Christine Macel – författare

For more than 30 years, Thea Westreich Wagner and Ethan Wagner have devoted themselves to contemporary art, and through their passion and acumen have assembled an extraordinary collection. This handsomely illustrated volume is the first to document the collection of Thea Westreich Wagner and Ethan Wagner, more than 850 artworks in all media that have been promised to the Whitney Museum of American Art, New York, and the Centre Pompidou, Paris. Artists represented include Lee Friedlander, Robert Gober, Jeff Koons, Christopher Wool, Ryan Gander, and Bernadette Corporation, among others, and the works span from the 1950s to 2014.  Over 300 highlights illustrate the collectors’ commitment to acquiring works that challenge, excite, confound, and amuse. Essays offer context for understanding the importance of the works as a group and illuminate the art world milieus in which the collectors immersed themselves. The book also includes an engaging interview with the collectors, providing a personal perspective on contemporary art acquisition. Distributed for the Whitney Museum of American ArtExhibition Schedule:Whitney Museum of American Art(11/20/15–03/06/16)Centre Pompidou, Paris06/16/16–01/2017

With a few notable exceptions, the fundamental role that women played in the development of abstract art has long been underestimated, and their work has not received the same critical attention as that of their male counterparts. Now, at last, the tide is turning. The latest historiographical advances illustrated by numerous recent publications, monographs and thematic exhibitions make it possible to reassess the importance of the contribution of women artists to the different currents of abstraction, while at the same time questioning the patterns of the past. Edited by Christine Macel, this catalogue and the exhibition it accompanies highlights the contributions of a hundred or so women artists to abstraction up to the 1980s, with a few unprecedented forays into the 19th century. By focusing on the careers of artists so often unjustly eclipsed, the book questions the established canons and offers an alternative history of abstraction, from the symbolist abstraction of Hilma Af Klint, to the sensual abstraction of Huguette Caland, to the purist non-objective approach of Verena Von Loewensberg. Essays by noted scholars explore the techniques, concerns and legacies of these women, shedding light on their unique experiences and offering keen new reflections on their work and the movement as a whole.With 350 illustrations

What We Call Love explores how the notion of love has evolved within the 20th century. How have seismic sociological changes concerning sexuality, marriage and intimacy affected the way we conceive love today? How does visual art, from Surrealism to the present day, deal with love? This book draws on Surrealism's idea of love as "l'amour fou" (mad love) and new visions of love which emerged after the 1960s.Artists include Marina Abramovic and Ulay, Sadie Benning, Louise Bourgeois, Constantin Brancusi, Brassaï, André Breton, Cecily Brown, Sophie Calle, Marcel Duchamp, Elmgreen and Dragset, Nan Goldin, Felix González-Torres, Douglas Gordon, Mona Hatoum, Damien Hirst, Jim Hodges, Rebecca Horn, Ghérasim Luca, Annette Messager, Tracey Moffatt, Yoko Ono, Benjamin Péret, Carolee Schneemann, Rudolf Schwarzkogler, Wolfgang Tillmans, Cerith Wyn Evans and Akram Zaatari.