Christopher Mielke – författare

This book explores an alternate history of the power and agency of 30 Hungarian queens over 400 years by a rigorous examination of the material culture connected with their lives. By researching the objects, images, and spaces, it demonstrates how these women expressed and displayed their power. Queens used material culture and space not only to demonstrate their own power to a wide, international audience, but also to consolidate their own position when it was weakened by external circumstances. Both the public and private image of the queen factors significantly in understanding in her own role at the strongly centralized Hungarian court, and, moreover, how her position and person strengthened and complemented that of the king.

This book explores an alternate history of the power and agency of 30 Hungarian queens over 400 years by a rigorous examination of the material culture connected with their lives. By researching the objects, images, and spaces, it demonstrates how these women expressed and displayed their power. Queens used material culture and space not only to demonstrate their own power to a wide, international audience, but also to consolidate their own position when it was weakened by external circumstances. Both the public and private image of the queen factors significantly in understanding in her own role at the strongly centralized Hungarian court, and, moreover, how her position and person strengthened and complemented that of the king. 

This book explores an alternate history of the power and agency of 30 Hungarian queens over 400 years by a rigorous examination of the material culture connected with their lives. By researching the objects, images, and spaces, it demonstrates how these women expressed and displayed their power. Queens used material culture and space not only to demonstrate their own power to a wide, international audience, but also to consolidate their own position when it was weakened by external circumstances. Both the public and private image of the queen factors significantly in understanding in her own role at the strongly centralized Hungarian court, and, moreover, how her position and person strengthened and complemented that of the king.

In 2012, CEU Medieval Radio was launched as an effort not only to bring medieval music to everyone but also to make complex, high-quality scholarship more approachable to the general public. Over seventy interviews were recorded for CEU Medieval Radio's program ""Past Perfect!"" with the intent of bridging the gap between ""ivory tower"" academia and the listeners at home. In this volume, sixteen first-rate scholars kindly sat down before the microphone and got the chance to explain their work in a friendly and accessible way. Scholars like Natalie Zemon-Davis and Patrick Geary represent some of the international guests, János Bak and József Laszlovszky discuss amazing new research from Central European University, while Richard Unger and Benedek Láng are part of the CEU Medieval Radio team's personal favorites, talking about topics such as beer, queens, and code-breaking. From Apocalypses to Zooarchaeology, CEU Medieval Radio's long time host, Christopher Mielke, asks the tough questions that have made this program so memorable!

This volume is a collection of essays focusing on marginalized women mostly in Central and Eastern Europe from around 1350 to 1650. "Other" women are discussed in three different categories: women whose religious practices put them on the social margins, "common women" who are in society but not of society because they are in the sex trade, and women whose occupations were reason enough to shunt them. In order to fill a gap in gender history for countries east of the Rhine River, the studies included present how official city-funded brothels in medieval Austria worked, how a princess' disability affected her life as Byzantine empress, how one unmarried Transylvanian woman who got pregnant dealt with being the center of a court case, and how enslaved women in medieval Hungary were treated as sexual property.The hope with this volume is that it will show the many interdisciplinary ways that women on the margins can be studied in this region, and to diminish the taboo of discussing this topic to begin with.