Clare Virginia Eby - Böcker

For centuries, people have been thinking and writing - and fiercely debating - about the meaning of marriage. Today, politicians speak often of "defending" or "protecting" this institution, but just a hundred years ago, Progressive-era reformers embraced marriage not as a time-honored repository for conservative values, but as a tool for social change. In Until Choice Do Us Part, Clare Virginia Eby offers a new account of marriage as it appeared in fiction, journalism, legal decisions, scholarly work, and private correspondence at the start of the twentieth century. Beginning with reformers like sexologist Havelock Ellis and anthropologist Elsie Clews Parsons-who argued that spouses should be "class equals" joined by private affection, not public sanction-Eby guides us through the stories of three literary couples - Upton and Meta Fuller Sinclair, Theodore and Sara White Dreiser, and Neith Boyce and Hutchins Hapgood - who sought to reform marriage in their lives and in their writings, with mixed results.With this focus on the intimate side of married life, Eby gives readers a view into a historical moment that changed the nature of American marriage-and which continues to shape marital norms today.

For centuries, people have been thinking and writing - and fiercely debating - about the meaning of marriage. Today, politicians speak often of "defending" or "protecting" this institution, but just a hundred years ago, Progressive-era reformers embraced marriage not as a time-honored repository for conservative values, but as a tool for social change. In Until Choice Do Us Part, Clare Virginia Eby offers a new account of marriage as it appeared in fiction, journalism, legal decisions, scholarly work, and private correspondence at the start of the twentieth century. Beginning with reformers like sexologist Havelock Ellis and anthropologist Elsie Clews Parsons-who argued that spouses should be "class equals" joined by private affection, not public sanction - Eby guides us through the stories of three literary couples - Upton and Meta Fuller Sinclair, Theodore and Sara White Dreiser, and Neith Boyce and Hutchins Hapgood - who sought to reform marriage in their lives and in their writings, with mixed results.With this focus on the intimate side of married life, Eby gives readers a view into a historical moment that changed the nature of American marriage-and which continues to shape marital norms today.

Thoroughly immersed in the turn-of-the-century art scene, Theodore Dreiser's autobiographical The Genius explores the multiple conflicts between art and business, art and marriage, and between traditional and modern views of sexual morality. Despite heavy editing before its 1915 publication, The Genius was deemed so shocking that its sale was immediately prohibited by the New York Society for the Suppression of Vice. Eventually released in 1923, the novel confirmed Dreiser's status as a writer ahead of his time.Clare Virginia Eby's new edition brings to print for the first time Dreiser's original version of the novel as he composed it in 1911. The protagonist Eugene Witla, as well as the women he loves, emerge as very different characters than they appear in the 1915 edition and the ending takes a markedly different turn. Dreiser's attention to female characters' inner lives and their passions, sexual and otherwise, also renders them more comprehensible and sympathetic.Long understood as the most autobiographical of Dreiser's novels, this new edition suggests a younger, less assertive Dreiser whose mature ideas of self, masculinity, artistic achievement, and worldly success were still in the process of formation.

Theodore Dreiser is one of the most penetrating observers of the greatest period of social change the United States ever saw. Writing as America emerged as the world's wealthiest nation, Dreiser chronicled industrial and economic transformation and the birth of consumerism with an unmatched combination of detail, sympathy, and power. The specially commissioned essays collected in this volume are written by a leading team of scholars of American literature and culture. They establish parameters for both scholarly and classroom discussion of Dreiser. This Companion provides fresh perspectives on the frequently read classics, Sister Carrie and An American Tragedy, as well as on topics of perennial interest, such as Dreiser's representation of the city and his prose style. The volume investigates topics such as his representation of masculinity and femininity, and his treatment of ethnicity. It is the most comprehensive introduction to Dreiser's work available.