Building-related art commissioned by the state brings politics, society, architecture, and urban design together in a unique way. In the German Democratic Republic (GDR), it was initially given the function of propagating political contents and idealized images of society. Artists increasingly emancipated themselves from government guidelines and developed their own forms of expression in interplay with their surroundings. Until today, many people identify numerous artworks with their home country. The publication documents the symposium " Building-related Art in the German Democratic Republic" on the occasion of the anniversary " seventy years of building-related art in Germany" in 2 2 . Renowned experts examine building-related art in the GDR from the perspective of aesthetics and contents and discuss this internationally unique stock of artworks in detail. Look inside https://issuu.com/deutscher_kunstverlag/docs/978-3-422-98 - _kunst_am_bau_blick_ins_buch

The Neue Nationalgalerie, which was erected in 9 5– 8, is the only building by the architect Ludwig Mies van der Rohe in Germany from after the Second World War. With its steel roof over the glass-walled exhibition hall and its reduced design vocabulary, it is regarded as an icon of modernism and as the legacy of a visionary master builder. Following the restoration by the firm David Chipperfield Architects, the Neue Nationalgalerie is reopening with new glory in 2 2 . With numerous specialist texts and large-format photographs, the book focuses on the architecture of the museum in three thematic groups: the historical building, the fundamental restoration, and the renovated building. Detailed and large-format photographs heighten awareness of the unique architecture, which Mies van der Rohe designed down to the smallest detail.

Building-related art commissioned by the state brings politics, society, architecture, and urban design together in a unique way. In the German Democratic Republic (GDR), it was initially given the function of propagating political contents and idealized images of society. Artists increasingly emancipated themselves from government guidelines and developed their own forms of expression in interplay with their surroundings. Until today, many people identify numerous artworks with their home country. The publication documents the symposium " Building-related Art in the German Democratic Republic" on the occasion of the anniversary " seventy years of building-related art in Germany" in 2 2 . Renowned experts examine building-related art in the GDR from the perspective of aesthetics and contents and discuss this internationally unique stock of artworks in detail. Look inside https://issuu.com/deutscher_kunstverlag/docs/978-3-422-98 - _kunst_am_bau_blick_ins_buch

The Neue Nationalgalerie, which was erected in 9 5– 8, is the only building by the architect Ludwig Mies van der Rohe in Germany from after the Second World War. With its steel roof over the glass-walled exhibition hall and its reduced design vocabulary, it is regarded as an icon of modernism and as the legacy of a visionary master builder. Following the restoration by the firm David Chipperfield Architects, the Neue Nationalgalerie is reopening with new glory in 2 2 . With numerous specialist texts and large-format photographs, the book focuses on the architecture of the museum in three thematic groups: the historical building, the fundamental restoration, and the renovated building. Detailed and large-format photographs heighten awareness of the unique architecture, which Mies van der Rohe designed down to the smallest detail.