Craig Lamont – författare

The fabric of Dorothy K. Haynes' weird fiction is truly the stuff of nightmares, where horrors cruel and mundane are interwoven with threads of dark fairy folklore and twisted witchcraft to deliver heady supernatural thrills. In this new collection, Haynes expert Craig Lamont presents the essential classics of her strange storytelling alongside rarities from obscure anthologies and magazines - and several stories exhumed from the family archive which have never been published before. Featuring illustrations by Mervyn Peake from the Library's collections, this volume knits the irresistible pull of Haynes' unique brand of the uncanny with a rare opportunity to discover new material from one of the great weavers of Scottish horror.

Transforming academic and popular understanding of this pivotal but, until now, largely under-researched literary figure, this volume offers the first full and consistent edition of Allan Ramsay's prose. The volume contains all extant prose writings, from both manuscript and print sources. As well as all known letters, the volume includes prefaces, dedications and advertisements for Ramsay's major collections. It also contains Ramsay's anonymously-published Some Few Hints in Defence of Dramatical Entertainments, the full text of his influential collection of Scots Proverbs and significant prose from manuscript sources, including Ramsay's account of Edinburgh's Porteous Riots in April 1736 and notes on contemporary plays. In these works, we see Ramsay's consistent and steadfast commitment to preserving Scottish literary culture, and gain a privileged insight into Ramsay's personality, his priorities, ambitions and core beliefs.

Transforming academic and popular understanding of this pivotal but, until now, largely under-researched literary figure, this volume offers the first full and consistent edition of Allan Ramsay’s prose. The volume contains all extant prose writings, from both manuscript and print sources. As well as all known letters, the volume includes prefaces, dedications and advertisements for Ramsay’s major collections. It also contains Ramsay’s anonymously-published Some Few Hints in Defence of Dramatical Entertainments, the full text of his influential collection of Scots Proverbs and significant prose from manuscript sources, including Ramsay’s account of Edinburgh’s Porteous Riots in April 1736 and notes on contemporary plays. In these works, we see Ramsay’s consistent and steadfast commitment to preserving Scottish literary culture, and gain a privileged insight into Ramsay’s personality, his priorities, ambitions and core beliefs.

The Last of the Lairds (1826) is the last in a series of Scottish novels including Annals of the Parish (1821) and The Provost (1822). Here, Galt depicts Malachi Mailings of Auldbiggings, a foolish old laird struggling to come to terms with new economic forces and a rapidly changing Scotland represented by the wealthy Nabob, Mr Rupees, to whom the laird’s property is mortgaged. The book was composed during Galt’s departure for North America, an adventure which opened up a new series of novels including Lawrie Todd (1830) and Bogle Corbet (1831). Galt’s travel plans led to the work being brought to a close rather quickly, leaving the editorial work and the writing of the final chapters to his friend David Macbeth Moir. The Last of the Lairds is therefore unique in its collaborative nature and for its place between two eras of Galt’s life as a writer.

This book provides a long overdue reading of Scotland’s largest city as it was during the long eighteenth century. These formative years of Enlightenment, caught between the tumultuous ages of the Reformation and the Industrial Revolution, cast Glasgow in a new and vibrant light. Far from being a dusty metropolis lying in wait for the famous age of shipbuilding, Glasgow was already an imperial hub: as implicated in mass migration and slavery as it was in civic growth and social progression. Craig Lamont incorporates case studies such as the Scottish Enlightenment, the Transatlantic Slave Trade and Eighteenth Century Print Culture to investigate how the city was shaped by the emergence of new trades and new ventures in philosophy, fine art, science, and religion. The book merges historical, literary and memory studies to provide an original blueprint for new research into other cities or civic spaces.

The first interdisciplinary exploration of eighteenth-century GlasgowApproaches Glasgow's history as a guide to the cultural memory of the city read through traditional historical and literary analysisEngages with primary sources such as contemporary literature, journalism, and ephemera from a range of institutions and archivesSets out a methodological blueprint for new research into other cities or civic spaces This book provides a long overdue reading of Scotland's largest city as it was during the long eighteenth century. These formative years of Enlightenment, caught between the tumultuous ages of the Reformation and the Industrial Revolution, cast Glasgow in a new and vibrant light. Far from being a dusty metropolis lying in wait for the famous age of shipbuilding, Glasgow was already an imperial hub: as implicated in mass migration and slavery as it was in civic growth and social progression. Craig Lamont incorporates case studies such as the Scottish Enlightenment, the Transatlantic Slave Trade and Eighteenth Century Print Culture to investigate how the city was shaped by the emergence of new trades and new ventures in philosophy, fine art, science, and religion. The book merges historical, literary and memory studies to provide an original blueprint for new research into other cities or civic spaces.