Clinton Walker – författare

The definitive account of AC/DC''s rise to fame, when the ribald lyrics and charismatic stage presence of singer Bon Scott, along with the guitar work of Angus and Malcolm Young, defined a new, highly influential brand of rock and roll. Drawing on many interviews and featuring a gallery of rare photos, Clinton Walker traces the band''s career through the life of their original front man, from small-time gigs to international success, up to Scott''s shocking death in 1980. AC/DC''s undiminished superstar status (they''re the fourth-bestselling band of all time), and their indelible influence on a succession of genres from metal to grunge to rap, ensure that Bon Scott''s presence continues to be felt strongly. HIGHWAY TO HELL offers the full story of this seminal rock figure. A consistent seller since it was first published here in 2001, HIGHWAY TO HELL has been updated for this edition. New details that have come to light in recent years about the last hours of Scott''s life have been added, enabling the author to dispel persistent rumors and myths and once more set the record straight.

Clinton Walker's biography traces Bon Scott's musical apprenticeship in bubblegum pop band the Valentines and blues-rockers Fraternity through to joining up with Angus and Malcolm Young in AC/DC, where his racy lyrics, unique vocal style, and sheer charisma helped define a new, highly influential brand of rock and roll. Drawing on exclusive first-person interviews and featuring a gallery of rare images, Clinton Walker traces AC/DC's career through the life of their original front man, from the Scottish roots he shared with the Youngs to small-time gigs to recording studios and international success - right up to Scott's shocking death in 1980, just as the band were getting the worldwide recognition they'd worked for so tirelessly. Wild speculations regarding the circumstances of Scott's death have surfaced at intervals over the intervening forty years and flared up again recently. For this edition, Walker again reviews the evidence, including new details that have come to light, and concludes that such conspiracy theories have no basis in fact. The result underlines Highway to Hell's status as the authoritative version of the life - and untimely death - of one of rock's greatest characters.

Clinton Walker''s biography of Bon Scott is the definitive account of the life of the iconic rocker, tracing his musical apprenticeship in bubblegum pop band the Valentines and blues-rockers Fraternity through to joining up with Angus and Malcolm Young in AC/DC, where his racy lyrics, unique vocal style, and sheer charisma helped define a new, highly influential brand of rock and roll.Drawing on many first-person interviews and featuring a gallery of rare images, Clinton Walker traces AC/DC''s career through the life of their original front man, from the Scottish roots he shared with the Youngs to small-time gigs to recording studios and international success, right up to Scott''s shocking death in 1980, just as the band were getting the worldwide recognition they''d worked for so tirelessly.Wild speculation about how Scott died has surfaced periodically in the intervening years and flared up again recently. For this edition, Clinton Walker re-examines the evidence surrounding Scott’s death, investigates these recurring claims, and concludes that such conspiracy theories have no basis in fact. The result underlines Highway to Hell’s status as the authoritative version of the life—and untimely death—of one of rock’s greatest characters.

Saturday Night Fever is simultaneously one of the biggest-selling albums of all time and one of the most reviled. How can a record create such a polarizing reaction? Australian writer Clinton Walker attempts to answer that question and finds that, among other things, a certain seemingly unlikely Australianness is part of the reason. Fever was a supernova for disco, for the Bee Gees, for the domineering Robert Stigwood, producer of the film and its true auteur, and for the entire record business. This book traces all the interdependent convolutions that fed into the film and its music – not least the Australian roots that Stigwood and Gibb brothers shared, which gave them an Otherness and almost gormless, shape-shifting self-determination – and it finds that sometimes great art can be made by a committee ... that sometimes, five songs are enough to change the world.

Saturday Night Fever is simultaneously one of the biggest-selling albums of all time and one of the most reviled. How can a record create such a polarizing reaction? Australian writer Clinton Walker attempts to answer that question and finds that, among other things, a certain seemingly unlikely Australianness is part of the reason. Fever was a supernova for disco, for the Bee Gees, for the domineering Robert Stigwood, producer of the film and its true auteur, and for the entire record business. This book traces all the interdependent convolutions that fed into the film and its music – not least the Australian roots that Stigwood and Gibb brothers shared, which gave them an Otherness and almost gormless, shape-shifting self-determination – and it finds that sometimes great art can be made by a committee ... that sometimes, five songs are enough to change the world.

Saturday Night Fever is simultaneously one of the biggest-selling albums of all time and one of the most reviled. How can a record create such a polarizing reaction?Australian writer Clinton Walker attempts to answer that question and finds that, among other things, a certain seemingly unlikely Australianness is part of the reason.Fever was a supernova for disco, for the Bee Gees, for the domineering Robert Stigwood, producer of the film and its true auteur, and for the entire record business. This book traces all the interdependent convolutions that fed into the film and its music – not least the Australian roots that Stigwood and Gibb brothers shared, which gave them an Otherness and almost gormless, shape-shifting self-determination – and it finds that sometimes great art can be made by a committee ... that sometimes, five songs are enough to change the world.