Cindy Weinstein – författare

In these diverse essays, leading critics recast the place of aesthetics in the production and consumption of literature. Rethinking the category of aesthetics in light of recent developments in literary theory and social criticism, contributors showcase the interpretive possibilities available to those who bring politics, culture, ideology, and conceptions of identity into their critiques.Deploying a distinctive range of methodologies, essays combine close readings of individual works and authors with more theoretical discussions of aesthetic theory and its relation to American literature. An introduction surveys the rise of a literary criticism based in aesthetics from the eighteenth century to its twentieth-century remaking in the wake of deconstruction, identity politics, and new historicism. The editors ultimately argue that aesthetics never really left American literary critique, even in the heyday of new historicism. Instead, they cast the current “return to aesthetics” as the natural consequence of shortcomings in deconstruction and new historicism, which led to a reconfiguration of aesthetics. Subsequent essays demonstrate the value and versatility of aesthetic considerations in literature, from eighteenth-century poetry to twentieth-century popular music. Organized into four groups—politics, form, gender, and theory—they revisit the canonical works of Henry James, Nathaniel Hawthorne, and Stephen Crane, introduce the overlooked texts of Constance Fenimore Woolson and Earl Lind, and unpack the surprising complexities of the music of The Carpenters. Deeply rooted in an American context, these essays explore literature’s aesthetic dimensions in connection to American liberty and the formation of political selfhood, and they conclude with the ethical implications of reading and representation.

The Harper & Brothers 1852 first edition of Pierre is accompanied by Robert S. Levine and Cindy Weinstein’s introduction, note on the text and annotations. Contextual and source materials, including letters and responses, provide readers with a sense of Pierre’s time and place. Seven critical essays on Pierre’s major themes are also included.

An authoritative guide to American literature, this Companion examines the experimental forms, socio-cultural changes, literary movements, and major authors of the early 20th century. This Companion provides authoritative and wide-ranging guidance on early twentieth-century American fiction.

Considers commonly studied authors such as Faulkner, Fitzgerald, and Hemingway, alongside key texts of the period by Richard Wright, Charles Chesnutt, Zora Neale Hurston, and Anzia Yezierska Examines how the works of these diverse writers have been interpreted in their own day and how current readings have expanded our understanding of their cultural and literary significance Covers a broad range of topics, including the First and Second World Wars, literary language differences, author celebrity, the urban landscape, modernism, the Jazz Age, the Great Depression, regionalism, and African-American fiction Gives students the contextual information necessary for formulating their own critiques of classic American fiction

The Cambridge Companion to Harriet Beecher Stowe establishes new parameters for both scholarly and classroom discussion of Beecher Stowe''s writing and life. This collection of specially commissioned essays provides new perspectives on the frequently read classic Uncle Tom''s Cabin, as well as on topics of perennial interest, such as Stowe''s representation of race, her attitude to reform, and her relationship to the American novel. The volume investigates Stowe''s impact on the American literary tradition and the novel of social change. Contributions also offer lucid and provocative readings that analyze Stowe''s writings through a variety of contexts, including antebellum reform, regionalism, law and the protest novel. Fresh, accessible, and engaged, this is the most up to date introduction available to Stowe''s work. The volume, which offers a comprehensive chronology of Stowe''s life and a helpful guide to further reading, will be of interest to students and teachers alike.

In Family, Kinship, and Sympathy in Nineteenth-Century American Literature Cindy Weinstein radically revises our understanding of nineteenth-century sentimental literature in the United States. She argues that these novels are far more complex than critics have suggested. Rather than confirming the power of the bourgeois family, Weinstein argues, sentimental fiction used the destruction of the biological family as an opportunity to reconfigure the family in terms of love rather than consanguinity. Their texts intervened in debates about slavery, domestic reform and other social issues of the time. Weinstein shows how canonical texts, such as Melville's Pierre and works by Stowe and Twain, can take on new meaning when read in the context of nineteenth-century sentimental fiction. Through intensive close readings of a wide range of novels, this groundbreaking study demonstrates the aesthetic and political complexities in this important and influential genre.

The Literature of Labor and the Labors of Literature juxtaposes representations of labour in fictional texts and non-fictional texts in order to trace the intersections between aesthetic and economic discourse in nineteenth-century America. Both allegory and the new forms of labour produced a version of personhood that seemed frighteningly flat, a flatness that attacked the substance of the work ethic and, indeed, the very foundations of American individualism. Using this contextualized model of allegory, Weinstein argues that texts by Hawthorne, Melville, Twain and Adams are best understood both as allegories of labour (that is, the allegorical representations of the nature and cost of being a labouring being) and labours of allegory (that is, the visibility of the author's work of representation). Weinstein revolutionizes the notion of allegorical narrative, which is exposed as a literary medium of greater depth and consequence than has previously been implied - a working authorial vehicle for engaged and at times socially turbulent thought.

The Literature of Labor and the Labors of Literature juxtaposes representations of labour in fictional texts and non-fictional texts in order to trace the intersections between aesthetic and economic discourse in nineteenth-century America. Both allegory and the new forms of labour produced a version of personhood that seemed frighteningly flat, a flatness that attacked the substance of the work ethic and, indeed, the very foundations of American individualism. Using this contextualized model of allegory, Weinstein argues that texts by Hawthorne, Melville, Twain and Adams are best understood both as allegories of labour (that is, the allegorical representations of the nature and cost of being a labouring being) and labours of allegory (that is, the visibility of the author's work of representation). Weinstein revolutionizes the notion of allegorical narrative, which is exposed as a literary medium of greater depth and consequence than has previously been implied - a working authorial vehicle for engaged and at times socially turbulent thought.

The Cambridge Companion to Harriet Beecher Stowe establishes new parameters for both scholarly and classroom discussion of Beecher Stowe's writing and life. This collection of specially commissioned essays provides new perspectives on the frequently read classic Uncle Tom's Cabin, as well as on topics of perennial interest, such as Stowe's representation of race, her attitude to reform, and her relationship to the American novel. The volume investigates Stowe's impact on the American literary tradition and the novel of social change. Contributions also offer lucid and provocative readings that analyze Stowe's writings through a variety of contexts, including antebellum reform, regionalism, law and the protest novel. Fresh, accessible, and engaged, this is the most up to date introduction available to Stowe's work. The volume, which offers a comprehensive chronology of Stowe's life and a helpful guide to further reading, will be of interest to students and teachers alike.

The Cambridge Companion to Harriet Beecher Stowe establishes new parameters for both scholarly and classroom discussion of Beecher Stowe's writing and life. This collection of specially commissioned essays provides new perspectives on the frequently read classic Uncle Tom's Cabin, as well as on topics of perennial interest, such as Stowe's representation of race, her attitude to reform, and her relationship to the American novel. The volume investigates Stowe's impact on the American literary tradition and the novel of social change. Contributions also offer lucid and provocative readings that analyze Stowe's writings through a variety of contexts, including antebellum reform, regionalism, law and the protest novel. Fresh, accessible, and engaged, this is the most up to date introduction available to Stowe's work. The volume, which offers a comprehensive chronology of Stowe's life and a helpful guide to further reading, will be of interest to students and teachers alike.

In Family, Kinship, and Sympathy in Nineteenth-Century American Literature Cindy Weinstein radically revises our understanding of nineteenth-century sentimental literature in the United States. She argues that these novels are far more complex than critics have suggested. Rather than confirming the power of the bourgeois family, Weinstein argues, sentimental fiction used the destruction of the biological family as an opportunity to reconfigure the family in terms of love rather than consanguinity. Their texts intervened in debates about slavery, domestic reform and other social issues of the time. Weinstein shows how canonical texts, such as Melville's Pierre and works by Stowe and Twain, can take on new meaning when read in the context of nineteenth-century sentimental fiction. Through intensive close readings of a wide range of novels, this groundbreaking study demonstrates the aesthetic and political complexities in this important and influential genre.

In Time, Tense, and American Literature, Cindy Weinstein examines canonical American authors who employ a range of tenses to tell a story that has already taken place. This book argues that key texts in the archive of American literature are inconsistent in their retrospective status, ricocheting between past, present and future. Taking 'The Narrative of Arthur Gordon Pym' as her point of departure, Weinstein shows how Poe's way of representing time involves careening tenses, missing chronometers and inoperable watches, thus establishing a vocabulary of time that is at once anticipated in the fiction of Charles Brockden Brown and further articulated in works by Elizabeth Stuart Phelps, Theodore Dreiser and Edward P. Jones. Each chapter examines the often strange narrative fabric of these novels and presents an opportunity to understand how especially complicated historical moments, from the founding of the new nation to the psychic consequences of the Civil War, find contextual expression through a literary uncertainty about time.

In Time, Tense, and American Literature, Cindy Weinstein examines canonical American authors who employ a range of tenses to tell a story that has already taken place. This book argues that key texts in the archive of American literature are inconsistent in their retrospective status, ricocheting between past, present and future. Taking 'The Narrative of Arthur Gordon Pym' as her point of departure, Weinstein shows how Poe's way of representing time involves careening tenses, missing chronometers and inoperable watches, thus establishing a vocabulary of time that is at once anticipated in the fiction of Charles Brockden Brown and further articulated in works by Elizabeth Stuart Phelps, Theodore Dreiser and Edward P. Jones. Each chapter examines the often strange narrative fabric of these novels and presents an opportunity to understand how especially complicated historical moments, from the founding of the new nation to the psychic consequences of the Civil War, find contextual expression through a literary uncertainty about time.

This book brings together leading critics in American literature to address the representation of time throughout a wide range of genres, methodologies, and chronological periods. American literature, from its beginnings to the present, provides a particularly rich set of texts to examine in this regard, with its interest in history, modernity and progress. Each essay considers how time embeds itself in a variety of textual representations, including Native American rituals, Shaker dances, novels, poetry, and magazines in order to provide readers with a capacious view of time's constitutive role in American literature. The essays are organized into four sections - Materializing Time, Performing Time, Timing Time, and Theorizing Time. Each section reflects a particular approach to the question of time, but taken as a whole the volume makes visible unexpected temporal patterns that cut across time period and genre.

This book brings together leading critics in American literature to address the representation of time throughout a wide range of genres, methodologies, and chronological periods. American literature, from its beginnings to the present, provides a particularly rich set of texts to examine in this regard, with its interest in history, modernity and progress. Each essay considers how time embeds itself in a variety of textual representations, including Native American rituals, Shaker dances, novels, poetry, and magazines in order to provide readers with a capacious view of time's constitutive role in American literature. The essays are organized into four sections - Materializing Time, Performing Time, Timing Time, and Theorizing Time. Each section reflects a particular approach to the question of time, but taken as a whole the volume makes visible unexpected temporal patterns that cut across time period and genre.

The Cambridge Companion to Harriet Beecher Stowe establishes new parameters for both scholarly and classroom discussion of Beecher Stowe''s writing and life. This collection of specially commissioned essays provides new perspectives on the frequently read classic Uncle Tom''s Cabin, as well as on topics of perennial interest, such as Stowe''s representation of race, her attitude to reform, and her relationship to the American novel. The volume investigates Stowe''s impact on the American literary tradition and the novel of social change. Contributions also offer lucid and provocative readings that analyze Stowe''s writings through a variety of contexts, including antebellum reform, regionalism, law and the protest novel. Fresh, accessible, and engaged, this is the most up to date introduction available to Stowe''s work. The volume, which offers a comprehensive chronology of Stowe''s life and a helpful guide to further reading, will be of interest to students and teachers alike.

An authoritative guide to American literature, this Companion examines the experimental forms, socio-cultural changes, literary movements, and major authors of the early 20th century. This Companion provides authoritative and wide-ranging guidance on early twentieth-century American fiction. Considers commonly studied authors such as Faulkner, Fitzgerald, and Hemingway, alongside key texts of the period by Richard Wright, Charles Chesnutt, Zora Neale Hurston, and Anzia YezierskaExamines how the works of these diverse writers have been interpreted in their own day and how current readings have expanded our understanding of their cultural and literary significanceCovers a broad range of topics, including the First and Second World Wars, literary language differences, author celebrity, the urban landscape, modernism, the Jazz Age, the Great Depression, regionalism, and African-American fictionGives students the contextual information necessary for formulating their own critiques of classic American fiction

The moving story of an English professor studying neurology in order to understand and come to terms with her father's death from Alzheimer's.Winner of the Memoir Prize for Books by the Memoir MagazineIn 1985, when Cindy Weinstein was a graduate student at UC Berkeley, her beloved father, Jerry, was diagnosed with early-onset Alzheimer's disease. He was fifty-eight years old. Twelve years later, at age seventy, he died having lost all of his memories—along with his ability to read, write, and speak. Finding the Right Words follows Weinstein's decades-long journey to come to terms with her father's dementia as both a daughter and an English professor. Although her lifelong love of language and literature gave her a way to talk about her grief, she realized that she also needed to learn more about the science of dementia to make sense of her father's death. To write her story, she collaborated with Dr. Bruce L. Miller, neurologist and director of the Memory and Aging Center at the University of California, San Francisco, combining personal memoir, literature, and the science and history of brain health into a unique, educational, and meditative work. Finding the Right Words is an invaluable guide for families dealing with a life-changing diagnosis. In chapters of profound and sometimes humorous remembrance, Weinstein relies on literature to describe the shock of her father's diagnosis and his loss of language and identity. Writing in response to Weinstein's deeply personal narrative, Dr. Miller describes the neurological processes responsible for the symptoms displayed by her father. He also reflects upon his own personal and professional experiences. In a final chapter about memory, Weinstein is able to remember her father before the diagnosis, and Miller explains how the brain creates memories while sharing some of his own. Their two perspectives give readers a fuller understanding of Alzheimer's than any one voice could.