Christopher J. Wickham - Böcker

Ferdinand Lindheimer was already renowned as the father of Texas botany when, in late 1852, he became the founding editor of the Neu-Braunfelser Zeitung, a German-language weekly newspaper for the German settler community on the Central Texas frontier. His first year of publication was a pivotal time for the settlers and the American Indians whose territories they occupied. Based on an analysis of the paper’s first year—and drawing on methods from documentary and narrative history, ethnohistory, and literary analysis—Daniel J. Gelo and Christopher J. Wickham deliver a new chronicle of the frontier in 1853. Lindheimer reports in detail on the area’s Indian peoples. Some Lipan Apaches are killed when the army does not learn of their peaceful intentions; restitution is made at Fredericksburg. The Penateka band of Comanches honors the peace agreement they signed with the Germans six years earlier, but their days in the region are numbered.

Winner, 2018 Presidio La Bahia Award, sponsored by the Sons of the Republic of TexasIn 1851, an article appeared in a German journal, Geographisches Jahrbuch (Geographic Yearbook), that sought to establish definitive connections, using language observations, among the Comanches, Shoshones, and Apaches. Heinrich Berghaus’s study was based on lexical data gathered by a young German settler in Texas, Emil Kriewitz, and included a groundbreaking list of Comanche words and their German translations. Berghaus also offered Kriewitz’s cultural notes on the Comanches, a discussion of the existing literature on the three tribes, and an original map of Comanche hunting grounds.Perhaps because it was published only in German, the existence of Berghaus’s study has been all but unknown to North American scholars, even though it offers valuable insights into Native American languages, toponyms, ethnonyms, hydronyms, and cultural anthropology. It was also a significant document revealing the history of German-Comanche relations in Texas.Daniel J. Gelo and Christopher J. Wickham now make available for the first time a reliable English translation of this important nineteenth-century document. In addition to making the article accessible to English speakers, they also place Berghaus’s work into historical context and provide detailed commentary on its value for anthropologists and historians who study German settlement in Texas.Comanches and Germans on the Texas Frontier will make significant contributions to multiple disciplines, opening a new lens onto Native American ethnography and ethnology.

Around 1848 Wilhelm Friedrich, a young German immigrant to Texas, completed three drawings that capture unique details of life on the frontier. Friedrich’s sketches feature Comanches, Germans, a captive girl, a wagon train, the landscape and wildlife of the Texas Hill Country, and dynamic scenes of cultural contact. Friedrich is the only artist known to have produced contemporaneous images of a Comanche captive while still in captivity. The authors use their expertise in Comanche culture, German immigration, art, and Hill Country history to explore the many layers of meaning in Friedrich’s drawings. Who was Wilhelm Friedrich? How did he come to Texas? What information does he pack into his drawing? How can we understand his work—as art, as data about Comanche life and customs, and as a record of German values and priorities in the New World? Who is the captive girl? And why is her portrayal important today?