Christoph Lüthy – författare

When David Gorlaeus (1591-1612) passed away at 21 years of age, he left behind two highly innovative manuscripts. Once they were published, his work had a remarkable impact on the evolution of seventeenth-century thought.,However, as his identity was unknown, divergent interpretations of their meaning quickly sprang up. Seventeenth-century readers understood him as an anti-Aristotelian thinker and as a precursor of Descartes. Twentieth-century historians depicted him as an atomist, natural scientist and even as a chemist. And yet, when Gorlaeus died, he was a beginning student in theology. His thought must in fact be placed at the intersection between philosophy, the nascent natural sciences, and theology.,The aim of this book is to shed light on Gorlaeus’ family circumstances, his education at Franeker and Leiden, and on the virulent Arminian crisis which provided the context within which his work was written. It also attempts to define Gorlaeus’ place in the history of Dutch philosophy and to assess the influence that it exercised in the evolution of philosophy and science, and notably in early Cartesian circles. Christoph Lüthy is professor of the history of philosophy and science at Radboud University Nijmegen, the Netherlands. Toen David Gorlaeus (1591-1612) op 21 jarige leeftijd overleed, liet hij twee baanbrekende manuscripten na. Na de postume publicatie in 1620 en 1651 hadden zijn werken een opmerkelijke invloed.,Doordat Gorlaeus’ identiteit onbekend was, ontstonden al snel zeer uiteenlopende interpretaties van de publicaties. Lezers uit de zeventiende eeuw dachten met een anti-aristotelische denker en een voorloper van Descartes van doen te hebben. Twintigste-eeuwse historici schilderden hem af als een atomist, natuurwetenschapper en zelfs als chemicus. Gorlaeus was echter 'slechts' beginnend theologiestudent en zijn werk bevindt zich op het kruispunt van filosofie, de ontluikende natuurwetenschappen en theologie.Dit boek beoogt inzicht te geven in de familieomstandigheden van Gorlaeus, zijn opleiding aan de universiteit van Franeker en Leiden en de historische context waarin hij zijn werk schreef. Ten slotte probeert de auteur te bepalen welke plaats Gorlaeus’ werken innemen in de geschiedenis van de Nederlandse filosofie en wat hun invloed was op de ontwikkelingen in filosofie en wetenschap.

How were the relations among image, imagination and cognition characterized in the period 1500 – 1800? The authors of this volume argue that in those three centuries, a thoroughgoing transformation affected the following issues: (i) what it meant to understand phenomena in the natural world (cognition); (ii) how such phenomena were visualized or pictured (images, including novel types of diagrams, structural models, maps, etc.); and (iii) what role was attributed to the faculty of the imagination (psychology, creativity). The essays collected in this volume examine the new conceptions that were advanced and the novel ways of comprehending and expressing the relations among image, imagination, and cognition. They also shed light, from a variety of perspectives, on the elusive nexus of conceptions and practices.

The Renaissance witnessed an upsurge in explanations of natural events in terms of invisibly small particles – atoms, corpuscles, minima, monads and particles. The reasons for this development are as varied as are the entities that were proposed. This volume covers the period from the earliest commentaries on Lucretius’ De rerum natura to the sources of Newton’s alchemical texts. Contributors examine key developments in Renaissance physiology, meteorology, metaphysics, theology, chymistry and historiography, all of which came to assign a greater explanatory weight to minute entities. These contributions show that there was no simple ‘revival of atomism’, but that the Renaissance confronts us with a diverse and conceptually messy process.Contributors are: Stephen Clucas, Christoph Lüthy, Craig Martin, Elisabeth Moreau, William R. Newman, Elena Nicoli, Sandra Plastina, Kuni Sakamoto, Jole Shackelford, and Leen Spruit.