Today, the neo-Anatolian pop music scene is thriving, and there is an abundance of reissues of Anatolian pop from the 1960s and 1970s. Sparked by U.S. hip-hop beat diggers in 2006, this trend has also led to a growing musicological interest in Anatolian pop and rock. This volume compiles over 15 years of research on Turkish music focusing on productions from Turkey and Germany. Key questions include the conditions that led to the emergence of Anatolian pop as a hybrid style and its relationship with other styles, such as arabesk, belly dance, folk, and hip-hop. The status of Turkish music in Germany is also examined, asking why this vast music production was ignored and excluded from the German music market and media for decades.

Today, the neo-Anatolian pop music scene is thriving, and there is an abundance of reissues of Anatolian pop from the 1960s and 1970s. Sparked by U.S. hip-hop beat diggers in 2006, this trend has also led to a growing musicological interest in Anatolian pop and rock. This volume compiles over 15 years of research on Turkish music focusing on productions from Turkey and Germany. Key questions include the conditions that led to the emergence of Anatolian pop as a hybrid style and its relationship with other styles, such as arabesk, belly dance, folk, and hip-hop. The status of Turkish music in Germany is also examined, asking why this vast music production was ignored and excluded from the German music market and media for decades.