Cornelia Homburg – författare

An original interpretation of the final years of Van Gogh’s career, exploring the people and places in his late paintings The years prior to Van Gogh’s death in 1890 were pivotal to the painter’s brief artistic career. He was working in the South of France and intent on creating new work which would advance his career. Van Gogh set about developing compositions that were informed by the natural world surrounding him, by the poets and lovers he encountered in literature, and by the individual models he was depicting. The process of his imaginative transformations has never been explored, and this will provide the opportunity to present significant new insights into the much-loved painter’s life. The catalogue features an incredible range of ambitious canvases and important works on paper. It presents new research on themes including the artist’s innovative approach to exhibiting his work and the varied literary sources that inspired his characters and compositions. These topics are rarely written about in relation to this well-known artist and are bound to expand both scholarly and public interpretations of Van Gogh’s remarkable oeuvre. Published by National Gallery Global Ltd/Distributed by Yale University Press

Many of Gauguin’s portraits of Breton and Polynesian sitters, as well as his self-portraits, include inanimate objects. Intriguing as these are, the works in Paul Gauguin’s portrait gallery have never really been the subject of a thorough study. This book, first published in English in 2005, fills a gap in the scholarly literature on Gauguin, one of the leading figures in post-Impressionist art, with an in-depth, well-illustrated examination of his portraits. An array of experts on Gauguin’s art reflect on the symbolic attributes his models were endowed with, and the meaning behind the evocative settings he chose for them. The authors explore the many aspects of the artist’s portraits, often in light of the remarks he made about his models, and focus on their importance in relation to his larger oeuvre. This book, which is intended as a standard text in this field, includes essays written by experts in Gauguin’s work, all established scholars and researchers.Text in French.