Connie Scarborough – författare

This book is one of the first to examine medieval Spanish canonical works for their portrayals of disability in relationship to theological teachings, legal precepts, and medical knowledge. Connie L. Scarborough shows that physical impairments were seen differently through each lens. Theology at times taught that the disabled were marked by God, their sins rendered on their bodies; at other times, they were viewed as important objects of Christian charity. The disabled often suffered legal restrictions, allowing them to be viewed with other distinctive groups, such as the ill or the poor. And from a medical point of view, a miraculous cure could be seen as evidence of divine intervention. This book explores all these perspectives through medieval Spain's miracle narratives, hagiographies, didactic tales, and epic poetry.

This book is one of the first to examine medieval Spanish canonical works for their portrayals of disability in relationship to theological teachings, legal precepts, and medical knowledge. Connie L. Scarborough shows that physical impairments were seen differently through each lens. Theology at times taught that the disabled were marked by God, their sins rendered on their bodies; at other times, they were viewed as important objects of Christian charity. The disabled often suffered legal restrictions, allowing them to be viewed with other distinctive groups, such as the ill or the poor. And from a medical point of view, a miraculous cure could be seen as evidence of divine intervention. This book explores all these perspectives through medieval Spain's miracle narratives, hagiographies, didactic tales, and epic poetry.

This book is one of the first to examine medieval Spanish canonical works for their portrayals of disability in relationship to theological teachings, legal precepts, and medical knowledge. Connie L. Scarborough shows that physical impairments were seen differently through each lens. Theology at times taught that the disabled were marked by God, their sins rendered on their bodies; at other times, they were viewed as important objects of Christian charity. The disabled often suffered legal restrictions, allowing them to be viewed with other distinctive groups, such as the ill or the poor. And from a medical point of view, a miraculous cure could be seen as evidence of divine intervention. This book explores all these perspectives through medieval Spain's miracle narratives, hagiographies, didactic tales, and epic poetry.

Ecocriticism as a theoretical model has primarily been used in the study of Romantic, post-Romantic, and contemporary literary texts. Applications of the concepts to medieval literature, however, are a fairly recent phenomenon. This book examines key, canonical works from medieval Spain, showing how descriptions of the natural world in these texts are informed by both the authors’ perceptions of the environment and established literary models.

All societies are constructed, based on specific rules, norms, and laws. Hence, all ethics and morality are predicated on perceived right or wrong behavior, and much of human culture proves to be the result of a larger discourse on vices and virtues, transgression and ideals, right and wrong. The topics covered in this volume, addressing fundamental concerns of the premodern world, deal with allegedly criminal, or simply wrong behavior which demanded punishment. Sometimes this affected whole groups of people, such as the innocently persecuted Jews, sometimes individuals, such as violent and evil princes. The issue at stake here embraces all of society since it can only survive if a general framework is observed that is based in some way on justice and peace. But literature and the visual arts provide many examples of open and public protests against wrongdoings, ill-conceived ideas and concepts, and stark crimes, such as theft, rape, and murder. In fact, poetic statements or paintings could carry significant potentials against those who deliberately transgressed moral and ethical norms, or who even targeted themselves.

All societies are constructed, based on specific rules, norms, and laws. Hence, all ethics and morality are predicated on perceived right or wrong behavior, and much of human culture proves to be the result of a larger discourse on vices and virtues, transgression and ideals, right and wrong. The topics covered in this volume, addressing fundamental concerns of the premodern world, deal with allegedly criminal, or simply wrong behavior which demanded punishment. Sometimes this affected whole groups of people, such as the innocently persecuted Jews, sometimes individuals, such as violent and evil princes. The issue at stake here embraces all of society since it can only survive if a general framework is observed that is based in some way on justice and peace. But literature and the visual arts provide many examples of open and public protests against wrongdoings, ill-conceived ideas and concepts, and stark crimes, such as theft, rape, and murder. In fact, poetic statements or paintings could carry significant potentials against those who deliberately transgressed moral and ethical norms, or who even targeted themselves.

Ecocriticism as a theoretical model has primarily been used in the study of Romantic, post-Romantic, and contemporary literary texts. Applications of the concepts to medieval literature, however, are a fairly recent phenomenon. This book examines key, canonical works from medieval Spain, showing how descriptions of the natural world in these texts are informed by both the authors’ perceptions of the environment and established literary models.