Clare Davies – författare

Explores what we know about how we want, see, browse, read, use and remember online information. Readers take a non-technical and entertaining journey into previously obscure depths of cognitive psychology and information science.

Explores what we know about how we want, see, browse, read, use and remember online information. Readers take a non-technical and entertaining journey into previously obscure depths of cognitive psychology and information science.

An unprecedented look at the little-known paintings from Louise Bourgeois’s early years in New York that laid the groundwork for her sculptural practice  “The catalog Louise Bourgeois: Paintings, and the revelatory exhibition, . . . were overseen by Clare Davies, who has commissioned an insightful essay from the art historian Briony Fer. But there’s another bonus: Beyond the paintings in the show, the catalog reproduces around 25 more, meaning that three-quarters of Bourgeois’s contribution to modern painting can now be seen in one place.”—Roberta Smith, New York Times, “Best Art Books of 2022”  Louise Bourgeois (1911–2010) is celebrated today for her sculptures. Less known are the paintings she produced between her arrival in New York in 1938 and her turn to three-dimensional media in 1949. Crucial to her artistic practice, these early works—the focus of this groundbreaking publication—show how Bourgeois evolved her deeply personal artistic lexicon, and how the themes and motifs she explored in her paintings coalesced into symbols of her sculptural practice. Informed by new archival research and the artist’s extensive diaries, Louise Bourgeois: Paintings explores Bourgeois’s relationship to the New York art world of the 1940s and her development of a unique pictorial language, adding a key element to our understanding of this crucial artist’s career.  Published by The Metropolitan Museum of Art/Distributed by Yale University Press  Exhibition Schedule:  The Metropolitan Museum of Art, New York(April 11–August 7, 2022)  New Orleans Museum of Art(September 8, 2022–January 8, 2023)

Armajani unites art and architecture, Persian calligraphy and abstract expressionism, American vernacular architecture and Russian constructivismIn Tehran, children walking home from school would scrape their pencils against the walls, tracing their paths through the city and chanting "follow this line." Siah Armajani (born 1939) recounts that this simple gesture speaks to the desire to mark one's presence in space. Siah Armajani: Follow This Line asks visitors to follow the artist across a shifting terrain, first within the context of pre-revolution Iran, and later, postwar and present-day America. Though Armajani is best known today for his works of public art—bridges, gazebos, reading rooms—located across the United States and Europe, this groundbreaking exhibition argues for a thoughtful reexamination of his studio as the site of a rich and generative practice. His works engage a range of references: from Persian calligraphy to the manifesto, letter and talisman; from poetry to mathematical equations and computer programming; from the abstract expressionist canvas to American vernacular architecture, Bauhaus design and Russian constructivism.Published to accompany Armajani's first major US retrospective, this catalog is his most comprehensive publication to date. Developed in close collaboration with the artist, it offers new scholarship on his six-decade-long career and also includes previously unpublished texts. Contributions by Nazgol Ansarinia, Sam Durant, Barbad Golshiri and Slavs and Tatars speak to Armajani's influence on a younger generation of artists based in the United States, Europe and the Middle East.

This book constitutes the proceedings of the 12th International Conference on Spatial Information Theory, COSIT 2015, held in Santa Fee, NM, USA, in October 2015. The 22 papers presented in this book were carefully reviewed and selected from 52 full paper submissions.