Colin Shindler – författare

Permission to speak, Sah!In the aftermath of the Second World War, over two million men were conscripted to serve in Britain''s armed services. Some were sent abroad and watched their friends die in combat. Others remained in barracks and painted coal white. But despite delivering such varied experiences, National Service helped to shape the outlook of an entire generation of young British males.Historian Dr Colin Shindler has interviewed a wide range of ex-conscripts, from all backgrounds, across all ranks, and spanning the entire fourteen years that peacetime conscription lasted, and captured their memories in this engrossing book. From them, we experience the tension of a postwar Berlin surrounded by Russians, the exotic heat and colour of Tripoli in 1948, the brief but intense flashpoint of the Suez Crisis, and the fear of the Mau Mau uprising in Kenya. But we also hear about the other end of the scale, the conscripts who didn''t make it outside the confines of their barracks, or in one case, beyond his home town.Through these conversations we learn as much about the changing attitudes of servicemen as war became more of a distant memory as we do about the varied nature of their experiences. We see, too, the changing face of British society across these pivotal years, which span everything from the coronation of Elizabeth II, to the birth of rock ''n'' roll, to the beginning of the end of the Empire. The stories within these pages are fascinating. And they deserve to be told before they are lost forever.

This Handbook, the first of its kind, provides an in- depth examination of the evolution, ideology, history and culture of Zionism and its various movements.

Distancing itself from the slogans and cliches of advocacy, the volume provides much-needed context and background on the emergence of Zionism. The Handbook is divided into eight parts – with contributions from some forty of the world’s leading scholars on Zionism –to elucidate its various strands. These include underrepresented areas such as Zionism in the Arab World before the establishment of the State of Israel, Zionism and Marxism, the emergence of the Zionist Right, the language war between Hebrew and Yiddish, the struggle for Jewish women’s suffrage, the poetry of Lea Goldberg, and Zionism in emerging new Jewish communities in locations like Papua New Guinea, Guatemala and Zimbabwe. Another section on Zionism in repressive states stretches from an examination of Zionism in Hitler’s Germany to the Ayatollahs’ Iran today; from subterranean Zionism in Stalin’s Russia to apartheid South Africa. The volume concludes by examining current issues, including the relationship between evangelicals and Zionism in the US, and the representation of Zionism in the age of the internet.

Providing a sweeping overview of Zionism in its many forms, the volume will appeal to students, researchers and general readers interested in Jewish studies in the Middle East and beyond, as well as those seeking to understand the roots of contemporary Israel.

This Handbook, the first of its kind, provides an in- depth examination of the evolution, ideology, history and culture of Zionism and its various movements.

Distancing itself from the slogans and cliches of advocacy, the volume provides much-needed context and background on the emergence of Zionism. The Handbook is divided into eight parts – with contributions from some forty of the world’s leading scholars on Zionism –to elucidate its various strands. These include underrepresented areas such as Zionism in the Arab World before the establishment of the State of Israel, Zionism and Marxism, the emergence of the Zionist Right, the language war between Hebrew and Yiddish, the struggle for Jewish women’s suffrage, the poetry of Lea Goldberg, and Zionism in emerging new Jewish communities in locations like Papua New Guinea, Guatemala and Zimbabwe. Another section on Zionism in repressive states stretches from an examination of Zionism in Hitler’s Germany to the Ayatollahs’ Iran today; from subterranean Zionism in Stalin’s Russia to apartheid South Africa. The volume concludes by examining current issues, including the relationship between evangelicals and Zionism in the US, and the representation of Zionism in the age of the internet.

Providing a sweeping overview of Zionism in its many forms, the volume will appeal to students, researchers and general readers interested in Jewish studies in the Middle East and beyond, as well as those seeking to understand the roots of contemporary Israel.

A historian’s view of the relationship between American history and the American film industry, this book is a witty and perceptive account of Hollywood and its films in the years from the outbreak of the Second World War in Europe to the end of the war in Korea, It describes how film makers and their industry were shaped by and responded to the strong political and social stimuli of wartime America.

The author examines the recurring question of whether the movies were a reflection of the society in which they were produced, or whether by virtue of their undeniable propaganda power the films shaped that society. Combining evidence from literary, visual and oral sources, he covers a wide range of movies, emphasising in particular Casablanca, Mrs Miniver, The Best Years of Our Lives and Since You Went Away.

In addition to placing the films in a social and political context, the author shows that Hollywood is a perfect example of the bone-headed way in which people behave when they are dealing with large amounts of money and power. Enjoyably nostalgic, this book will appeal to film enthusiasts as well as those interested in war and its effect on society.

A historian’s view of the relationship between American history and the American film industry, this book is a witty and perceptive account of Hollywood and its films in the years from the outbreak of the Second World War in Europe to the end of the war in Korea, It describes how film makers and their industry were shaped by and responded to the strong political and social stimuli of wartime America.

The author examines the recurring question of whether the movies were a reflection of the society in which they were produced, or whether by virtue of their undeniable propaganda power the films shaped that society. Combining evidence from literary, visual and oral sources, he covers a wide range of movies, emphasising in particular Casablanca, Mrs Miniver, The Best Years of Our Lives and Since You Went Away.

In addition to placing the films in a social and political context, the author shows that Hollywood is a perfect example of the bone-headed way in which people behave when they are dealing with large amounts of money and power. Enjoyably nostalgic, this book will appeal to film enthusiasts as well as those interested in war and its effect on society.