Christopher Payne – författare

A Beginner''s Guide to Special Makeup Effects: Monsters, Maniacs and More is an introduction to special effects makeup using cost-effective tools and materials that can be found in local stores.

The book is divided into three sections – Simple Makeup, Advanced Materials and Techniques and Advanced Makeup – and features tutorials to create characters such as a pirate, vampire, ghost, robot, burn victim, witch, zombie and goblin. Each character is introduced with a full-page photograph of the finished makeup and illustrated with full-color, step-by-step photographs. The book also includes instructions on how to make fake teeth, apply bald caps, create gory wounds and injuries and make simple prosthetics. Each makeup tutorial is designed to progressively build on the techniques outlined in the preceding tutorial, guiding readers from the basics of foundation, highlight and shadow to creating advanced creature makeups.

This is a beginner makeup book suited for students of Stage Makeup courses, as well as for the theatre technician working and training on their own.

A Beginner''s Guide to Special Makeup Effects: Monsters, Maniacs and More is an introduction to special effects makeup using cost-effective tools and materials that can be found in local stores.

The book is divided into three sections – Simple Makeup, Advanced Materials and Techniques and Advanced Makeup – and features tutorials to create characters such as a pirate, vampire, ghost, robot, burn victim, witch, zombie and goblin. Each character is introduced with a full-page photograph of the finished makeup and illustrated with full-color, step-by-step photographs. The book also includes instructions on how to make fake teeth, apply bald caps, create gory wounds and injuries and make simple prosthetics. Each makeup tutorial is designed to progressively build on the techniques outlined in the preceding tutorial, guiding readers from the basics of foundation, highlight and shadow to creating advanced creature makeups.

This is a beginner makeup book suited for students of Stage Makeup courses, as well as for the theatre technician working and training on their own.

A Beginner’s Guide to Special Makeup Effects, Volume 2 builds on the foundations covered in A Beginner''s Guide to Special Makeup Effects: Monsters, Maniacs and More, introducing more professional-level materials and techniques and preparing readers for the next steps in their career.

This book is divided into two sections: Paint and Buildups and Prosthetics. The first section shows a variety of characters created using two-dimensional painting techniques and materials that can be built up right on the skin, while the second section teaches how to apply a variety of store-bought prosthetics. Foam latex, silicone and prosthetic transfers are all covered. Each character is introduced with a full-page photograph of the finished makeup and illustrated with full-color, step-by-step photographs. The makeup tutorials in this book are designed to build on the lessons learned in the previous chapters, allowing readers to gradually expand on their skill set. The book also includes instruction on airbrushing, applying fake tattoos, making bald caps, PAX paint, wig application and a variety of other materials and skills. Five appendices cover topics including building a makeup kit, photographing your work and getting jobs as a makeup artist.

This is practical, easy-to-follow makeup book is suited for students of stage makeup courses, as well as for the theatre technician working and training on their own.

A Beginner’s Guide to Special Makeup Effects, Volume 2 builds on the foundations covered in A Beginner''s Guide to Special Makeup Effects: Monsters, Maniacs and More, introducing more professional-level materials and techniques and preparing readers for the next steps in their career.

This book is divided into two sections: Paint and Buildups and Prosthetics. The first section shows a variety of characters created using two-dimensional painting techniques and materials that can be built up right on the skin, while the second section teaches how to apply a variety of store-bought prosthetics. Foam latex, silicone and prosthetic transfers are all covered. Each character is introduced with a full-page photograph of the finished makeup and illustrated with full-color, step-by-step photographs. The makeup tutorials in this book are designed to build on the lessons learned in the previous chapters, allowing readers to gradually expand on their skill set. The book also includes instruction on airbrushing, applying fake tattoos, making bald caps, PAX paint, wig application and a variety of other materials and skills. Five appendices cover topics including building a makeup kit, photographing your work and getting jobs as a makeup artist.

This is practical, easy-to-follow makeup book is suited for students of stage makeup courses, as well as for the theatre technician working and training on their own.

This book is an investigation into the economic policy formulation and practice of neoliberalism in Britain from the 1950s through to the financial crisis and economic downturn that began in 2007-8. It demonstrates that influential economists, such as F.A. Hayek and Milton Friedman, authors at key British think tanks such as the Institute of Economic Affairs and the Centre for Policy Studies, and important political figures of the Thatcher and New Labour governments shared a similar conception of the consumer.

For neoliberals, the idea that consumers were weak in the face of businesses and large corporations was almost offensive. Instead, consumers were imagined to be sovereign agents in the economy, whose consumption decisions played a central role in the construction of their human capital and in the enabling of their aspirations. Consumption, just like production, came to be viewed as an enterprising and entrepreneurial activity. Consequently, from the early 1980s until the present day, it was felt necessary that banks should have the freedom to meet the borrowing needs of consumers. Credit rationing would be a thing of the past. Just like businesses, consumers and households could use debt to expand their stock of personal assets.

By utilizing the method of French philosopher Michel Foucault this book provides an original analysis of the policy ideas and political speeches of key figures in the New Right, in government and at the Bank of England. And it addresses the key question as to why policy-makers both in Britain and the United States did little or nothing to stem rising consumer and household indebtedness, instead always choosing to see increasing house prices and homeownership as a positive to be encouraged.

This book is an investigation into the economic policy formulation and practice of neoliberalism in Britain from the 1950s through to the financial crisis and economic downturn that began in 2007-8. It demonstrates that influential economists, such as F.A. Hayek and Milton Friedman, authors at key British think tanks such as the Institute of Economic Affairs and the Centre for Policy Studies, and important political figures of the Thatcher and New Labour governments shared a similar conception of the consumer.

For neoliberals, the idea that consumers were weak in the face of businesses and large corporations was almost offensive. Instead, consumers were imagined to be sovereign agents in the economy, whose consumption decisions played a central role in the construction of their human capital and in the enabling of their aspirations. Consumption, just like production, came to be viewed as an enterprising and entrepreneurial activity. Consequently, from the early 1980s until the present day, it was felt necessary that banks should have the freedom to meet the borrowing needs of consumers. Credit rationing would be a thing of the past. Just like businesses, consumers and households could use debt to expand their stock of personal assets.

By utilizing the method of French philosopher Michel Foucault this book provides an original analysis of the policy ideas and political speeches of key figures in the New Right, in government and at the Bank of England. And it addresses the key question as to why policy-makers both in Britain and the United States did little or nothing to stem rising consumer and household indebtedness, instead always choosing to see increasing house prices and homeownership as a positive to be encouraged.