in north Wales. From initial stunned grief through recovery, the slow stages of bereavement are movingly portrayed. The poems from "Cometary Phases show an increasing confidence and ambition. In pieces like "Deep Under" and "Fodder," the poet starts with externals and then moves deeper, using the landscape as metaphor for emotional or spiritual states. Selections from the "Island of Dark Horses focus on the mysterious island of Bardsey off the coast of Llyn, whose history and inhabitants inspire Evans to a series of reflections, culminating in the long celebratory title poem.

Shortlisted for the Wales Book of the Year Prize 2007This new collection from Christine Evans follows last year's well-received Selected Poems. Hers is a sensitive and persuasive voice, highly attuned to the vagaries of the seasons, to the landscapes and inhabitants of the beautiful Llyn Peninsula in North Wales where the author has made her home.As well as vibrant short lyrics on everything from 'Bluebells in Nanhoron' to jets flying over Wales, there are a series of tender elegiac pieces on relatives, meditations on the last moments of Shelley and the fates of the Brontes, and a number of poems featuring the mysterious Island of Bardsey.Born in Yorkshire, Christine Evans moved to Wales in 1967. She divides her time between farms on the Llyn Peninsula and Bardsey Island.Christine Evans was born in Yorkshire, and moved to Wales in 1967. She taught English on the Llyn Peninsula, where she lives with her husband and son on a farm. Her first collection, Looking Inland, was described as having "something to say that is worth saying... a sane response to experience". Her work is widely pubished; Seren produced four collections: Looking Inland, Falling Back, Cometary Phases and Island of Dark Horses.