Cindy Sherman - Böcker

Rocha graduated from the prestigious Central Saint Martins M.A. program and, upon the presentation of her first collection in 2010, quickly garnered an instant following among fashion insiders and taste-makers; Adrian Joffe of Dover Street Market was an early fan. Born from the deep and lush nature of her native home in Ireland as well as the dynamism of her upbringing in Hong Kong, her designs are highly feminine, captivating, and infinitely provocative. Her vision is one that seems to have no bounds her highly singular designs have since reached a new set of followers that have grown to include stylishly rebellious A-listers like FKA twigs, Billie Eilish, and Chloe Sevigny along with a devoted set of fashion darlings who don Rocha s platform brogues, voluminous, almost gothic dresses, and egg-shaped pearl handbags handbags in cities across the globe. This book is a long, pensive gaze into Rocha s subversive world, one heavily inspired by art, nature, and her dual heritage. A natural bookmaker (Rocha has published an impressive number of collectible zines), this tome is insightfully edited, designed, and crafted, gathering catwalk images, shadowy editorials, and backstage documentation in a manner that stays true to the nature of the world she s created. An absolute essential for any fashion-lover s bookshelf, this monograph is highly anticipated and set to follow in the footsteps of successful authors Rizzoli has published in the past including Ann Demeulemeester, Rick Owens, Jun Takahashi, and Maison Martin Margiela.

Femxphotographers.org’s second publication Mind Over Matter focuses inward. Women’s bodies are frequently sexualized while their minds are vilified and their voices silenced. This is true throughout history and in different cultures worldwide. A book about female vision, the power of the mind, as well as dreams and fantasies, logic and intuition, Mind Over Matter is an exploration of inner strength, courage, determination, willpower, and support in complex and individual series. Edited by Roula Seikalyi and with contributions by photographers from the team as well as many guest artists and writers, the publication has the character of an illustrated reader.

This publication presents a new body of work by Cindy Sherman—artificial sitters constructed through digital manipulation and collage of the artist’s own face—while offering an intimate glimpse into Sherman’s studio process through a series of diary entries by the artist.This publication features a brand new body of work by Cindy Sherman that continues her explorations of the genre of portraiture going back to her early work of the 1970s. Across thirty-six photographs, the artist collages parts of her own face to construct the identities of various sitters, using digital manipulation to accent the layered aspects and plasticity of the self. The book also includes a text by Sherman chronicling her process in the studio, offering an intimate glimpse into her thinking about the work.