Conner Gorry – författare

The 100 places profiled in this book are the result of decades of travel, research, and living in Cuba by a US journalist with uncommon access, ensuring travelers incomparable experiences. Much more than a prescriptive list, these narratives incorporate adventures and mishaps, insider opinion, slang, gossip, and conversations with Cubans during a historic shift which saw Soviet support evaporate, Fidel Castro take his final bow, economic reforms whiffing suspiciously of capitalism, and quasi-normalization with the United States. From exclusive interviews with prestigious Cubans to tales from intrepid travelers, these stories decipher the mysteries of Cuba while describing the country’s most alluring sites, sounds, and off-the-beaten track locales.

Author Conner Gorry has spent decades writing guidebooks for Lonely Planet (Cuba included), reporting from post-disaster situations, and covering Cuban life from the inside for a variety of international publications. Her expertise in parsing Cuban machismo and gender politics, analyzing the role and impact of Cuban women, and ferreting out the best places for women traveling solo or with children enriches the book. She first visited Cuba in 1993 and has been permanently based in Havana since 2002 where she reports on everything from clinical trials to questionable fashion. She has written several books about Cuba and founded the island’s only English-language bookstore, Cuba Libro, in 2013; most of her explorations for 100 Places in Cuba Every Woman Should Go were made on a 1946 Harley-Davidson, leading one observer to say: ‘Conner’s Cuba is where Shakespeare and Company meets Easy Rider.”

When it comes to fashion, few metropolitan areas are more synonymous with style than New York, London, Paris and Milan. But the couture capitals of tomorrow may be located in less likely locales. Addressing the interplay between the development of fashion centres across the world and their relationship to consumption and street style in both local and global contexts, the books in the Street Style series aim to record emerging fashion capitals and their relationship to the physical landscapes of the street. By examining how particular ecologies of fashion are connected to the formation of gender, class and generational identities, this series establishes a new methodology for recording and understanding identity and its connection to style.

Havana Street Style is the first book that explores and reveals the relationship between culture, city and street fashion in Cuba’s capital. Matching visual ethnography with critical analysis, the book documents a unique street style few in the United States have yet experienced.