Clare Wilkinson - Böcker

Aimed at scholars interested in engaging the public with their research and postgraduate students exploring the practical aspects of research communication, this book provides a theoretically grounded introduction to new and emerging approaches to public engagement and research communication. Split into three sections, the reader first explores the historical approaches and current drivers for public engagement with research. Part two explores practical approaches to research engagement, from face-to-face communication in novel settings, such as festivals, through to artistic approaches, before considering new and emerging digital tools and approaches. Each practical chapter is theoretically grounded, exploring issues such as audience, interactivity, and impact. The final section explores ethical considerations in relation to public engagement as well as discussing the way that research communication fits into wider discussions about the impact of research, before concluding with a discussion around disseminating the success (or otherwise) of novel approaches to public engagement to wider groups, including public engagement practitioners.

For an industry that is known for its escapism, the quest for settings that look real seems out of character. Yet the achievement of verisimilitude in Hindi (aka Bollywood) film sets and locations has grown apace in the 21st century, even in star vehicles and cinematic spectaculars. This book inquires into how and why this is done, and who does it, drawing the reader into the thoughts and actions of art department personnel, from production designers all the way down to painters and carpenters. The key to their work is time – making the most of the time they are given, capturing the signs of the passage of time in artificially aged sets, creating settings that speak of the present or the past through the artfully chosen or fabricated props. Their work reveals a little-known side to the film industry that is indispensable to the filmmaking enterprise.

Aimed at researchers seeking to engage the public with their work, as well as postgraduate students exploring practical research communication, this book provides a theoretically grounded introduction to diverse public engagement approaches. Organised into three sections, it begins by examining the historical development of public engagement and the contemporary drivers behind it, including the growing focus on inclusivity. The second section outlines practical methods—from face-to-face communication in settings such as festivals to artistic collaborations, digital tools, citizen science, and co-creation. Each chapter connects practice with theory, considering audiences, interactivity, and impact. The final section explores the increasing professionalism of the field, addressing ethics and the role of communication in generating research impact. The book concludes by emphasising the importance of sharing both the successes and limitations of emerging engagement practices.