Christoph Ransmayr – författare

In The Atlas of an Anxious Man, Christoph Ransmayr offers a mesmerizing travel diary—a sprawling tale of earthly wonders seen by a wandering eye. This is an exquisite, lyrically told travel story.Translated by Simon Pare, this unique account follows Ransmayr across the globe: from the shadow of Java’s volcanoes to the rapids of the Mekong and Danube Rivers, from the drift ice of the Arctic Circle to Himalayan passes, and on to the disenchanted islands of the South Pacific. Ransmayr begins again and again with, “I saw. . .” recounting to the reader the stories of continents, eras, and landscapes of the soul. Like maps, the episodes come together to become a book of the world—one that charts the life and death, happiness and fate of people bound up in images of breathtaking beauty.“One of the German language’s most gifted young novelists.”—Library Journal, on The Terrors of Ice and Darkness

Richly imagined and recounted in vivid prose of extraordinary beauty, this book is a stunning illustration of Ransmayr’s talent for imbuing a captivating tale with intense metaphorical, indeed metaphysical force.The world’s most powerful man, Qiánlóng, emperor of China, invites the famous eighteenth-century clockmaker Alister Cox to his court in Beijing. There, in the heart of the Forbidden City, the Englishman and his assistants are to build machines that mark the passing of time as a child or a condemned man might experience it and that capture the many shades of happiness, suffering, love, and loss that come with that passing.Mystified by the rituals of a rigidly hierarchical society dominated by an unimaginably wealthy, god-like ruler, Cox musters all his expertise and ingenuity to satisfy the emperor’s desires. Finally, Qiánlóng, also known by the moniker Lord of Time, requests the construction of a clock capable of measuring eternity—a perpetuum mobile. Seizing this chance to realize a long-held dream and honor the memory of his late beloved daughter, yet conscious of the impossibility of his task, Cox sets to work. As the court is suspended in a never-ending summer, festering with evil gossip about the monster these foreigners are creating, the Englishmen wonder if they will ever escape from their gilded cage. More than a meeting of two men, one isolated by power, the other by grief, this is an exploration of mortality and a virtuoso demonstration that storytelling alone can truly conquer time.

The novel is set just after World War Two, in a fictitious Germany. The Allies have decided to punish the country for Nazi war crimes by forcing it to develop back in to a pre-industrial society. All the achievements of technology - railways, streets, power, ships - have been destroyed or suspended, and in the village where The Kitahara Syndrome is set, villagers are forced to farm the land with primative tools and scavenge scrap yards. Memories of German war crimes are kept alive by bizarre rituals of remembrance: villagers are forced to dress as concentration camp inmates and act out the ceremonies of torture. This is the background to the story which focuses on three characters and the strange links that bind them.

Richly imagined and recounted in vivid prose of extraordinary beauty, this book is a stunning illustration of Ransmayr’s talent for imbuing a captivating tale with intense metaphorical, indeed metaphysical force.The world’s most powerful man, Qiánlóng, emperor of China, invites the famous eighteenth-century clockmaker Alister Cox to his court in Beijing. There, in the heart of the Forbidden City, the Englishman and his assistants are to build machines that mark the passing of time as a child or a condemned man might experience it and that capture the many shades of happiness, suffering, love, and loss that come with that passing.Mystified by the rituals of a rigidly hierarchical society dominated by an unimaginably wealthy, god-like ruler, Cox musters all his expertise and ingenuity to satisfy the emperor’s desires. Finally, Qiánlóng, also known by the moniker Lord of Time, requests the construction of a clock capable of measuring eternity—a perpetuum mobile. Seizing this chance to realize a long-held dream and honor the memory of his late beloved daughter, yet conscious of the impossibility of his task, Cox sets to work. As the court is suspended in a never-ending summer, festering with evil gossip about the monster these foreigners are creating, the Englishmen wonder if they will ever escape from their gilded cage. More than a meeting of two men, one isolated by power, the other by grief, this is an exploration of mortality and a virtuoso demonstration that storytelling alone can truly conquer time.

A suspenseful novel that delves into the complexities of a father-son relationship and the timeless themes of guilt and forgiveness.  A longboat plummets over the Great Falls, drowning the five passengers on board. The Lockmaster, the heir to an ancient title and responsible for guiding river traffic safely around this natural barrier on the White River, ought to have prevented this tragedy. His son is convinced that it was not an accident. Is his irascible father a murderer? A hydraulic engineer all too familiar with the brute force of rivers, he sets out to discover the truth and find his missing father.  The Lockmaster is a dramatic tale set in a world where water has become a precious commodity and Europe has fractured into warring ethno-nationalist entities desperate to uphold the traditions and insignia of a so-called glorious bygone era. Christoph Ransmayr recounts this story in his trademark style, its epic force shot through with visions of future technology and reactionary politics amid a climate breakdown. At heart, though, this novel is the story of a father–son relationship straddling the fault lines between past and present, and an exploration of timeless questions of guilt and forgiveness.

Christoph Ransmayr ergründet die vielfältigen und ungeheuerlichen Verwandlungen der Worte in seinen fesselnden Reden.In "Gerede", dem zehnten Band der Reihe »Spielformen des Erzählens«, rühmt und dankt Ransmayr, fragt und kämpft. Er erinnert uns daran, dass es oft gerade das Kindhafte, Gefährdete, Archaische oder traumatisch Verletzte an der Poesie ist, das Unbändige und Wahnsinnige an Prosa und Drama, das uns bewegt, fesselt oder überwältigt. Zu den vornehmsten Möglichkeiten der Literatur zählt er dabei die Förderung der Vorstellungskraft durch das Erzählen vom tatsächlichen Leben des Einzelnen, um so gegen Dogma und Klischee, die Voraussetzungen aller Barbarei, zu immunisieren und darin vielleicht sogar eine Ahnung von Glück zu finden.Ransmayr nimmt uns mit auf eine literarische Reise von Wien über Irland bis hin zu Persönlichkeiten wie Heinrich Böll, Ernst Toller, Bertolt Brecht und Julius Payer. Ein Muss für alle Liebhaber:innen anspruchsvoller Essays und Reden, präsentiert in edler Leinen-Ausstattung.

Das Geheimnis des Erzählens - Zum Werk von Christoph Ransmayr.Christoph Ransmayr erzählt in einem langen Gespräch von den Wegen seines Schreibens. Ins Innere seiner Geschichten folgen ihm drei seiner Übersetzer und zwei Wissenschaftler, die mit der Herausgeberin Insa Wilke über sein Werk gesprochen haben. Sie erzählen davon, welche eigenen Vorstellungswelten sich auf den imaginären Reisen geöffnet haben. So entsteht in den mündlichen und schriftlichen Korrespondenzen ein Buch über die Rätselhaftigkeit der Materie und die Erkundung der Welt im Schreiben, gewidmet einem der bedeutendsten Künstler der Gegenwartsliteratur. Eine Einladung, sich auf den Weg zu machen ins Unbekannte.»Schreiben gleicht manchmal dem Weg in die Wildnis: Da wie dort öffnen sich scheinbar grenzenlose, menschenleere Räume, in denen es aber nur wenige gangbare Wege gibt.« (Christoph Ransmayr)

Zwei Schriftsteller, eine Erzählung: Christoph Ransmayr und Martin Pollack führen an drei Geschichten aus Polen eine besondere Spielart des Erzählens vor: das Duett.Ein Jäger, der seinem Gott vorwirft, daß er den Wolf erschaffen hat; ein hingerichteter Held und Heiliger, der sich als unschuldiger Tor erweist, und ein Nachkomme, der die apokalyptische Geschichte seines Volkes überwinden soll: Vor dem Hintergrund der polnischen Zeitgeschichte erzählen Christoph Ransmayr und Martin Pollack gemeinsam vom Drama des Menschen.Mit dem Duett, der neuesten seiner Spielformen des Erzählens, die seit 1997 bei S. Fischer in loser Folge und eleganter Ausstattung erscheinen, stellt Christoph Ransmayr die Zweistimmigkeit in eine Reihe, in der er bereits Bildergeschichte, Festrede, Schauspiel, Monolog, Verhör und Tirade als Möglichkeiten des Erzählens vorgeführt hat.