Christine Feldman-Barrett – författare

Young people and their activities always have been a part of history – yet such narratives have remained mostly untold and often lost in the sands of time. This unprecedented and international collection sheds light on youth’s hidden histories from the nineteenth century to the early twenty-first century: whether from the American Civil War, Maoist China, postcolonial Greenland, or contemporary Iran. These tales of leisure, identity, and belonging take readers into the heart of youth history and uncover heretofore unrecognized cultural contributions that young people have made across time and throughout the world.

Young people and their activities always have been a part of history – yet such narratives have remained mostly untold and often lost in the sands of time. This unprecedented and international collection sheds light on youth’s hidden histories from the nineteenth century to the early twenty-first century: whether from the American Civil War, Maoist China, postcolonial Greenland, or contemporary Iran. These tales of leisure, identity, and belonging take readers into the heart of youth history and uncover heretofore unrecognized cultural contributions that young people have made across time and throughout the world.

Winner of the 2022 Open Publication Prize by the International Association for the Study of Popular Music (IASPM-ANZ)A Women’s History of the Beatles is the first book to offer a detailed presentation of the band’s social and cultural impact as understood through the experiences and lives of women. Drawing on a mix of interviews, archival research, textual analysis, and autoethnography, this scholarly work depicts how the Beatles have profoundly shaped and enriched the lives of women, while also reexamining key, influential female figures within the group’s history.Organized topically based on key themes important to the Beatles story, each chapter uncovers the varied and multifaceted relationships women have had with the band, whether face-to-face and intimately or parasocially through mediated, popular culture. Set within a socio-historical context that charts changing gender norms since the early 1960s, these narratives consider how the Beatles have affected women’s lives across three generations. Providing a fresh perspective of a well-known tale, this is a cultural history that moves far beyond the screams of Beatlemania to offer a more comprehensive understanding of what the now iconic band has meant to women over the course of six decades.

Winner of the 2022 Open Publication Prize by the International Association for the Study of Popular Music (IASPM-ANZ)A Women’s History of the Beatles is the first book to offer a detailed presentation of the band’s social and cultural impact as understood through the experiences and lives of women. Drawing on a mix of interviews, archival research, textual analysis, and autoethnography, this scholarly work depicts how the Beatles have profoundly shaped and enriched the lives of women, while also reexamining key, influential female figures within the group’s history.Organized topically based on key themes important to the Beatles story, each chapter uncovers the varied and multifaceted relationships women have had with the band, whether face-to-face and intimately or parasocially through mediated, popular culture. Set within a socio-historical context that charts changing gender norms since the early 1960s, these narratives consider how the Beatles have affected women’s lives across three generations. Providing a fresh perspective of a well-known tale, this is a cultural history that moves far beyond the screams of Beatlemania to offer a more comprehensive understanding of what the now iconic band has meant to women over the course of six decades.

Once conduits to new music, frequently bypassing the corporate music industry in ways now done more easily via the Internet, record stores championed the most local of economic enterprises, allowing social mobility to well up from them in unexpected ways. Record stores speak volumes about our relationship to shopping, capitalism, and art. This book takes a comprehensive look at what individual record stores meant to individual people, but also what they meant to communities, to musical genres, and to society in general. What was their role in shaping social practices, aesthetic tastes, and even, loosely put, ideologies? From women-owned and independent record stores, to Reggae record shops in London, to Rough Trade in Paris, this book takes on a global and interdisciplinary approach to evaluating record stores. It collects stories and memories, and facts about a variety of local stores that not only re-centers the record store as a marketplace of ideas, but also explore and celebrate a neglected personal history of many lives.