Corinne Maury – författare
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This collective work brings together contributions from academic researchers and film critics who offer analyses of the singular aesthetics of Filipino filmmaker, Lav Diaz''s cinema.
The cinematographic work of Lav Diaz is steeped in the hopes and suffering of a people exposed to both state violence and the climatic cataclysms that regularly devastate the archipelago. A diary of the filming of Essential Truths of the Lake (2023), as well as previously unpublished interviews and masterclasses, take us to the heart of Lav Diaz''s singular creative process, rooted in time and organically confronting places and their inhabitants. His characteristically lengthy films tie in with the destinies of opponents, of the marginalised and the disenfranchised. Confronting history and the tragic consequences of successive colonisations, encouraging resistance, reviving progressively forgotten animist practices, restoring the dignity of those who disappeared: Lav Diaz''s cinematic frescoes stand up against silence, amnesia and repression.
This volume is perfect for students and scholars alike interested in Asian cinema, film critique and the work of Lav Diaz.
829 kr
Läs direkt efter köp
This collective work brings together contributions from academic researchers and film critics who offer analyses of the singular aesthetics of Filipino filmmaker, Lav Diaz''s cinema.
The cinematographic work of Lav Diaz is steeped in the hopes and suffering of a people exposed to both state violence and the climatic cataclysms that regularly devastate the archipelago. A diary of the filming of Essential Truths of the Lake (2023), as well as previously unpublished interviews and masterclasses, take us to the heart of Lav Diaz''s singular creative process, rooted in time and organically confronting places and their inhabitants. His characteristically lengthy films tie in with the destinies of opponents, of the marginalised and the disenfranchised. Confronting history and the tragic consequences of successive colonisations, encouraging resistance, reviving progressively forgotten animist practices, restoring the dignity of those who disappeared: Lav Diaz''s cinematic frescoes stand up against silence, amnesia and repression.
This volume is perfect for students and scholars alike interested in Asian cinema, film critique and the work of Lav Diaz.
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Que peut le lieu au cinéma, lorsqu’il n’est pas limité à être le décor de l’action, ni même confondu avec le paysage, encore moins réduit à un espace à parcourir ou encore amalgamé à une espèce de neutralité territoriale ? Des cinéastes tels que Chantal Akerman, Lisandro Alonso, Pedro Costa, Bruno Dumont, Béla Tarr, Avi Mograbi, Tariq Teguia, Philippe Grandrieux, Danièle Huillet et Jean-Marie Straub ou encore Sharunas Bartas choisissent de ne pas (con)centrer exclusivement la narration cinématographique sur la seule trajectoire des personnages. Les lieux qu’ils figurent à l’écran sont des spatialités telluriques, des territoires d’habitation, des matrices existentielles où se mobilisent des manières de faire et de vivre, où s’accomplissent tant des forces d’émancipation que des adynamies existentielles. Cellule d’accueil, pivot remarquable, refuge de trajectoires individuelles et communautaires, le lieu au cinéma rayonne tantôt comme un chantier précaire, tantôt comme une fortification inébranlable.