Christopher S. Celenza – författare

In this book, Christopher Celenza provides an intellectual history of the Italian Renaissance during the long fifteenth century, from c.1350-1525. His book fills a bibliographic gap between Petrarch and Machiavelli and offers clear case studies of contemporary luminaries, including Leonardo Bruni, Poggio Bracciolini, Lorenzo Valla, Marsilio Ficino, Angelo Poliziano, and Pietro Bembo. Integrating sources in Italian and Latin, Celenza focuses on the linked issues of language and philosophy. He also examines the conditions in which Renaissance intellectuals operated in an era before the invention of printing, analyzing reading strategies and showing how texts were consulted, and how new ideas were generated as a result of conversations, both oral and epistolary. The result is a volume that offers a new view on both the history of philosophy and Italian Renaissance intellectual life. It will serve as a key resource for students and scholars of early modern Italian humanism and culture.

“Machiavellian”—used to describe the ruthless cunning of the power-obsessed and the pitiless—is never meant as a compliment. But the man whose name became shorthand for all that is ugly in politics was more engaging and nuanced than his reputation suggests. Christopher S. Celenza’s Machiavelli: A Portrait removes the varnish of centuries to reveal not only the hardnosed political philosopher but the skilled diplomat, learned commentator on ancient history, comic playwright, tireless letter writer, and thwarted lover.Machiavelli’s hometown was the epicenter of the Italian Renaissance in the fifteenth century, a place of unparalleled artistic and intellectual attainments. But Florence was also riven by extraordinary violence. War and public executions were commonplace—Machiavelli himself was imprisoned and brutally tortured at the behest of his own government. These experiences left a deep impression on this keen observer of power politics, whose two masterpieces—The Prince and The Discourses—draw everywhere on the hard-won wisdom gained from navigating a treacherous world. But like many of Machiavelli’s fellow Florentines, he also immersed himself in the Latin language and wisdom of authors from the classical past. And for all of Machiavelli’s indifference to religion, vestiges of Christianity remained in his thought, especially the hope for a redeemer—a prince who would provide the stability so rare in Machiavelli’s worldly experience.

The intellectual heritage of the Italian Renaissance rivals that of any period in human history. Yet even as the social, political, and economic history of Renaissance Italy inspires exciting and innovative scholarship, the study of its intellectual history has grown less appealing, and our understanding of its substance and significance remains largely defined by the work of nineteenth-century thinkers. In The Lost Italian Renaissance, historian and literary scholar Christopher Celenza argues that serious interest in the intellectual life of Renaissance Italy can be reinvigorated-and the nature of the Renaissance itself reconceived-by recovering a major part of its intellectual and cultural activity that has been largely ignored since the Renaissance was first "discovered": the vast body of works-literary, philosophical, poetic, and religious-written in Latin.Produced between the mid-fourteenth and the early sixteenth centuries by major figures such as Leonardo Bruni, Lorenzo Valla, Marsilio Ficino, and Leon Battista Alberti, as well as minor but interesting thinkers like Lapo da Castiglionchio the Younger, this literature was initially overlooked by scholars of the Renaissance because they were not written in the vernacular Italian which alone was seen as was the supreme expression of a culture. This lack of attention, which continued well into the twentieth century, has led interpreters to misread key aspects of the Renaissance. Offering a flexible theoretical framework within which to understand these Latin texts, Celenza explains why these "lost" sources are distinctive and why they are worthy of study. What will we really find among the Latin texts of the Renaissance? First, Celenza contends, there are a limited number of intellectuals who deserve a place in any canon of the period, and without whom our literary and philosophical heritage is diminished. Second, and more commonly, this literature establishes the intellectual traditions from which such well-known vernacular writers as Machiavelli and Castiglione emerge.And third, these Latin texts may contain strands of intellectual life that have been lost altogether. A groundbreaking work of intellectual history, The Lost Italian Renaissance uncovers a priceless intellectual legacy suggests provocative new avenues of research.

A rich and immersive reinterpretation of the history of Western thought, this volume - the first in a major trilogy - explores the transmission and development of philosophical ideas from Plato and Aristotle to Jesus, Paul, Augustine and Gregory the Great. Christopher Celenza recalibrates philosophy's story not as abstract argumentation but rather as lived practice: one aimed at excavating wisdom and shaping life. Emphasizing the importance of textual tradition and elucidation across diverse contexts, the author shows how philosophical and religious ideas were transformed and readjusted over time. By focusing on the centrality of Christianity to Western thought, he reveals how ancient ideas were alchemized within religious frameworks, and how - across the centuries - ethical and intellectual traditions intersected to shape culture, memory, and the pursuit of sagacity. Ever attentive to ongoing conversations between past and present, this expansive intellectual history brings perspectives to the subject that are both nuanced and fresh.

In this book, Christopher Celenza provides an intellectual history of the Italian Renaissance during the long fifteenth century, from c.1350-1525. His book fills a bibliographic gap between Petrarch and Machiavelli and offers clear case studies of contemporary luminaries, including Leonardo Bruni, Poggio Bracciolini, Lorenzo Valla, Marsilio Ficino, Angelo Poliziano, and Pietro Bembo. Integrating sources in Italian and Latin, Celenza focuses on the linked issues of language and philosophy. He also examines the conditions in which Renaissance intellectuals operated in an era before the invention of printing, analyzing reading strategies and showing how texts were consulted, and how new ideas were generated as a result of conversations, both oral and epistolary. The result is a volume that offers a new view on both the history of philosophy and Italian Renaissance intellectual life. It will serve as a key resource for students and scholars of early modern Italian humanism and culture.

Christopher Celenza is one of the foremost contemporary scholars of the Renaissance. His ambitious new book focuses on the body of knowledge which we now call the humanities, charting its roots in the Italian Renaissance and exploring its development up to the Enlightenment. Beginning in the fifteenth century, the author shows how thinkers like Lorenzo Valla and Angelo Poliziano developed innovative ways to read texts closely, paying attention to historical context, developing methods to determine a text's authenticity, and taking the humanities seriously as a means of bettering human life. Alongside such novel reading practices, technology - the invention of printing with moveable type - fundamentally changed perceptions of truth. Celenza also reveals how luminaries like Descartes, Diderot, and D'Alembert - as well as many lesser-known scholars - challenged traditional ways of thinking. Celenza's authoritative narrative demonstrates above all how the work of the early modern humanist philosophers had a profound impact on the general quest for human wisdom. His magisterial volume will be essential reading for all those who value the humanities and their fascinating history.

Christopher Celenza is one of the foremost contemporary scholars of the Renaissance. His ambitious new book focuses on the body of knowledge which we now call the humanities, charting its roots in the Italian Renaissance and exploring its development up to the Enlightenment. Beginning in the fifteenth century, the author shows how thinkers like Lorenzo Valla and Angelo Poliziano developed innovative ways to read texts closely, paying attention to historical context, developing methods to determine a text's authenticity, and taking the humanities seriously as a means of bettering human life. Alongside such novel reading practices, technology - the invention of printing with moveable type - fundamentally changed perceptions of truth. Celenza also reveals how luminaries like Descartes, Diderot, and D'Alembert - as well as many lesser-known scholars - challenged traditional ways of thinking. Celenza's authoritative narrative demonstrates above all how the work of the early modern humanist philosophers had a profound impact on the general quest for human wisdom. His magisterial volume will be essential reading for all those who value the humanities and their fascinating history.

Italian poet Francesco Petrarca is widely considered one of the fathers of the modern Italian language. This is the first general account of Petrarch’s life and work in English in over thirty years, and considers how his reputation and identity have changed over the centuries. The book examines Petrarch’s unrequited love for his poetic muse, Laura, the experiences of his university years, his anti-institutional attitude and his endless focus on himself. Drawing on Petrarch’s Italian and Latin writings, this is a revealing portrait of a paradoxical figure: a man of mystique, historical importance and endless fascination.