Clifford Davidson – författare
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27 produkter
27 produkter
2 527 kr
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Based in records and iconography, this book surveys medieval festival playing in Britain more comprehensively than any other work to date. The study presents an inclusive view of the drama in the British Isles, from Kilkenny to Great Yarmouth, from Scotland to Cornwall. It offers detailed readings of individual plays-including the York Creed Play, Pentecost and Corpus Christi plays and the little studied Bodley plays, among others - as well as a summary of what is known of their production. Clifford Davidson here extends the usual chronological range to include work typically categorized as early modern, enabling a juxtaposition of earlier plays with later plays to yield a better understanding of both. Complementing documentary evidence with iconographic detail and citation of music, he pinpoints a number of common misconceptions about medieval drama. By organizing the study around the rituals of the liturgical seasons, he clarifies the relationship between liturgical feast and dramatic celebration.
History, Religion, and Violence
Cultural Contexts for Medieval and Renaissance English Drama
Inbunden, Engelska, 2002
1 601 kr
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Professor Davidson is concerned here to chart public theatrical display as a barometer of developments in the English Middle Ages and Renaissance. This book brings together twelve previously published articles on historical and religious aspects of the early English theatre as well as an original essay on Marlowe’s Doctor Faustus and the Papacy. Other essays on Renaissance drama focus on Shakespeare against the background of the political and religious crosscurrents of the time. The treatment of medieval drama is dealt with under two headings, the first of which treats sacred violence in the mysteries. The second presents investigations of the cultural contexts for early English drama, from analysis of the claim that the mystery plays were informed by the spirit of Carnival to the signs of Doomsday in the pageant wagons on the streets of Coventry and Chester and in analogous representations in the visual arts.
221 kr
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In Norwegians in Michigan, Clifford Davidson shows how Norwegians took advantage of opportunities when they began settling in Michigan in the nineteenth century. Norwegians sailed Lake Michigan, joined the lumber trade, farmed the northwest part of the state, and mined copper and iron in the Upper Peninsula. At the same time, they brought a unique culture that came to be associated with Michigan and the Midwest. The first generations of Norwegians in Michigan maintained close cultural ties with their homeland. Some Norwegian immigrants adjusted to life in a new land more quickly than others. Among these, according to Davidson, were engineers trained in Norway who developed Michigan's bridges, tunnels, and eventually even the cars that used them. Illustrated with photographs, maps, and documents, Norwegians in Michigan vividly chronicles a now-familiar pattern of immigrants' cultural understandings prodding and shaping the culture of an emerging region and nation.
Del 16 - Early Drama, Art, and Music Monograph
Illustrations of the Stage and Acting in England to 1580
Inbunden, Engelska, 1991
324 kr
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This richly illustrated book surveys representations of the stage and acting from manuscript illuminations, stained glass, sculpture, woodcarving, wall paintings, and the woodcuts that appear in playbooks produced by the first English printers.
Del 5 - Festschriften, Occasional Papers, and Lectures
Iconographic and Comparative Studies in Medieval Drama
Häftad, Engelska, 1991
284 kr
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This compelling volume contains ten articles drawn from papers presented at the Sixth Triennial Colloquium of the International Society for the Study of the Medieval Theatre. Each essay examines the fascinating connection between medieval art and medieval drama, which, when presented together in a single volume, comprehensively represent the wide range of approaches on the topic. The connections between medieval art and drama are explored in topics ranging from English mystery plays to the Assumption to the Cuzco Corpus Christi paintings.
294 kr
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Each of these diverse essays confronts important issues in the study of medieval art, literature, and drama. The topics covered include the symbolism of scatological illustration in Gothic manuscripts (Karl Wentersdorf), connections between word and picture in religious art (Roger Ellis), and the relationship perceived between divine and human creativity (R. W. Hanning), while Clifford Davidson provides an exploration in the phenomenology of space and time in medieval theater.
559 kr
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Each of these diverse essays confronts important issues in the study of medieval art, literature, and drama. The topics covered include the symbolism of scatological illustration in Gothic manuscripts (Karl Wentersdorf), connections between word and picture in religious art (Roger Ellis), and the relationship perceived between divine and human creativity (R. W. Hanning), while Clifford Davidson provides an exploration in the phenomenology of space and time in medieval theater.
Del 4 - Early Drama, Art, and Music Reference
Early Art of Coventry, Stratford-upon-Avon, Warwick, and Lesser Sites in Warwickshire
A Subject List of Extant and Lost Art Including Items Relevant to Early Drama
Inbunden, Engelska, 1985
326 kr
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The study of the early art of England can be frustrating for scholars, as the destruction by iconoclasm and neglect was very thorough in certain regions. This volume seeks to aid those studying the early art, including relics and musical iconography, of Coventry, Stratford-upon-Avon, Warwick, and other Warwickshire locations. Accompanied by 71 illustrations and 2 maps, the subject lists found within provide information from records and antiquarian accounts that should prove invaluable in visualizing the dimensions of the iconography of both lost and extant early art from the region.
Del 4 - Early Drama, Art, and Music Reference
Early Art of Coventry, Stratford-upon-Avon, Warwick, and Lesser Sites in Warwickshire
A Subject List of Extant and Lost Art Including Items Relevant to Early Drama
Häftad, Engelska, 1985
255 kr
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The study of the early art of England can be frustrating for scholars, as the destruction by iconoclasm and neglect was very thorough in certain regions. This volume seeks to aid those studying the early art, including relics and musical iconography, of Coventry, Stratford-upon-Avon, Warwick, and other Warwickshire locations. Accompanied by 71 illustrations and 2 maps, the subject lists found within provide information from records and antiquarian accounts that should prove invaluable in visualizing the dimensions of the iconography of both lost and extant early art from the region.
Del 7 - Early Drama, Art, and Music Monograph
Fleury Playbook
Essays and Studies
Häftad, Engelska, 1985
424 kr
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Growing out of a symposium on the Fleury Playbook at the International Congress on Medieval Studies, this book includes essays from the symposium, as well as additional papers written by scholars whose specialties were not represented at the conference. Each essay covers a unique topic in the study of the Playbook, utilizing a diverse set of methodological tools and interdisciplinary approaches for subjects which have not heretofore received adequate scholarly attention. The topics at hand are each of significant interest to the field at large.
608 kr
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This illustrated volume intelligently provides a much-needed introduction to what may have been the most popular variety of drama in the Middle Ages: the saint play. A comprehensive and collaborative survey is provided with an emphasis on interdisciplinary study rather than only literary analysis. While the saint play in England is the connecting theme of the volume, the papers explore other topics necessary to fully understand the culture of the saint play, such as the genre as manifest on the continent, including plays in French, Italian, and German.
315 kr
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The radical Protestantism that led to the suppression of religious drama in England also by the early years of Queen Elizabeth I destroyed perhaps the majority of ecclesiastical art in the country. The essays in this book provide analysis of the intellectual and religious motivation as well as new historical information concerning this phase of iconoclasm.
953 kr
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Based in records and iconography, this book surveys medieval festival playing in Britain more comprehensively than any other work to date. The study presents an inclusive view of the drama in the British Isles, from Kilkenny to Great Yarmouth, from Scotland to Cornwall. It offers detailed readings of individual plays-including the York Creed Play, Pentecost and Corpus Christi plays and the little studied Bodley plays, among others - as well as a summary of what is known of their production. Clifford Davidson here extends the usual chronological range to include work typically categorized as early modern, enabling a juxtaposition of earlier plays with later plays to yield a better understanding of both. Complementing documentary evidence with iconographic detail and citation of music, he pinpoints a number of common misconceptions about medieval drama. By organizing the study around the rituals of the liturgical seasons, he clarifies the relationship between liturgical feast and dramatic celebration.
Del 25 - Early Drama, Art, and Music Monograph
Material Culture and Medieval Drama
Inbunden, Engelska, 1999
453 kr
Skickas
The contributions by distinguished American and British scholars to this volume recognize that early drama depended on specific developments in material culture in order to achieve its effects, which included both visual and auditory means of appealing to audiences. The discussions range from the parchment and paper on which the plays were written to the instruments which enhanced their production. Of special interest is Mary Remnant's survey of musical instruments available to producers; she is the recognized expert on medieval English instruments.
Del 28 - Early Drama, Art, and Music Monograph
Gesture in Medieval Drama and Art
Inbunden, Engelska, 2001
324 kr
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Gesture and movement on stage in early drama have previously received very little attention in scholarship. The present collection of essays is the first book to present sensible, penetrating, and wide-ranging discussions of the gestural effects that were integral to the early stage. In addition to consideration of the influence of classical rhetoric and reference to medieval texts and documents, the essays carefully bring to bear evidence from the art of the period and hence will be of great importance for those interested in the visual arts as well as the theater; eschewing both the naive methodologies promoted in past criticism and ephemeral theoretical concerns, the book is truly ground-breaking. These essays will need to be perused by every serious theater historian or student of art concerned with the late Middle Ages.
839 kr
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The Worlde and the Chylde, issued by the press of Wynkyn de Worde in 1521, is one of the very earliest plays published in England. It also has very considerable interest for its adaptation of the Ages of Man iconography, which is extensively treated in the introduction, notes, and illustrations.
Del 27 - Early Drama, Art, and Music Monograph
Coventry Corpus Christi Plays
Inbunden, Fornengelska, 2000
362 kr
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One of the greatest medieval drama cycles in England was mounted annually at Coventry at Corpus Christi until suppressed in 1579, and is of particular importance because it was almost certainly seen by William Shakespeare when he was a boy in nearby Stratford-upon-Avon. The two extant pageants from this cycle have been re-edited and are presented here for the first time in a modern critical edition. The introduction provides a full survey of knowledge about the Coventry cycle from the local dramatic records and other sources of information. Comprehensive critical and textual notes are included as well as a select bibliography and glossary. Appendices print the earliest fragments of the Weavers' pageant, texts of royal entries from the Coventry Leet Book, the songs (including the famous Coventry Carol) from the Shearmen and Taylors' pageant, and an analysis of various versions of the Doctors play.
225 kr
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Faced with death's certainty-and the uncertainty of the time of its coming, particularly in a historical period of widespread plague and other afflictions-as well as the inevitability of the hereafter, what is one to do? Everyman speaks to this dilemma. . . . The protagonist is one who, because he has laid up treasures on earth, has been in a position to do good deeds, but he has been very lax about it and instead has pursued enjoyment and wealth, the latter hoarded instead of being shared with the poor and needy. . . . Now he must, as the medieval mystics knew, endure the solitariness of leaving behind all that has given him comfort in this world. . . . This facing page translation of this Continental play will be useful to all students of theater.
378 kr
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The feast of Corpus Christi, celebrated annually on Thursday after Trinity Sunday, was devoted to the Eucharist, and the normal practice was to have solemn processions through the city with the Host, the consecrated wafer that was believed to have been transformed into the true body and blood of Jesus. In this way the "cultus Dei" thus celebrated allowed the people to venerate the Eucharistic bread in order that they might be stimulated to devotion and brought symbolically, even mystically into a relationship with the central moments of salvation history. Perhaps it is logical, therefore, that pageants and plays were introduced in order to access yet another way of visualizing and participating in those events. Thus the "invisible things" of the divine order "from the creation of the world" might be displayed. The York Corpus Christi Plays, contained in London, British Library, MS. Add. 35290 and comprising more than thirteen thousand lines of verse, actually represent a unique survival of medieval theater. They form the only complete play cycle verifiably associated with the feast of Corpus Christi that is extant and was performed at a specific location in England.
284 kr
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Clifford Davidson's newly revised and expanded edition of A Tretise of Miraclis Pleyinge makes available the most significant text of dramatic criticism in Middle English. A polemic against the playing of "miraclis," the Tretise is frequently linked to the Wycliffite or Lollard movements of the late fourteenth and early fifteenth centuries. In an essay on the text's dialect, Paul A. Johnston, Jr. definitively identifies the Tretise as the work of two authors who lived in adjacent counties in the Midlands.
Del 10 - Festschriften, Occasional Papers, and Lectures
Emblem, Iconography, and Drama
Häftad, Engelska, 1995
424 kr
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Eight iconographic studies by American, Australian, and British scholars that focus on Shakespeare and his contemporaries and on the interconnectedness of their art with the visual language of their time. Reprinted from Comparative Drama.
362 kr
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The Fool in the Middle Ages and Early Modern period was either a person who capitalized on his natural deficiencies, which were then considered amusing, or a professional entertainer the artificial Fool who specialized in clowning. His distinctive clothing and bauble are known to us through numerous Psalter illustrations where he is shown in connection with Psalm 52, which asserts that The fool has said in his heart there is no God. Attitudes toward the Fool varied, but his place was to become assured on stage, where his role is best known to us through the plays of Shakespeare. The articles in the present volume provide indispensable analyses of the Fool from a number of different perspectives.
Del 23 - Early Drama, Art, and Music Monograph
Technology, Guilds, and Early English Drama
Inbunden, Engelska, 1997
404 kr
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Technology, Guilds, and Early English Drama is designed to open up a broader scope of study that calls attention to both social organization and material culture as integrally related to the civic drama of England in cities such as Coventry, York, and Chester. It addresses many questions that have been frequently asked about the sources and design of those things that were used in the production of plays. The book will serve as a model for future interdisciplinary research based on records, archaeological finds, evidence from the visual arts, and the playtexts themselves.
Del 23 - Early Drama, Art, and Music Monograph
Technology, Guilds, and Early English Drama
Häftad, Engelska, 1997
318 kr
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Technology, Guilds, and Early English Drama is designed to open up a broader scope of study that calls attention to both social organization and material culture as integrally related to the civic drama of England in cities such as Coventry, York, and Chester. It addresses many questions that have been frequently asked about the sources and design of those things that were used in the production of plays. The book will serve as a model for future interdisciplinary research based on records, archaeological finds, evidence from the visual arts, and the playtexts themselves.
Studies in Late Medieval Wall Paintings, Manuscript Illuminations, and Texts
Inbunden, Engelska, 2016
591 kr
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This volume is an interdisciplinary consideration of late medieval art and texts, falling into two parts: first, the iconography and context of the great Doom wall painting over the tower arch at Holy Trinity Church, Coventry, and second, Carthusian studies treating fragmentary wall paintings in the Carthusian monastery near Coventry;
591 kr
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This volume is an interdisciplinary consideration of late medieval art and texts, falling into two parts: first, the iconography and context of the great Doom wall painting over the tower arch at Holy Trinity Church, Coventry, and second, Carthusian studies treating fragmentary wall paintings in the Carthusian monastery near Coventry;
2 201 kr
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This edition of John Lydgate’s Dance of Death offers a detailed comparison of the different text versions, a new scholarly edition and translation of Guy Marchant’s 1485 French Danse Macabre text, and an art-historical analysis of its woodcut illustrations.It addresses the cultural context and historical circumstances of Lydgate’s poem and its model, the mural of 1424-25 with accompanying French poem in Paris, as well as their precursors, notably the Vado mori poems and the Legend of the Three Living and the Three Dead. It discusses authorship, the personification and vizualisation of Death, and the wider dissemination of the Dance. The edited texts include commentaries, notes, and a glossary.