Ciara Gorman – författare
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4 produkter
4 produkter
Inbunden, Engelska, 2026
1 368 kr
Skickas inom 10-15 vardagar
An exploration of representations of female criminality in contemporary French crime fiction, this book offers a literary, sociological and feminist analysis of the stereotypes surrounding women and crime. Surveying how these stereotypes are both invoked and disrupted, it covers Pierre Lemaitre’s Alex, Fred Vargas’s Quand Sort la Recluse (This Poison Will Remain), Leïla Slimani’s Chanson Douce (Lullaby) and Hannelore Cayre’s La Daronne (The Godmother) in their original French and their English translations. Addressing the gap of scholarly interest in legal and cultural representations of female violence in French crime fiction, Ciara Gorman evaluates the subversive ways in which archetypes of female criminality — ranging from the femme fatale to the witch, and from the mère fatale to the ‘bitch’ — are deployed not as reductive shorthands about femininity, but as motors of innovation and resistance. The form and plot of each text is examined for its potential as a polar féministe (feminist crime fiction), a crime novel which incorporates the concerns of feminism — be that the prevalence of sexual and sexist violence in society, or the legacy of misogynist representations of women in the crime genre as a whole. Criminal Women considers the female criminal character as a figure of opportunity, the point at which readers and writers alike may reassess their assumptions about female criminality, and about the feminist potential of crime fiction itself.
E-bok
PDF, Engelska, 20261 479 kr
Läs direkt efter köp
An exploration of representations of female criminality in contemporary French crime fiction, this book offers a literary, sociological and feminist analysis of the stereotypes surrounding women and crime. Surveying how these stereotypes are both invoked and disrupted, it covers Pierre Lemaitre's Alex, Fred Vargas's Quand Sort la Recluse (This Poison Will Remain), Le la Slimani's Chanson Douce (Lullaby) and Hannelore Cayre's La Daronne (The Godmother) in their original French and their English translations. Addressing the gap of scholarly interest in legal and cultural representations of female violence in French crime fiction, Ciara Gorman evaluates the subversive ways in which archetypes of female criminality - ranging from the femme fatale to the witch, and from the m re fatale to the 'bitch' - are deployed not as reductive shorthands about femininity, but as motors of innovation and resistance. The form and plot of each text is examined for its potential as a polar f ministe (feminist crime fiction), a crime novel which incorporates the concerns of feminism - be that the prevalence of sexual and sexist violence in society, or the legacy of misogynist representations of women in the crime genre as a whole. Criminal Women considers the female criminal character as a figure of opportunity, the point at which readers and writers alike may reassess their assumptions about female criminality, and about the feminist potential of crime fiction itself.
E-bok
Engelska, 20261 427 kr
Läs direkt efter köp
An exploration of representations of female criminality in contemporary French crime fiction, this book offers a literary, sociological and feminist analysis of the stereotypes surrounding women and crime. Surveying how these stereotypes are both invoked and disrupted, it covers Pierre Lemaitre's Alex, Fred Vargas's Quand Sort la Recluse (This Poison Will Remain), Le la Slimani's Chanson Douce (Lullaby) and Hannelore Cayre's La Daronne (The Godmother) in their original French and their English translations. Addressing the gap of scholarly interest in legal and cultural representations of female violence in French crime fiction, Ciara Gorman evaluates the subversive ways in which archetypes of female criminality - ranging from the femme fatale to the witch, and from the m re fatale to the 'bitch' - are deployed not as reductive shorthands about femininity, but as motors of innovation and resistance. The form and plot of each text is examined for its potential as a polar f ministe (feminist crime fiction), a crime novel which incorporates the concerns of feminism - be that the prevalence of sexual and sexist violence in society, or the legacy of misogynist representations of women in the crime genre as a whole. Criminal Women considers the female criminal character as a figure of opportunity, the point at which readers and writers alike may reassess their assumptions about female criminality, and about the feminist potential of crime fiction itself.
Del 106 - Contemporary French and Francophone Cultures
Disruptive Discourses by Francophone Women
Inbunden, Engelska, 2025
2 240 kr
Skickas inom 5-8 vardagar
Disruptive Discourses by Francophone Women engages with the notion of disruption in women’s cultural production in French from a wide range of perspectives, spanning the twentieth and twenty-first centuries and incorporating a variety of Francophone contexts. With a pluri-genre focus, the volume interrogates both the conceptualisation and textual representation of disruption in a myriad of forms including social, political, physical and sexual manifestations of disruptive behaviour. Organised thematically, the chapters consider inter alia angles such as ageing, motherhood, activism, queerness and migrancy and how they relate to the overarching topic of disruption. The volume is particularly concerned with the gendered dynamics of disruption and an exploration as to why certain values and behaviours are deemed transgressive and problematic when applied to women. Perhaps most importantly, the volume is interested in the creative potential of disruption to challenge oppressive norms, stereotypes and social structures. When harnessed affirmatively, as the chapters demonstrate, disruption becomes an effective tool of transformation and can produce new ways of thinking and being for women outside of patriarchal systems. Disruptive Discourses not only highlights the importance of listening to women who speak out and speak up, it also celebrates and reappropriates disruption as a powerful and positive attribute.