Clive Hart – författare

This book contains eighteen original essays by leading Joyce scholars on the eighteen separate chapters of "Ulysses". It attempts to explore the richness of Joyce's extraordinary novel more fully than could be done by any single scholar. Joyce's habit of using, when writing each chapter in "Ulysses", a particular style, tone, point of view, and narrative structure gives each contributor a special set of problems with which to engage, problems which coincide in every case with certain of his special interests. The essays in this volume complement and illuminate one another to provide the most comprehensive account yet published of Joyce's many-sided masterpiece.

Do angels make love? Will the souls of ordinary people feel sexual pleasure in the next world? Is the aspiration to spiritual salvation helped or hindered by sexual experience? In Heaven and the Flesh Clive Hart and Kay Stevenson explore the opinions of poets and painters on such questions, from the high Renaissance to the birth of romanticism. Hart and Stevenson analyse the work not only of canonical writers and artists, such as Milton and Michelangelo, but also of lesser-known figures such as John Gore and Richard Tompson, and the sometimes anguished speculations of philosophers and theologians. As the evidence of witty pornographic poems and drawings demonstrates, the relationship between sexual desire and spiritual ascension was not always treated with full seriousness. This wide-ranging survey offers sometimes surprising insights into material both familiar and unfamiliar.

Do angels make love? Will the souls of ordinary people feel sexual pleasure in the next world? Is the aspiration to spiritual salvation helped or hindered by sexual experience? In Heaven and the Flesh Clive Hart and Kay Stevenson explore the opinions of poets and painters on such questions, from the high Renaissance to the birth of romanticism. Hart and Stevenson analyse the work not only of canonical writers and artists, such as Milton and Michelangelo, but also of lesser-known figures such as John Gore and Richard Tompson, and the sometimes anguished speculations of philosophers and theologians. As the evidence of witty pornographic poems and drawings demonstrates, the relationship between sexual desire and spiritual ascension was not always treated with full seriousness. This wide-ranging survey offers sometimes surprising insights into material both familiar and unfamiliar.

A Concordance to Finnegans Wake was first published in 1963. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.This concordance, the first full-scale work dealing with the language of James Joyce's last period, provides a finding-list and analytical index for his last work, Finnegans Wake. There are three parts: the first consisting of a complete alphabetical index to the vocabulary of Finnegans Wake,the second comprising a list of syllabifications (showing the inner parts of compound words), and the third providing a list of some 10,000 English words suggested by Joycean distortions.The primary word-index, similar in most respects to those which have already been published for Joyce's Ulysses and Stephen Hero, list in alphabetical order all of the 63,924 different words which make up the vocabulary of Finnegans Wake and provides page-line references for every occurrence of all but a small handful of the most common English words. Except for punctuation marks, every typographical unit in the book is accounted for, and each is listed just as it appears in the text.The second on syllabification lists in alphabetical order the inner parts of over 10,000 complex words in Finnegans Wake which are built up out of simpler elements and which would be impossible to find from the primary index alone.In the last section, called "Overtones," the aim is to list the English words suggested by Joyce's puns and distortions. Much information gleaned from the Joycean research of the past decade is gathered together here.

The medieval mounted knight was a fearsome weapon of war, captivating and horrifying in equal measure, they are a continuing source of fascination. They have been both held up as a paragon of chivalry, whilst often being condemned as oppressive and violent. Occupying a unique place in history, knights on their warhorses are an enigma hidden behind their metal armour, and seemingly unreachable on their steeds. This book seeks to understand the world of the medieval knight by studying their origins, their accomplishments and their eventual decline. Forged in the death throes of the Roman Empire, the mounted knight found a place in a harsh and dangerous world where their skills and mentality carved them into history. From the First Crusade to the fields of Scotland, knights could be found, and their human side is examined to see how these men came to both rule Europe, and ride into enduring legend.The challenges facing the mounted knight were vast and deadly, from increasingly professional and competent infantry forces to gunpowder, the rise of political unity and the crunch of finance. The factors which forced the knight into the past help to define who and what they were, as well as the legacy that they have left indelibly imprinted on the world.The standout feature of this book is the focus on the equine half of the partnership, from an author who practices the arts of horsemanship on a daily basis, including combat with sword and lance. The psychology of the horse, refined by the experience of actually training warhorses, has helped the author to add to the body of academic work on the subject. This insight opens up the world of the mounted knight, and importantly and uniquely, challenges the perception of what he and his horse could really do.