Christopher Norris – författare

Paul de Man - literary critic, literary philosopher, "American deconstructionist" - changed the landscape of criticism through his rigorous theories and writings. Upon its original publication in 1988, Christopher Norris' book was the first full-length introduction to de Man, a reading that offers a much-needed corrective to the pattern of extreme antithetical response which marked the initial reception to de Man's writings.Norris addresses de Man's relationship to philosophical thinking in the post-Kantian tradition, his concern with "aesthetic ideology" as a potent force of mystification within and beyond that tradition, and the vexed issue of de Man's politics. Norris brings out the marked shift of allegiance in de Man's thinking, from the thinly veiled conservative implications of the early essays to the engagement with Marx and Foucault on matters of language and politics in the late, posthumous writing. At each stage, Norris raises these questions through a detailed close reading of individual texts which will be welcomed by those who lack any specialised knowledge of de Man's work.

This book is concerned chiefly with issues in epistemology, philosophical semantics, and philosophy of science. It defends a causal-realist approach to theories and explanations in the natural sciences and a truth-based propositional semantics for natural language derived from various sources, among them - unusually in this context - the work of William Empson. It argues against various forms of anti-realist doctrine with regard to both the truth-claims of science and the construal of intentions, meanings, and beliefs in the process of linguistic understanding. His book will be welcomed for its vigorous arguments and notable clarity of style. It will be of particular interest to teachers and students in philosophy, critical theory, science studies, and the history of ideas.

This book is a critical introduction to the long-standing debate concerning the conceptual foundations of quantum mechanics and the problems it has posed for physicists and philosophers from Einstein to the present. Quantum theory has been a major infulence on postmodernism, and presents significant problems for realists. Keeping his own realist position in check, Christopher Norris subjects a wide range of key opponents and supporters of realism to a high and equal level of scrutiny. With a characteristic combination of rigour and intellectual generosity, he draws out the merits and weaknesses from opposing arguments. In a sequence of closely argued chapters, Norris examines the premises of orthodox quantum theory, as developed most influentially by Bohr and Heisenberg, and its impact on varous philosophical developments. These include the ideas developed by W.V Quine, Thomas Kuhn, Michael Dummett, Bas van Fraassen, and Hilary Puttnam. In each case, Norris argues, these thinkers have been influenced by the orthodox construal of quantum mechanics as requiring drastic revision of principles which had hitherto defined the very nature of scientific method, causal explanati and rational enquiry. Putting the case for a realist approach which adheres to well-tried scientific principles of causal reasoning and inference to the best explanation, Christopher Norris clarifies these debates to a non-specialist readership and scholars of philosophy, science studies and the philosophy of science alike. Quantum Theory and the Flight From Realism suggests that philosophical reflection can contribute to a better understanding of these crucial, current issues.

Deconstruction: Theory and Practice has been acclaimed as by far the most readable, concise and authoritative guide to this topic. Without oversimplifying or glossing over the challenges, Norris makes deconstruction more accessible to the reader. The volume focuses on the works of Jacques Derrida which caused this seismic shift in critical thought, as well as the work of North American critics Paul de Man, Geoffrey Hartman, J. Hillis Miller and Harold Bloom.In this third, revised edition, Norris builds on his 1991 Afterword with an entirely new Postscript, reflecting upon recent critical debate. The Postscript includes an extensive list of recommended reading, complementing what was already one of the most useful bibliographies available.

Deconstruction: Theory and Practice has been acclaimed as by far the most readable, concise and authoritative guide to this topic. Without oversimplifying or glossing over the challenges, Norris makes deconstruction more accessible to the reader. The volume focuses on the works of Jacques Derrida which caused this seismic shift in critical thought, as well as the work of North American critics Paul de Man, Geoffrey Hartman, J. Hillis Miller and Harold Bloom.In this third, revised edition, Norris builds on his 1991 Afterword with an entirely new Postscript, reflecting upon recent critical debate. The Postscript includes an extensive list of recommended reading, complementing what was already one of the most useful bibliographies available.

In this book Christopher Norris develops the case for scientific realism by tackling various adversary arguments from a range of anti-realist positions. Through a close critical reading he shows how they fail to make adequate sense on any rational, consistent, and scientifically-informed survey of the evidence. Along the way he incorporates a number of detailed case-studies from the history and philosophy of science. Norris devotes much of his discussion to some of the most prominent and widely influential source-texts of anti-realism. Also included are the sophisticated versions of verificationism developed - albeit in very different ways - by thinkers such as Michael Dummett and Bas van Fraassen. Central to Norris's argument is a prolonged engagement with the once highly influential but nowadays neglected work of Norwood Russell Hanson. This book will be welcomed especially by readers who possess some knowledge of the background debate and who wish to deepen and extend their understanding of these issues beyond an introductory level.

This Routledge Revival, first published in 1985, gives detailed attention to the bearing of literary theory on questions of truth, meaning and reference. On the one hand, deconstruction brings a vigilant awareness of the figural and narrative tropes that make up the discourse of philosophic reason. On the other it insists that argumentative rigour cannot be divorced from the kind of close reading that has come to characterize literary theory in its more advanced or speculative forms. This present-day ‘contest of faculties’ has large implications for philosophers and critics, many of whom will welcome the reissue of such a clear-headed statement of the impact of deconstruction.

What might be the outcome for philosophy if its texts were subjected to the powerful techniques of rhetorical close-reading developed by current deconstructionist literary critics? When first published in 1983, Christopher Norris’ book was the first to explore such questions in the context of modern analytic and linguistic philosophy, opening up a new and challenging dimension of inter-disciplinary study and creating a fresh and productive dialogue between philosophy and literary theory.

This Routledge Revival, first published in 1985, gives detailed attention to the bearing of literary theory on questions of truth, meaning and reference. On the one hand, deconstruction brings a vigilant awareness of the figural and narrative tropes that make up the discourse of philosophic reason. On the other it insists that argumentative rigour cannot be divorced from the kind of close reading that has come to characterize literary theory in its more advanced or speculative forms. This present-day ‘contest of faculties’ has large implications for philosophers and critics, many of whom will welcome the reissue of such a clear-headed statement of the impact of deconstruction.

What might be the outcome for philosophy if its texts were subjected to the powerful techniques of rhetorical close-reading developed by current deconstructionist literary critics? When first published in 1983, Christopher Norris’ book was the first to explore such questions in the context of modern analytic and linguistic philosophy, opening up a new and challenging dimension of inter-disciplinary study and creating a fresh and productive dialogue between philosophy and literary theory.

Paul de Man - literary critic, literary philosopher, "American deconstructionist" - changed the landscape of criticism through his rigorous theories and writings. Upon its original publication in 1988, Christopher Norris' book was the first full-length introduction to de Man, a reading that offers a much-needed corrective to the pattern of extreme antithetical response which marked the initial reception to de Man's writings.Norris addresses de Man's relationship to philosophical thinking in the post-Kantian tradition, his concern with "aesthetic ideology" as a potent force of mystification within and beyond that tradition, and the vexed issue of de Man's politics. Norris brings out the marked shift of allegiance in de Man's thinking, from the thinly veiled conservative implications of the early essays to the engagement with Marx and Foucault on matters of language and politics in the late, posthumous writing. At each stage, Norris raises these questions through a detailed close reading of individual texts which will be welcomed by those who lack any specialised knowledge of de Man's work.

Deconstruction and postmodernism have been misunderstood. In this provocative book, Christopher Norris challenges the widespread idea of deconstruction as merely an offshoot of the various trends and cultural phenomena grouped under the label of "postmodernism". Through an analysis of the key theorists in the field - Derrida, Foucault, De Man, Habermas and Levinas - Norris argues that deconstruction is the "unfinished project" of modernity, a project whose interests and values it upholds precisely by continuing to question them in a spirit of enlightened self-critical enquiry. Assessing the impact of postmodernist theorizing across a range of disciplines, the book presents a lucid analysis and guide to the future of critical theory.

William Empson (1906-84) was one of the twentieth century's most distinctive critical voices, and left a profound mark upon Anglo-American literary culture. Published in 1993, this book was the first full study of Empson's literary criticism in its various aspects, taking account of recent developments in critical theory and of Empson's complex - at times deeply antagonistic - attitude towards those developments. In their diversity of viewpoint and critical approach the nine essays reflect this sturdy resistance to fashionable trends of 'Eng. Lit.' opinion. Topics include the relations between Empson and Derrida's approaches to the issue of textual 'undecidability', and Empson's prominent (if unwilling role) in the shaping of English as an academic discourse. Christopher Norris's extended introduction charts the ground and offers a major revaluation of Empson's place in the theoretical tradition.

A group of leading critics have been invited to offer close readings of well-known poetic texts from the established canon of English literature. The volume is organised historically, with texts ranging from the Renaissance, Augustan and Romantic periods through to the twentieth century. All the essays are motivated by ideas and debates in critical theory and will prove a challenge to conventional valuations and ways of construing literary history. By combining theory and practical application, this volume should prove particularly helpful to those keen to pursue the implications of current critical theory.

This ninth volume in The Cambridge History of Literary Criticism presents a wide-ranging survey of developments in literary criticism and theory during the last century. Drawing on the combined expertise of a large team of specialist scholars, it offers an authoritative account of the various movements of thought that have made the late twentieth century such a richly productive period in the history of criticism. The aim has been to cover developments which have had greatest impact on the academic study of literature, along with background chapters that place those movements in a broader, intellectual, national and socio-cultural perspective. In comparison with Volumes Seven and Eight, also devoted to twentieth-century developments, there is marked emphasis on the rethinking of historical and philosophical approaches, which have emerged, especially during the past two decades, as among the most challenging areas of debate.

William Empson (1906-84) was one of the twentieth century's most distinctive critical voices, and left a profound mark upon Anglo-American literary culture. Published in 1993, this book was the first full study of Empson's literary criticism in its various aspects, taking account of recent developments in critical theory and of Empson's complex - at times deeply antagonistic - attitude towards those developments. In their diversity of viewpoint and critical approach the nine essays reflect this sturdy resistance to fashionable trends of 'Eng. Lit.' opinion. Topics include the relations between Empson and Derrida's approaches to the issue of textual 'undecidability', and Empson's prominent (if unwilling role) in the shaping of English as an academic discourse. Christopher Norris's extended introduction charts the ground and offers a major revaluation of Empson's place in the theoretical tradition.

This book offers a detailed account of Spinoza's influence on various schools of present-day critical thought. That influence extends from Althusserian Marxism to hermeneutics, deconstruction, narrative poetics, new historicism, and the unclassifiable writings of a thinker like Giles Deleuze. The author combines a close exegesis of Spinoza's texts with a series of chapters that trace the evolution of literary theory from its period of high scientific rigour in the mid-1960s to its latest "postmodern", neopragmatist or anti-theoretical phase. He examines the thought of Althusser, Macherey and Deleuze as well as others (including the new historicists) who have registered the impact of his pioneering work without any overt acknowledgement.On the one hand, theorists like Althusser and Macherey could celebrate Spinoza as the first philosopher before Marx to understand the need for a riorous distinction between science (or "theoretical practice") and ideology (or the realm of lived experience subject to various forms of imaginary error of misrecognition). On the other, Deleuze makes Spinoza the hero of his crusade against theories of whatever kind - Kantian, Marxist, Freudian, post structuralist - which always end up by imposing some abstract order of concepts and categories on the libidinal flux of "desiring production", or the "body-without-organs" of anarchic instinctual drives.

This book was written with a view to sorting our some of the muddles and misreadings - especially misreadings of Kant - that have charaterized recent postmodernist and post-structuralist thought. For these issues have a relevance, as Norris argues, far beyond the academic enclaves of philosophy, literary theory, and cultural criticism. Thus he makes large claims for the importance of getting Kant right on the relation between epistemology, ethics and aesthetics; for pursuing the Kantian question 'What is Enlightenment?' as raised in Foucault's late essays; or again, for recalling William Empson's spirited attempt to reassert the values of reason and truth against the orthodox 'lit crit' wisdom of his time. These are specialized concerns. But for better or worse it has been largely in the context of 'theory'- that capacious though ill-defined genre- that such issues have received their most scrutiny over the past two decades. As its title suggests, The Truth About Postmodernism disputes a good deal of what currently passes for advance theoretical wisdom. Above all it mounts a challenge to those fashionable doctrines - variants of the 'end-of-ideology' theme - that assimilate truth to some existing range of language-games, discourses, or in-place consensus beliefs. Norris's book will be welcomed for its clarity of style, its depth of philosophical engagement, and its refusal to endorse the more facile varieties of present-day textualist thought. It will also serve as a timely reminder that the 'politics of theory' cannot be practised in safe isolation from the politics (and ethics) of activist social concern.

This book offers a vigorous and constructive challenge to relativism by examining a wide range of anti-realist theories, and in response offering a variety of arguments amounting to a strong defence of critical realism in the natural and social sciences.

Truth Matters is the first full-length introduction to response-dependence, a topic that has become a main focus of interest for philosophers across a wide range of disciplines and subject areas.The response-dependence claim, in brief, is to provide a 'third way' between the realist (or objectivist) conception of truth as always potentially transcending the limits of human ascertainment and the anti-realist (or verificationist) case that truth cannot possibly transcend those limits since then we could never acquire or manifest a knowledge of it.While setting out the issues clearly and concisely, Norris also provides some relevant background history to this current debate, including discussion of its sources and analogues in Plato, Locke, Kant and Wittgenstein. His book offers invaluable guidance for student readers in search of a reliable introductory survey of the field. Among those with a more specialist interest it may sometimes provoke disagreement, as when Norris argues that the response-dependence approach often goes along with a disguised anti-realist bias and hence fails to make good on its 'third-way' promise. However, its combination of wide-ranging coverage with clarity of focus and depth of philosophical treatment will be welcomed.Key Features:*Clear, accessible account of some complex philosophical issues;*First book-length study of the response-dependence debate;*Informative discussion of its pre-history in philosophers from Plato to Hume, Locke and Kant;*Aimed at readers seeking a reliable, well-informed introductory account while relevant to those with a more specialist knowledge of the topic.

Christopher Norris raises some basic questions about the way that analytic philosophy has been conducted over the past 25 years. In doing so, he offers an alternative to what he sees as an over-specialisation of a lot of recent academic work. Arguing that analytic philosophy has led to a narrowing of sights to the point where other approaches that might be more productive are blocked from view, he goes against the grain to claim that Continental philosophy holds the resources for a creative renewal of analytic thought.

In What's Wrong with Postmodernism Norris critiques the "postmodern-pragmatist malaise" of Baudrillard, Fish, Rorty, and Lyotard. In contrast he finds a continuing critical impulse-an "enlightened or emancipatory interest"-in thinkers like Derrida, de Man, Bhaskar, and Habermas. Offering a provocative reassessment of Derrida's influence on modern thinking, Norris attempts to sever the tie between deconstruction and American literary critics who, he argues, favor endless, playful, polysemic interpretation at the expense of systematic argument. As he explores leftist attempts to arrive at an accommodation with postmodernism, Norris addresses the politics of deconstruction, the issue of men in feminism, Habermas' quarrel with Derrida, narrative theory as a hermeneutic paradigm, musical aesthetics in relation to literary theory, and various aspects of postmodern debate. A chapter on Stanley Fish brings several of these topics together and offers a generalized statement on the function of current criticism.

Key Concepts in Philosophy is a series of concise, accessible and engaging introductions to the core ideas and topics encountered in the study of philosophy. Specially written to meet the needs of students and those with little prior knowledge of the subject, these books open up a whole range of important, yet often difficult ideas. The series builds to give a solid grounding in philosophy and each book is also ideal as a companion to further study. Epistemology - inquiry into the nature, possibility and scope of human knowledge - has been at the heart of the philosophy from ancient Greek times to the present. Christopher Norris provides a lucid survey and analysis of the issues that have shaped that enterprise and continue to dominate present-day discussion. He also brings out with exceptional clarity the ways in which certain 'technical' issues in epistemology can have a decisive bearing on matters of practical concern. The text highlights continuities and contrasts between early and contemporary approaches, and between the sorts of thinking that have typified the mainstream analytic and the modern 'continental' lines of descent.Norris introduces the main topics of debate, among them arguments for and against adopting a realist position with regard to various fields of knowledge, from mathematics to the physical sciences and history. Philosophy undergraduates will find this an invaluable aid to study, one that goes beyond simple definitions and summaries to open up a new and stimulating range of ideas.

As one of the world's leading and most highly-acclaimed contemporary theorists, Christopher Norris has spent much of the last twenty years trying to promote better relations and mutual understanding between the divisive analytic and continental philosophical traditions. In his new book, "On Truth and Meaning", Norris examines key issues in the philosophy of logic, mind and language those that have defined the agenda of current debate in analytic philosophy. Among the book's central themes are a number of much-rehearsed, but as yet unresolved questions that have preoccupied many leading analytic philosophers. In a fresh and provocative examination of recent debates, Norris shows certain features of the analytic enterprise in a sharp and revealing light, and proposes that those who approach such debates from an analytic viewpoint might profit by reflecting on the challenge posed to their accustomed modes of thought by certain distinctly 'continental' themes.Arguing that, contra to the orthodox view, philosophers in the continental line of descent, from Husserl to Derrida, have long engaged with the same sorts of issues that preoccupy their analytic counterparts, Norris explores both traditions alongside one another in order to point up certain contrasts or communities of interest. In this timely and provocative book, Norris proposes grounds for a new era of cooperation and mutual interrogative exchange between the two schools of thought in a narrative that will engage and influence those from both philosophical camps.

What is a musical work? What are its identity-conditions and the standards (if any) that they set for a competent, intelligent, and musically perceptive act of performance or audition? Should the work-concept henceforth be dissolved as some New Musicologists would have it into the various, everchanging socio-cultural or ideological contexts that make up its reception-history to date? Can music be thought of as possessing certain attributes, structural features, or intrinsically valuable qualities that are response-transcendent, i.e., that might always elude or surpass the best state of (current or future) informed opinion? These are some of the questions that Christopher Norris addresses by way of a sustained critical engagement with the New Musicology and other debates in recent philosophy of music. His book puts the case for a qualified Platonist approach that would respect the relative autonomy of musical works as objects of more or less adequate understanding, appreciation, and evaluative judgement.At the same time this approach would leave room for listeners share the phenomenology of musical experience in so far as those works necessarily depend for their repeated realisation from one performance or audition to the next upon certain subjectively salient modalities of human perceptual and cognitive response. Norris argues for a more philosophically and musically informed treatment of these issues that combines the best insights of the analytic and the continental traditions. Perhaps the most distinctive feature of Norris's book, true to this dual orientation, is its way of raising such issues through a constant appeal to the vivid actuality of music as a challenge to philosophic thought. This is a fascinating study of musical understanding from one of the worlds leading contemporary theorists.

This book brings together three main topics - deconstruction, philosophy of language, and literary theory - that have figured centrally in Christopher Norris' work over the past two decades. It offers a refreshingly clear and vigorous statement of his views as to how 'theory' might profit from a greater awareness of current philosophical debates while philosophy might likewise gain by adopting a more open-minded attitude toward developments in literary theory. Most significant here is Norris's continuing exploration of the various points of contact between Jacques Derrida's thought and the kinds of concern - especially with issues in philosophical semantics and speech-act theory - that have preoccupied thinkers in the 'other', mainstream-analytic line of descent. However, his focus is consistently on matters that should be of interest to philosophers and literary theorists alike.Thus, Norris devotes some penetrating commentary to topics such as modal or 'possible-worlds' logic as it bears upon issues in narrative theory; the 'two cultures' (science versus literature) controversy; the different ways in which literary theory has alternately embraced and rejected the appeal to 'scientific' modes of analysis; and some possible reasons for Wittgenstein's well-known aversion to Shakespeare. He also suggests a novel approach to the free-will/determinism issue by way of debates about the nature of language and the scope it affords for expressive creativity despite - or owing to - the limits imposed by various structural constraints. Altogether, this important new book provides a welcome overview of the author's current thinking and an equally welcome enlargement of horizons in contrast to the narrowly specialised character of much present-day academic discourse.

This book brings together three main topics - deconstruction, philosophy of language, and literary theory - that have figured centrally in Christopher Norris's work over the past two decades. It offers a refreshingly clear and vigorous statement of his views as to how 'theory' might profit from a greater awareness of current philosophical debates while philosophy might likewise gain by adopting a more open-minded attitude toward developments in literary theory. Most significant here is Norris's continuing exploration of the various points of contact between Jacques Derrida's thought and the kinds of concern - especially with issues in philosophical semantics and speech-act theory - that have preoccupied thinkers in the 'other', mainstream-analytic line of descent. However, his focus is consistently on matters that should be of interest to philosophers and literary theorists alike.Thus, Norris devotes some penetrating commentary to topics such as modal or 'possible-worlds' logic as it bears upon issues in narrative theory; the 'two cultures' (science versus literature) controversy; the different ways in which literary theory has alternately embraced and rejected the appeal to 'scientific' modes of analysis; and some possible reasons for Wittgenstein's well-known aversion to Shakespeare. He also suggests a novel approach to the free-will/determinism issue by way of debates about the nature of language and the scope it affords for expressive creativity despite - or owing to - the limits imposed by various structural constraints. Altogether, this important new book provides a welcome overview of the author's current thinking and an equally welcome enlargement of horizons in contrast to the narrowly specialised character of much present-day academic discourse.

Badiou is with doubt the most influential philosopher working in Europe today - this book will provide the first detailed introduction to "Being and Event", a hugely important, but challenging book. Alain Badiou's "Being and Event" is the most original and significant work of French philosophy to have appeared in recent decades. It is the magnum opus of a thinker who is widely considered to have reshaped the character and set new terms for the future development of philosophy in France and elsewhere.This book has been written very much with a view to clarifying Badiou's complex and demanding work for non-specialist readers. It offers guidance on: philosophical and intellectual context; key themes; reading the text; reception and influence; and, further reading."Continuum Reader's Guides" are clear, concise and accessible introductions to key texts in literature and philosophy. Each book explores the themes, context, criticism and influence of key works, providing a practical introduction to close reading, guiding students towards a thorough understanding of the text. They provide an essential, up-to-date resource, ideal for undergraduate students.