Clara Jones – författare

Numerous figures, illustrations, and tables; integration of new literature and concepts into field of primatology; emphasis upon both behavioral and cognitive mechanisms.

Virginia Woolf and Capitalism explores Woolf's engagement with and critiques of capitalism throughout her life, arguing for its central importance in our understanding of her as an author, activist and publisher. Galvanised by existing scholarship on the place of economics, class, gender and empire in Woolf's writing, this collection draws attention to her thinking about history, labour and economics and gives space for understandings of Woolf in the context of our own late-capitalist moment. Chapters by leading and emerging scholars range across Woolf's oeuvre in all its generic diversity, from her earliest short fiction and Night and Day to Three Guineas and Between the Acts, showcasing a range of critical approaches from the archival to the creative to the pedagogical. This collection demonstrates how productive and provocative thinking about Woolf's fiction and non-fiction through the lens of capitalism can be for Woolf scholars.

Virginia Woolf and Capitalism explores Woolf’s engagement with and critiques of capitalism throughout her life, arguing for its central importance in our understanding of her as an author, activist and publisher. Galvanised by existing scholarship on the place of economics, class, gender and empire in Woolf’s writing, this collection draws attention to her thinking about history, labour and economics and gives space for understandings of Woolf in the context of our own late-capitalist moment. Chapters by leading and emerging scholars range across Woolf's oeuvre in all its generic diversity, from her earliest short fiction and Night and Day to Three Guineas and Between the Acts, showcasing a range of critical approaches from the archival to the creative to the pedagogical. This collection demonstrates how productive and provocative thinking about Woolf’s fiction and non-fiction through the lens of capitalism can be for Woolf scholars.

British Interwar Women Writers explores the relationship between the political and literary commitments of five women writers – Sylvia Townsend Warner, Ellen Wilkinson, Rosamond Lehmann, Elizabeth Bowen and Amabel Williams-Ellis. The book has two aims. Firstly, to offer more precisely contextualised accounts of these writers’ class and gender politics by situating their treatment of maternity, marriage, work, sex and domesticity in terms of contemporary socio-political debates, as well as their own involvement with organisations like the Labour Party, the National Federation of Women’s Institutes and the Communist Party of Great Britain. Secondly, by focusing on their shared preference for mid-and-low-status genres, such as romance and thrillers, and exploring the potential of cross-generic close readings, the book shows how these writers’ work with genre was responsive to, and in some cases contiguous with, their extra-literary commitments and political engagements.

British Interwar Women Writers explores the relationship between the political and literary commitments of five women writers – Sylvia Townsend Warner, Ellen Wilkinson, Rosamond Lehmann, Elizabeth Bowen and Amabel Williams-Ellis. The book has two aims. Firstly, to offer more precisely contextualised accounts of these writers’ class and gender politics by situating their treatment of maternity, marriage, work, sex and domesticity in terms of contemporary socio-political debates, as well as their own involvement with organisations like the Labour Party, the National Federation of Women’s Institutes and the Communist Party of Great Britain. Secondly, by focusing on their shared preference for mid-and-low-status genres, such as romance and thrillers, and exploring the potential of cross-generic close readings, the book shows how these writers’ work with genre was responsive to, and in some cases contiguous with, their extra-literary commitments and political engagements.

British Interwar Women Writers explores the relationship between the political and literary commitments of five women writers – Sylvia Townsend Warner, Ellen Wilkinson, Rosamond Lehmann, Elizabeth Bowen and Amabel Williams-Ellis. The book has two aims. Firstly, to offer more precisely contextualised accounts of these writers’ class and gender politics by situating their treatment of maternity, marriage, work, sex and domesticity in terms of contemporary socio-political debates, as well as their own involvement with organisations like the Labour Party, the National Federation of Women’s Institutes and the Communist Party of Great Britain. Secondly, by focusing on their shared preference for mid-and-low-status genres, such as romance and thrillers, and exploring the potential of cross-generic close readings, the book shows how these writers’ work with genre was responsive to, and in some cases contiguous with, their extra-literary commitments and political engagements.

Numerous figures, illustrations, and tables; integration of new literature and concepts into field of primatology; emphasis upon both behavioral and cognitive mechanisms.

Rescues the particularities of Virginia Woolf’s political and social participation, tracing her career as an activist across forty-five yearsClara Jones re-reads Woolf’s fiction and non-fiction in light of her examination of the details of Woolf’s involvement with Morley College, the People’s Suffrage Federation, the Women’s Co-operative Guild and the National Federation of Women’s Institutes. Drawing on extensive archival research into these organisations, Jones also positions Woolf’s activism with regard to the institutional contexts in which she worked. Virginia Woolf: Ambivalent Activist demonstrates the degree to which Woolf was sensitive to the internal politics and conflicts of the bodies she was associated with and the ways in which she interrogated her ambivalent attitudes towards her activism throughout her literary career.Focusing on texts that represent the range of Woolf’s literary output, this book includes essays, unpublished sketches, Woolf’s social realist 1919 novel Night and Day, and her final, visionary novel Between the Acts. This approach to Woolf’s writing takes an integrated view, incorporating her juvenilia and foregrounding Woolf’s critically neglected early novels. Rather than offering readings of Woolf’s well-known ‘political’ works, Jones instead uncovers the unexpected ways in which Woolf’s activism made its way into unlikely texts.Key FeaturesIncludes two new transcriptions of material by Woolf: the ‘Report on Teaching at Morley College’ (‘Morley Sketch’) and the ‘Cook Sketch’Provides insights into the histories of neglected institutions through accounts of Woolf’s activismExplores a range of texts, reading across genres with an alertness to class and gender politics in each case