Cindy Patton – författare

Following a decade in which the focus on HIV and AIDS has been on specific social groups, a shift in professional perceptions has resulted in a change in the images of women and HIV/AIDS. "Last Served?" recognizes and analyzes the trend toward more openly acknowledging and planning for women in the pandemic. Rather than enumerating the effects on women of confused or conflicting policies and representation, the book details why and how this situation occurred.; The author suggests that new visibility of women cannot in itself quickly or easily change the underlying assumptions which made women simultaneously radiant figures of sexual purity, and a magnet for blame during the pandemic's first decade.; "Last Served?" makes clear how the different ways of posing and answering questions about women and HIV are grounded in already existing ways of thinking about gender, and how these underlying preconceptions sometimes create situations whereby attempts to address the practical needs of women often result in reinforcement, or introduction of new forms of male domination.; Combining detailed analysis with practical suggestions, "Last Served?" provides insights into the current debates about women and AIDS and suggests future directions for work to overcome discrimination, faulty planning and misrepresentation.

A long-awaited look at responses to the AIDS epidemic in relation to globalizationAs AIDS began to appear around the "global village" in the early 1980s, the closeness brought by new technologies no longer promised wondrous cultural exchange; instead it made possible the transmission of a frightening new kind of disease. International scientific institutions and news organizations quickly constructed a "place" for AIDS in the global imaginary: from the heart of Africa and gay bathhouses in San Francisco to the back streets of Southeast Asia and poverty-stricken neighborhoods in the United States. Such simplistic accounts helped recycle racist ideas about Africans and Asians, intensified homophobic visions of irresponsible gay sexuality, and ignored the scientific and human reality of local experiences of the epidemic.In Globalizing AIDS, pioneering cultural critic Cindy Patton looks at the complex interaction between modern science, media coverage, and local activism during the first decade of the epidemic. Patton's critique of both the production of scientific credibility and the implementation of public health policy at the local level offers a bold reevaluation of how we think about AIDS and an innovative approach to the reality of the disease.

From physical location to payment processes to expectations of both patients and caregivers, nearly everything surrounding the contemporary medical clinic's central activity has changed since Michel Foucualt's Birth of the Clinic. Indebted to that work, but recognizing the gap between what the modern clinic hoped to be and what it has become, Rebirth of the Clinic explores medical practices that shed light on the fraught relationship between medical systems, practitioners, and patients.Combining theory, history, and ethnography, the contributors to this volume ground today's clinic in a larger scheme of power relations, identifying the cultural, political, and economic pressures that frame clinical relationships, including the instrumentalist definition of health, actuarial-based medical practices, and patient self-help movements, which simultaneously hem in and create the conditions under which agents creatively change ideas of illness and treatment.From threatened community health centers in poor African American locales to innovative nursing practices among the marginally housed citizens of Canada's poorest urban neighborhood, this volume addresses not just the who, what, where, and how of place-specific clinical practices, but also sets these local experiences against a theoretical backdrop that links them to the power of modern medicine in shaping fundamental life experiences.Contributors: Christine Ceci, U of Alberta; Lisa Diedrich, Stony Brook U; Suzanne Fraser, Monash U; John Liesch, Simon Fraser U; Jenna Loyd, CUNY; Annemarie Mol, U of Amsterdam; Mary Ellen Purkis, U of Victoria.

The American public responded to the first cases of AIDS with fear and panic. Both policymakers and activists were concerned not only with stopping the spread of the disease, but also with guiding the public’s response toward those already infected. Fatal Advice is an examination of how the nation attempted, with mixed results, to negotiate the fears and concerns brought on by the epidemic. A leading writer on the cultural politics of AIDS, Cindy Patton guides us through the thicket of mass-media productions, policy and public health enterprises, and activist projects as they sprang up to meet the challenge of the epidemic, shaping the nation’s notion of what safe-sex is and who ought to know what about it.There is the official story, and then there is another, involving local groups and AIDS activists. Going back to early government and activist attempts to spread information, Patton traces a slow separation between official advice and that provided by those on the front lines in the battle against AIDS. She shows how American anxieties about teen sex played into the nation’s inadequate education and protection of its young people, and chronicles the media’s attempts to encourage compassion without broaching the touchy subject of sex or disrupting the notion that AIDS was a disease of social and sexual outcasts. Her overview of the relationship between shifting medical perceptions and safe-sex advice reveals why radical safe-sex educators eventually turned to sexually explicit, including pornographic, representations to spread their message-and why even these extreme tactics could not overcome the misguided national teaching on AIDS.Patton closes with a stirring manifesto, an urgent call to action for all those who do not want to see the hard lessons of AIDS education and activism wasted, or, with these lessons, the loss of so many more lives.

The American public responded to the first cases of AIDS with fear and panic. Both policymakers and activists were concerned not only with stopping the spread of the disease, but also with guiding the public’s response toward those already infected. Fatal Advice is an examination of how the nation attempted, with mixed results, to negotiate the fears and concerns brought on by the epidemic. A leading writer on the cultural politics of AIDS, Cindy Patton guides us through the thicket of mass-media productions, policy and public health enterprises, and activist projects as they sprang up to meet the challenge of the epidemic, shaping the nation’s notion of what safe-sex is and who ought to know what about it.There is the official story, and then there is another, involving local groups and AIDS activists. Going back to early government and activist attempts to spread information, Patton traces a slow separation between official advice and that provided by those on the front lines in the battle against AIDS. She shows how American anxieties about teen sex played into the nation’s inadequate education and protection of its young people, and chronicles the media’s attempts to encourage compassion without broaching the touchy subject of sex or disrupting the notion that AIDS was a disease of social and sexual outcasts. Her overview of the relationship between shifting medical perceptions and safe-sex advice reveals why radical safe-sex educators eventually turned to sexually explicit, including pornographic, representations to spread their message-and why even these extreme tactics could not overcome the misguided national teaching on AIDS.Patton closes with a stirring manifesto, an urgent call to action for all those who do not want to see the hard lessons of AIDS education and activism wasted, or, with these lessons, the loss of so many more lives.

Queer Diasporas presents essays that explore how sexuality and sexual identity change when individuals, ideologies, and media move across literal and figurative boundaries. Speaking from a diverse range of ethnic, racial, and national sites, the contributors to this volume illustrate how queer identity in particular is affected in ways that are as varied and nuanced as the cultural, social, and physical environments themselves.Incorporating literary analysis, ethnographic research, and theories of diaspora, migration, and transnationalism, the essays in this volume address an impressive range of topics, from the divergent medical and epidemiological understandings of the AIDS pandemic to 1950s lesbian pulp fiction. While one chapter focuses on the appropriation of religious ceremony by gay Filipino immigrants in New York City, another investigates the implicit connection between Jewishness and homosexuality in the work of Freud. The gendering of domestic roles in food preparation and consumption in Japanese society gives way to a discussion of Cuban and Jamaican homoeroticism as seen in the works of Reinaldo Arenas and Claude McKay. Chilean author D’Halmar’s orientalization of Spain as queer space and the hybrid nature of queer ‘zine culture in Quebec are the subject of others. The collection concludes with a monologue by “Walid,” a young gay Arab living in the occupied territory, whose sexual and national identities change according to his sexual and social needs.Illuminating the complex nature of queerness in the postmodern world, Queer Diasporas contributes to the advancement of gay and lesbian studies. It will be important to those working in cultural, literary, and postcolonial studies.Contributors. Michele Aina Barale, Daniel Boyarin, Sandra Buckley, Rhonda Cobham, Amir Sumaka’i Fink, Marcie Frank, Martin F. Manalansan IV, Sylvia Molloy, Cindy Patton, Jacob Press, Jennifer Robertson, Benigno SÁnchez-Eppler

The American public responded to the first cases of AIDS with fear and panic. Both policymakers and activists were concerned not only with stopping the spread of the disease, but also with guiding the public’s response toward those already infected. Fatal Advice is an examination of how the nation attempted, with mixed results, to negotiate the fears and concerns brought on by the epidemic. A leading writer on the cultural politics of AIDS, Cindy Patton guides us through the thicket of mass-media productions, policy and public health enterprises, and activist projects as they sprang up to meet the challenge of the epidemic, shaping the nation’s notion of what safe-sex is and who ought to know what about it.There is the official story, and then there is another, involving local groups and AIDS activists. Going back to early government and activist attempts to spread information, Patton traces a slow separation between official advice and that provided by those on the front lines in the battle against AIDS. She shows how American anxieties about teen sex played into the nation’s inadequate education and protection of its young people, and chronicles the media’s attempts to encourage compassion without broaching the touchy subject of sex or disrupting the notion that AIDS was a disease of social and sexual outcasts. Her overview of the relationship between shifting medical perceptions and safe-sex advice reveals why radical safe-sex educators eventually turned to sexually explicit, including pornographic, representations to spread their message—and why even these extreme tactics could not overcome the misguided national teaching on AIDS.Patton closes with a stirring manifesto, an urgent call to action for all those who do not want to see the hard lessons of AIDS education and activism wasted, or, with these lessons, the loss of so many more lives.

Following a decade in which the focus on HIV and AIDS has been on specific social groups, a shift in professional perceptions has resulted in a change in the images of women and HIV/AIDS. "Last Served?" recognizes and analyzes the trend toward more openly acknowledging and planning for women in the pandemic. Rather than enumerating the effects on women of confused or conflicting policies and representation, the book details why and how this situation occurred.; The author suggests that new visibility of women cannot in itself quickly or easily change the underlying assumptions which made women simultaneously radiant figures of sexual purity, and a magnet for blame during the pandemic''s first decade.; "Last Served?" makes clear how the different ways of posing and answering questions about women and HIV are grounded in already existing ways of thinking about gender, and how these underlying preconceptions sometimes create situations whereby attempts to address the practical needs of women often result in reinforcement, or introduction of new forms of male domination.; Combining detailed analysis with practical suggestions, "Last Served?" provides insights into the current debates about women and AIDS and suggests future directions for work to overcome discrimination, faulty planning and misrepresentation.

Following a decade in which the focus on HIV and AIDS has been on specific social groups, a shift in professional perceptions has resulted in a change in the images of women and HIV/AIDS. "Last Served?" recognizes and analyzes the trend toward more openly acknowledging and planning for women in the pandemic. Rather than enumerating the effects on women of confused or conflicting policies and representation, the book details why and how this situation occurred.; The author suggests that new visibility of women cannot in itself quickly or easily change the underlying assumptions which made women simultaneously radiant figures of sexual purity, and a magnet for blame during the pandemic''s first decade.; "Last Served?" makes clear how the different ways of posing and answering questions about women and HIV are grounded in already existing ways of thinking about gender, and how these underlying preconceptions sometimes create situations whereby attempts to address the practical needs of women often result in reinforcement, or introduction of new forms of male domination.; Combining detailed analysis with practical suggestions, "Last Served?" provides insights into the current debates about women and AIDS and suggests future directions for work to overcome discrimination, faulty planning and misrepresentation.

A Queer Film Classic on two groundbreaking gay arthouse porn films from 1972, both examples of the growing liberalization of social attitudes toward sex and homosexuality in post-Stonewall America. Where Fred Halsted''s Boys in the Sand is a frothy romp at a gay beach resort community, Wakefield Poole''s L.A. Plays Itself is a dark treatise on violence and urban squalor. Both films represent particular, polarizing moments in the early history of the gay movement.Cindy Patton is a longtime activist and scholar. She is currently professor of sociology at Simon Fraser University in British Columbia.