Christoph Günther - Böcker

Explores how Jihad, political violence and audio-visual media are entangled in particular ways as discursive formationsFosters critical perspectives on the invocation of a narrow understanding of jihad and political violence in different social contextsPoints to the operation of media and aesthetic means to articulate or defy notions of jihad in the context of political violenceComprises 16 case studies on forms of knowledge production, aesthetic manifestations, socio-political enactments, and archival practices that shape the entanglement of jihad, political violence, and mediaPresents empirically-grounded research from the perspective of Anthropology, Art History, Cultural Studies, Islamic Studies, Media Studies, and Political ScienceAdvances reflections on knowledge production and ethical challenges of research in this fieldThe entanglement of Jihad, Political Violence, and Media has determined the lives of Muslims in Europe and the US over the past 20 years. This book unravels the nexus of these elements, to critically examine how their conjunction is perpetuated, reproduced, or disputed. In 16 case studies, the contributors critically reflect on the identification of jihad with political violence, address the academic, legal, political and broader public production of knowledge on this topic, examine the aesthetic formations involved in the mediation and reaffirmation of this narrow understanding, explore the experiential worlds of people whose ideas and actions are labelled as and affected by notions of violent jihad, and illuminate the institutional and media contexts (e.g. of archives) in which an entanglement of jihad and political violence takes effect, with profound consequences.This volume decentres dominant discourses on so-called jihadist actors and deradicalization contexts to offer more nuanced understandings of the political and socio-cultural contexts.

The entanglement of Jihad, political violence, and media has determined the lives of Muslims in Europe and the US over the past 20 years. This book unravels the nexus of these elements to critically examine how their conjunction is perpetuated, reproduced, or disputed. In 16 case studies, the contributors critically reflect on the identification of jihad with political violence, address the academic, legal, political and broader public production of knowledge on this topic, examine the aesthetic formations involved in the mediation and reaffirmation of this narrow understanding, explore the experiential worlds of people whose ideas and actions are labelled as and affected by notions of violent jihad, and illuminate the institutional and media contexts (e.g. of archives) in which an entanglement of jihad and political violence takes effect, with profound consequences. This volume decentres dominant discourses on so-called jihadist actors and deradicalization contexts to offer more nuanced understandings of the political and socio-cultural contexts.

ISIS is often described as a terrorist organisation that uses social media to empower its supporters and reinforce its message. Through 12 case studies, this book examines the different ways in which Jihadi groups and their supporters use visualisation, sound production and aesthetic means to articulate their cause in online as well as offline contexts. Divided into four thematic sections, the chapters probe Jihadi appropriation of traditional and popular cultural expressions and show how, in turn, political activists appropriate extremist media to oppose and resist the propaganda. By conceptualising militant Islamist audiovisual productions as part of global media aesthetics and practices, the authors shed light on how religious actors, artists, civil society activists, global youth, political forces, security agencies and researchers engage with mediated manifestations of Jihadi ideology to deconstruct, reinforce, defy or oppose the messages.

ISIS is often described as a terrorist organisation that uses social media to empower its supporters and reinforce its message. Through 12 case studies, this book examines the different ways in which Jihadi groups and their supporters use visualisation, sound production and aesthetic means to articulate their cause in online as well as offline contexts. Divided into 4 thematic sections, the chapters probe Jihadi appropriation of traditional and popular cultural expressions and show how, in turn, political activists appropriate extremist media to oppose and resist the propaganda. By conceptualising militant Islamist audiovisual productions as part of global media aesthetics and practices, the authors shed light on how religious actors, artists, civil society activists, global youth, political forces, security agencies and researchers engage with mediated manifestations of Jihadi ideology to deconstruct, reinforce, defy or oppose the messages.

Describing the Islamic State's ideologues as 'entrepreneurs of identity', this book explores how the group defined categories of social identity and used these categories as tools of communicative and cognitive structuring. Based on a wide dossier of original texts, speeches, images, and videos, the book examines how these ideologues have built a symbolic repertoire around the black flag as well as ideas and social practices such as the dictum to command good and forbid wrong, the supervision of public behaviour, and the oath of allegiance to the Caliph.