Christof Metzger – författare

Albrecht Dürer is the undisputed genius of the Northern Renaissance, a visionary unbound by a single medium. He carved a career spanning painting, printmaking, drawing, and art theory, mastering each with dazzling skill. Famous in his own lifetime for his portraits of princes and patricians, his luminous drawings and watercolors transformed the sketch into an art form in its own right: works such as Young Hare stand as marvels of observation, capturing life with a precision and sensitivity that still amaze today. He was native to the bustling city of Nuremberg, but his travels brought him face-to-face with Renaissance humanism, Venetian color, and classical ideals of beauty. These he absorbed and reimagined with northern precision. As court artist to Maximilian I, and confidant of humanists like Erasmus, he moved easily among the great minds of his age, his musings on measurement and proportion establishing him as one of Europe’s great thinkers. But he never stopped producing work of startling intimacy, from unflinching self-portraits and elaborate prints to meticulously observed studies of nature.Featuring every known painting—many reproduced with brand-new photography—and nearly 500 drawings, this graceful volume captures the sweep of Dürer’s genius. From monumental altarpieces to intimate portraits, from delicate studies of the world around him to bold experiments, it reveals an artist both of his time and ahead of it, an innovator whose vision still feels urgent today. More than a compendium, it is a celebration of a polymath who continues to astonish and inspire.

Die Beiträge in diesem Band beleuchten die Entstehung von bedeutenden Zeichnungssammlungen in Wien und Mitteleuropa, die heute vielfach den Grundstock der großen Kabinette etwa in Wien, Berlin, Dresden und Hamburg bilden. Sie fragen nach den Akteuren, ihren internationalen Verflechtungen und ihren Motivationen, nach besonderen Sammlungsschwerpunkten und Erwerbungsstrategien wie nach Aufbewahrung und Ordnungssystemen. Die mediale Verbreitung der Sammlungen im Reproduktionsstich oder durch Katalogwerke kommt ebenso zur Sprache wie Strukturen des Kunst- und Aktionshandels und das Zusammenspiel von Sammeln, Kennerschaft und Zeichnungswissenschaft. Der Band zeigt dabei auch, wie stark Zeichnungssammlungen vor allem im 18. und 19. Jahrhundert die Kunstgeschichte und die methodische Entwicklung des Fachs geprägt haben.

Mit Beiträgen in deutscher und englischer Sprache

Blick ins Buch

Dürer’s Praying Hands are one of the world’s most popular artworks. Few artists have changed the art world more profoundly than Leonardo and Dürer. They bring their subjects to life with breath-taking virtuosity, creating masterpieces of incredible intimacy.Mythology, religious faith and history, images of everyday life and travel scenes were core themes of the 15th century and stand at the centre of the art displayed in the drawings of Leonardo and Dürer. The images reveal their charm in the interplay of chiaroscuro effects on coloured paper. The works of both masters are shown alongside sheets by their contemporaries like Albrecht Altdorfer and Raphael. How could this art form assert its independence and what made it so popular and successful? The lavish publication examines these fascinating questions and illustrates the wide-ranging expressive possibilities that the technique offers.

During his lifetime, Dürer found tremendous success as a printmaker and painter, taking commissions from prominent figures such as Frederick the Wise, for whom Dürer produced the masterpiece Adoration of the Magi, and Holy Roman Emperor Maximilian I. While Dürer’s paintings and prints are highly lauded, his drawings and studies are equally important . Featured in this book are Dürer’s drawings from the Albertina Museum’s preeminent collection. The Albertina Museum houses the world’s most important collection of drawings by Dürer which include family portraits, studies of animals and plants, and studies of the human body. Influenced by his contacts to Italy and by his humanist friends he showed a strong interest in human proportions, anatomy, and perspective. This book showcases more than 100 of Dürer’s drawings including Hare, Self Portrait at the Age of 13, and Melencolia I, accompanied by paintings and prints. Featuring scholarly essays and beautifully reproduced works, this book shows the importance of Dürer’s drawings in his oeuvre and how he helped drawing become an appreciated medium in its own right.

Albrecht Dürer is the undisputed genius of the Northern Renaissance, a visionary unbound by a single medium. He carved a career spanning painting, printmaking, drawing, and art theory, mastering each with dazzling skill. Famous in his own lifetime for his portraits of princes and patricians, his luminous drawings and watercolors transformed the sketch into an art form in its own right: works such as Young Hare stand as marvels of observation, capturing life with a precision and sensitivity that still amaze today. He was native to the bustling city of Nuremberg, but his travels brought him face-to-face with Renaissance humanism, Venetian color, and classical ideals of beauty. These he absorbed and reimagined with northern precision. As court artist to Maximilian I, and confidant of humanists like Erasmus, he moved easily among the great minds of his age, his musings on measurement and proportion establishing him as one of Europe’s great thinkers. But he never stopped producing work of startling intimacy, from unflinching self-portraits and elaborate prints to meticulously observed studies of nature.Featuring every known painting—many reproduced with brand-new photography—and nearly 500 drawings, this graceful volume captures the sweep of Dürer’s genius. From monumental altarpieces to intimate portraits, from delicate studies of the world around him to bold experiments, it reveals an artist both of his time and ahead of it, an innovator whose vision still feels urgent today. More than a compendium, it is a celebration of a polymath who continues to astonish and inspire.