Christine Kelly – författare

Mrs Duberly's journal is one of the most vivid eye-witness accounts we have of the Crimean War. Fanny Duberly, then aged 25, accompanied her husband to the Crimea in 1854, and remained there until the end of the fighting, the only officer's wife to remain throughout the entire campaign. She survived the severe winter of 1854-55, witnessed the battle of Balaklava and the charge of the Light Brigade, and rode through the ruins of Sebastopol. Spirited and courageous, she was known by sight to British and French soldiers across the battlefields, regarded often with enthusiasm and sometimes with disapproval. Witty and beautiful, she enjoyed flirtatious friendships with many of the most important men of the campaign. Her Journal kept during the Russian War was published in 1855 and caused a sensation. Although widely praised as the 'new heroine for the Crimea', Fanny was also censured, ridiculed, and even parodied in Punch. She had stepped into a man's world, and written about it in a way that seemed to some at the front an invasion of privacy and to others at home an abandonment of gentility. A best-seller at the time, the Journal was not reprinted after its second edition of 1856, and this is the first edition since that time.

In Tangled Up in Red, White, and Blue, Christine Kelly examines the role that progressive social movements might play in the recovery and expansion of democracy and justice in the new millennium. Kelly simultaneously combines an analysis of several modernization theses with respect to the role of social movements, with a unique sense of the way that the American ideological and institutional context has shaped progressive social movements, for better and worse, in our era. Kelly candidly confronts contemporary American radicalism from the perspective of a movement participant—included is a rare treatment of the 1980s student movement—but with an eye on the future. Tangled Up in Red, White, and Blue is a bold and sophisticated study combining the frequently divorced interests of political theory, institutional analysis, and social movement studies—both European and American.

Disability Politics and Care examines a provincial direct-funding program to illuminate what happens when people with disabilities take control of their own care arrangements.In addition to investigating responses from a wide range of stakeholders, Christine Kelly reflects on the broader social and political implications of these types of programs. She probes the divide that exists between rejections of care by disability activists, on the one hand, and attempts by feminists to value gendered forms of labour, on the other. Rather than trying to find common ground between these viewpoints, Kelly explores how maintaining a tension between them could positively transform the understanding and practice of care. Enlivened by the voices of disabled people, attendants, and informal supports, this book uses one independent living program as a starting point for untangling much larger philosophical, theoretical, and material questions about (self) determination, (inter)dependence, governance, and justice.

Mobilizing Metaphor illustrates how radical and unconventional forms of activism, including art, are reshaping the rich and vibrant tradition of disability mobilization in Canada – and in the process, challenging perceptions of disability and the politics that surround it.Until now, research on Canadian disability activism has focused on legal and policy spheres and overlooked how disability activism is as varied as the population it represents. Mobilizing Metaphor combines contributions by artists, activists, and academics (including an insightful concluding chapter by renowned disability scholar Tanya Titchkoksy) with rich illustrations and photographs to reveal how disability art is distinctive as both art and social action.As the contributors sketch the shifting contours of disability politics in Canada and show how disability oppression is not isolated from other prejudices, they challenge us to re-examine how we enact social and political change.

Mobilizing Metaphor illustrates how radical and unconventional forms of activism, including art, are reshaping the rich and vibrant tradition of disability mobilization in Canada – and in the process, challenging perceptions of disability and the politics that surround it.Until now, research on Canadian disability activism has focused on legal and policy spheres and overlooked how disability activism is as varied as the population it represents. Mobilizing Metaphor combines contributions by artists, activists, and academics (including an insightful concluding chapter by renowned disability scholar Tanya Titchkoksy) with rich illustrations and photographs to reveal how disability art is distinctive as both art and social action.As the contributors sketch the shifting contours of disability politics in Canada and show how disability oppression is not isolated from other prejudices, they challenge us to re-examine how we enact social and political change.

As the global population ages, disability demographics are shifting. Societal transformation and global health inequities have changed who is likely to reach old age, who is likely to live with disability, and the relationship between aging and disability in various socio-cultural and geopolitical contexts.The Aging–Disability Nexus breaks new ground by bringing gerontology and disability studies into dialogue with each other through a variety of empirical, conceptual, and pedagogical approaches. Contributors explore the tensions that shape the way disability and aging are understood, experienced, and responded to at both individual and systemic levels, while avoiding the common tendency to conflate these overlapping elements and map them onto a normative, faulty notion of the human life trajectory. This perceptive work analyzes the distinction between aging with a disability and aging into disability, and reveals how multiple identities, socio-economic forces, culture, and community give form to our experiences.

As the global population ages, disability demographics are shifting. Societal transformation and global health inequities have changed who is likely to reach old age, who is likely to live with disability, and the relationship between aging and disability in various socio-cultural and geopolitical contexts.The Aging–Disability Nexus breaks new ground by bringing gerontology and disability studies into dialogue with each other through a variety of empirical, conceptual, and pedagogical approaches. Contributors explore the tensions that shape the way disability and aging are understood, experienced, and responded to at both individual and systemic levels, while avoiding the common tendency to conflate these overlapping elements and map them onto a normative, faulty notion of the human life trajectory. This perceptive work analyzes the distinction between aging with a disability and aging into disability, and reveals how multiple identities, socio-economic forces, culture, and community give form to our experiences.

"Disability is not our worst-case scenario – our worst-case scenario would be its annihilation." This is the starting point for this powerful collection of writing by and about Catherine Frazee, disability activist, Officer of the Order of Canada, and poetic scholar of justice. For Frazee, disability is not something to be dreaded or overcome but a force to be reckoned with – a prism of insight and experience that refracts new light upon our fundamental ideals of justice, beauty, and community.Catherine Frazee has been a central figure in the disability rights landscape in Canada for decades. Her reasoned and passionate insights are topical and often ahead of their time. Always bold, always progressive, and frequently provocative, Frazee's work presents an unwavering, fierce commitment to engage in public debate from a position that centres the lives of disabled people. Taken together, these writings chronicle the rising consciousness of a social movement of disabled people staking their claim in public policy and popular culture, a claim that is overdue for honest recognition.

How did Scotland’s criminal justice system respond to marginalised street children who found themselves on the wrong side of the law, often for simple vagrancy or other minor offences? This book examines the historical criminalisation of Scotland’s Victorian children, as well as revealing the history and early success of the Scottish day industrial school movement – a philanthropic response to juvenile offending hailed as ‘magic’ in Charles Dickens’s Household Words. With case studies ranging from police courts to the High Court of Justiciary, the book offers a lively account of the way children experienced Scotland’s early juvenile justice system.