Christopher Durang – författare

Comedy Christopher DurangChacrters: 4 male 2 female Interior Set(Set may be simply suggested.) Bruce and Prudence are deeply into therapy. Prudence's macho therapist is urging her to be more assertive while Bruce's wacky female therapist wants him to meet women by placing a personal ad. She does not fully comprehend that Bruce has a male lover who is not pleased by Bruce's desire to date a woman: Prudence. Bruce doesn't know how to handle poor nervous Prudenc

Full Length, Musical / 4m, 3f /Unit Sets Nominated for a Drama Desk Award for Best Music Set in 1952 in Macao, China, ADRIFT IN MACAO is a loving parody of film noir movies. Everyone that comes to Macao is waiting for something, and though none of them know exactly what that is, they hang around to find out. The characters include your film noir standards, like Laureena, the curvacious blonde, who luckily bumps into Rick Shaw, the cynical surf and turf casino owner her first night in town. She ends up getting a job singing in his night club - perhaps for no reason other than the fact that she looks great in a slinky dress. And don't forget about Mitch, the American who has just been framed for murder by the mysterious villain McGuffin. With songs and quips, puns and farcical shenanigans, this musical parody is bound to please audiences of all ages. "And there are of course those songs...Melnick demonstrates an affinity for melody and old-fashioned showmanship that link him to his grandfather, Richard Rodgers..."- Matthew Murray, Talkin' Broadway.com "...with a drop-dead funny book and shamefully silly lyrics by Christopher Durang and lethally catchy music by Peter Melnick.A Drift In Macao lovingly parodies the Hollywood film noir classics of the 1940's and 50's..." - Michael Dale, Broadwayworld.com

This powerful anthology brings together reflective and raw plays by American playwrights surrounding the psychic and political boundaries of the many faces and shadows of terrorism. Allan Havis’s introduction addresses a variety of terrorism cases from the last 25 years, examines several theories of the root causes of modern terrors, and underscores how theatre forms a unique contour to social and philosophical thought on terrorism. With a foreword from Robert Brustein, the anthology features:Break of Noon by Neil LaBute7/11 by Kia CorthronOmnium Gatherum by Theresa Rebeck and Alexandra Gersten-VassilarosColumbinus by PJ Paparelli and Stephen KaramWhy Torture is Wrong, and the People Who Love Them by Christopher Durang

This powerful anthology brings together reflective and raw plays by American playwrights surrounding the psychic and political boundaries of the many faces and shadows of terrorism. Allan Havis''s introduction addresses a variety of terrorism cases from the last 25 years, examines several theories of the root causes of modern terrors, and underscores how theatre forms a unique contour to social and philosophical thought on terrorism. With a foreword from Robert Brustein, the anthology features: Break of Noon by Neil LaBute7/11 by Kia CorthronOmnium Gatherum by Theresa Rebeck and Alexandra Gersten-VassilarosColumbinus by PJ Paparelli and Stephen KaramWhy Torture is Wrong, and the People Who Love Them by Christopher Durang

This powerful anthology brings together reflective and raw plays by American playwrights surrounding the psychic and political boundaries of the many faces and shadows of terrorism. Allan Havis''s introduction addresses a variety of terrorism cases from the last 25 years, examines several theories of the root causes of modern terrors, and underscores how theatre forms a unique contour to social and philosophical thought on terrorism. With a foreword from Robert Brustein, the anthology features: Break of Noon by Neil LaBute7/11 by Kia CorthronOmnium Gatherum by Theresa Rebeck and Alexandra Gersten-VassilarosColumbinus by PJ Paparelli and Stephen KaramWhy Torture is Wrong, and the People Who Love Them by Christopher Durang

This powerful anthology brings together reflective and raw plays by American playwrights surrounding the psychic and political boundaries of the many faces and shadows of terrorism. Allan Havis’s introduction addresses a variety of terrorism cases from the last 25 years, examines several theories of the root causes of modern terrors, and underscores how theatre forms a unique contour to social and philosophical thought on terrorism. With a foreword from Robert Brustein, the anthology features:Break of Noon by Neil LaBute7/11 by Kia CorthronOmnium Gatherum by Theresa Rebeck and Alexandra Gersten-VassilarosColumbinus by PJ Paparelli and Stephen KaramWhy Torture is Wrong, and the People Who Love Them by Christopher Durang