Chungmoo Choi – författare

Through South Korean filmic and literary texts, this book explores affect and ethics in the healing of historical trauma, as alternatives to the measures of transitional justice in want of national unity.

Historians and legal practitioners who deal with transitional justice agree that the relationship between historiography and justice seeking is contested: this book reckons with this question of how much truth-telling from a violent past will lead to healing, forgiving, forgetting and finally overcoming resentment. Nuanced interpretations of South Korean filmic and literary texts are featured, including Park Chan-wook’s Oldboy, Bong Joon-ho’s Mother and literary texts of Han Kang and Ch’oe Yun, whilst also engaging the ethical and political philosophy of Levinas, Hannah Arendt, and others. Also offered is new and extensive research into the hitherto hidden history of thousands of North Korean war orphans who were sent to Eastern European countries for care. Grappling with the evils of history, the films and novels examined herein find their ultimate themes in compassion, hospitality, humility and solidarity of the wounded.

Healing Historical Trauma in South Korean Film and Literature will appeal to students and scholars of film, comparative literature, cultural studies and Korean studies more broadly.

Through South Korean filmic and literary texts, this book explores affect and ethics in the healing of historical trauma, as alternatives to the measures of transitional justice in want of national unity.

Historians and legal practitioners who deal with transitional justice agree that the relationship between historiography and justice seeking is contested: this book reckons with this question of how much truth-telling from a violent past will lead to healing, forgiving, forgetting and finally overcoming resentment. Nuanced interpretations of South Korean filmic and literary texts are featured, including Park Chan-wook’s Oldboy, Bong Joon-ho’s Mother and literary texts of Han Kang and Ch’oe Yun, whilst also engaging the ethical and political philosophy of Levinas, Hannah Arendt, and others. Also offered is new and extensive research into the hitherto hidden history of thousands of North Korean war orphans who were sent to Eastern European countries for care. Grappling with the evils of history, the films and novels examined herein find their ultimate themes in compassion, hospitality, humility and solidarity of the wounded.

Healing Historical Trauma in South Korean Film and Literature will appeal to students and scholars of film, comparative literature, cultural studies and Korean studies more broadly.

An innumerable number of young women were taken from Korea during the Pacific War to provide sexual services to Japanese soldiers. These women, including teenagers, euphemistically referred to in Japanese documents as Comfort Women, were shipped to the vastly expanded battlefronts throughout the Japan-occupied territories covering Northern China to Myanmar and to the South Pacific Islands. Many of these girls died, were killed or abandoned during and after the war, but a small percentage of them returned only to face yet another devastating war at home and lasting social stigma.

In Voices of the Korean Comfort Women, nine survivors tell their traumatic life stories as to how they were taken, how they had been treated with atrocities at the Comfort Stations, and how they had survived through not only the Pacific War but also the Korean War and beyond. These often-harrowing personal testimonies are each expanded by the interviewer’s observational notes, thereby providing poignant contextual information.

This English translation of vital oral history, underpinned with theoretically informed guides, will be invaluable to students and scholars of Asian history, the Pacific War and wartime sexual violence against women as well as those interested in historical trauma and human rights.

An innumerable number of young women were taken from Korea during the Pacific War to provide sexual services to Japanese soldiers. These women, including teenagers, euphemistically referred to in Japanese documents as Comfort Women, were shipped to the vastly expanded battlefronts throughout the Japan-occupied territories covering Northern China to Myanmar and to the South Pacific Islands. Many of these girls died, were killed or abandoned during and after the war, but a small percentage of them returned only to face yet another devastating war at home and lasting social stigma.

In Voices of the Korean Comfort Women, nine survivors tell their traumatic life stories as to how they were taken, how they had been treated with atrocities at the Comfort Stations, and how they had survived through not only the Pacific War but also the Korean War and beyond. These often-harrowing personal testimonies are each expanded by the interviewer’s observational notes, thereby providing poignant contextual information.

This English translation of vital oral history, underpinned with theoretically informed guides, will be invaluable to students and scholars of Asian history, the Pacific War and wartime sexual violence against women as well as those interested in historical trauma and human rights.

Dangerous Women addresses the themes of Korean nationalism and gender construction, as well as various issues related to the colonialization and decolonialization of the Korean nation. The contributors explore the troubled category of "woman," placing it in the specific context of a marginalized and colonized nation. But Korean women are not merely configured here as metaphors for an emasculated and infantilized "homeland;" they are also shown to be products of a problematic gender construction that originates in Korea, and extends even today to Korean communities beyond Asia. Representations of Korean women still attempt to confine them to the status of either mother or prostitute: Dangerous Women rectifies that construction, offering a feminist intervention that might recuperate womanhood.

Dangerous Women addresses the themes of Korean nationalism and gender construction, as well as various issues related to the colonialization and decolonialization of the Korean nation. The contributors explore the troubled category of "woman," placing it in the specific context of a marginalized and colonized nation. But Korean women are not merely configured here as metaphors for an emasculated and infantilized "homeland;" they are also shown to be products of a problematic gender construction that originates in Korea, and extends even today to Korean communities beyond Asia. Representations of Korean women still attempt to confine them to the status of either mother or prostitute: Dangerous Women rectifies that construction, offering a feminist intervention that might recuperate womanhood.