This book looks at the ways in which prime ministers manage and fail to manage their public communication. A timely examination of the ways in which prime ministers manage and fail to manage their public communication. Original in scope, covering political rumours, political cartoons and capital cities, in addition to more familiar topics. Sets contemporary analysis of Downing Street press secretaries, media barons and press conferences in fuller historical context than usual. Draws on public records, private papers and interviews by the author dating back to the 1960s.

This book looks at the ways in which prime ministers manage and fail to manage their public communication. A timely examination of the ways in which prime ministers manage and fail to manage their public communication. Original in scope, covering political rumours, political cartoons and capital cities, in addition to more familiar topics. Sets contemporary analysis of Downing Street press secretaries, media barons and press conferences in fuller historical context than usual. Draws on public records, private papers and interviews by the author dating back to the 1960s.

This second edition of Colin Seymour-Ure's history of the press and broadcasting in post-war Britian offers a concise and fully up-to-date overview of the development of the media and its central role in British society.

This is the first major study of Britain’s pioneering graphic satirist, Sir Francis Carruthers Gould (1844–1925), the first staff political cartoonist on a daily newspaper in Britain, and the first of his kind to be knighted. Written by the distinguished media historian, Colin Seymour-Ure, it is essential reading for anyone interested in cartoons, caricature and illustration and will also be welcomed by students of history, politics and the media. It examines Gould’s career in Fleet Street until his retirement after the First World War. It also discusses his illustrations for magazines and books and there is an analysis of his use of symbolism and literary allusion to lampoon such eminent politicians as Gladstone and Joseph Chamberlain. As Lord Baker says in his Foreword, this book is ‘a major contribution to our knowledge of British cartooning.’

This book looks at the ways in which prime ministers manage and fail to manage their public communication. A timely examination of the ways in which prime ministers manage and fail to manage their public communication. Original in scope, covering political rumours, political cartoons and capital cities, in addition to more familiar topics. Sets contemporary analysis of Downing Street press secretaries, media barons and press conferences in fuller historical context than usual. Draws on public records, private papers and interviews by the author dating back to the 1960s.

This book looks at the ways in which prime ministers manage and fail to manage their public communication. A timely examination of the ways in which prime ministers manage and fail to manage their public communication. Original in scope, covering political rumours, political cartoons and capital cities, in addition to more familiar topics. Sets contemporary analysis of Downing Street press secretaries, media barons and press conferences in fuller historical context than usual. Draws on public records, private papers and interviews by the author dating back to the 1960s.

This second edition of Colin Seymour-Ure's history of the press and broadcasting in post-war Britian offers a concise and fully up-to-date overview of the development of the media and its central role in British society.

This is the first major study of Britain’s pioneering graphic satirist, Sir Francis Carruthers Gould (1844–1925), the first staff political cartoonist on a daily newspaper in Britain, and the first of his kind to be knighted. Written by the distinguished media historian, Colin Seymour-Ure, it is essential reading for anyone interested in cartoons, caricature and illustration and will also be welcomed by students of history, politics and the media. It examines Gould’s career in Fleet Street until his retirement after the First World War. It also discusses his illustrations for magazines and books and there is an analysis of his use of symbolism and literary allusion to lampoon such eminent politicians as Gladstone and Joseph Chamberlain. As Lord Baker says in his Foreword, this book is ‘a major contribution to our knowledge of British cartooning.’