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These volumes are the first in a series containing works by Erasmus ''that concern literature and education'': interests which to him were scarcely separable. The aim of Erasmian education was a civilized life, expressed in Christian piety and the fulfilment of public and private duties and embellished by learning and literature. Towards these ends the soundest training for youth was what Erasmus often called bonne litterae, ''good letters,'' a literary and rhetorical training based on Greek and Latin authors. For centuries the classical curriculum was the core of liberal education, and Erasmus was long regarded as its exemplar. Though never a university teacher except briefly at Cambridge (1311-14), he was a ''teacher of teachers'' through his treatises on pedagogy and rhetoric and his many works of scholarship. The four works presented here in annotated translations are characteristic expressions of his dedication to learning and his confidence in the values of classical literature for the modern world of his time.
Antibarbari (1520), translated and annotated by Margaret Mann Phillips, is a defence of the humanities against ignorant and misguided critics who question both their supposed worth and the appropriateness of pagan writings for Christian pupils. The reply of Erasmus becomes a manifesto on behalf of reason, scholarship, and literature. As for paganism, he insists that if secular knowledge is used properly it cannot harm but must help Christians. ''None of the liberal disciplines is Christian'' because they all antedated Christianity, yet they ''all concern Christ'' because they can be put to Christian uses.
Parabolae (1514), translated and annotated by R.A.B. Mynors, a work that ''contributes eminently to style,'' is a collection of similitudes drawn from observations of men, customs, and nature. Many are culled from Plutarch and Seneca, but for those from Seneca, and from Aristotle, the moral applications are added by Erasmus. As an exercise in the rhetoric of moral philosophy - ''many jewels in one small box,'' Erasmus terms it-this book quickly became popular and long remained so.
De copia (1512), translated and annotated by Betty I. Knott, is not a plan for the entire curriculum but a treatise on the ''abundant'' or rich style in writing and speaking Latin, a guide to attaining fluency and variety in discourse. As a manual for students De copia broke new ground. It was a remarkably successful work, used in schools in many lands for generations. From 1312 to 1600, more than 130 printings are recorded.
De ratione studii (1312), translated and annotated by Brian McGregor, furnishes a concise but clear exposition of the curriculum, text, and methods of Erasmus'' programme for liberal studies in grammar schools. Here as in all of his writings on education, language is the heart of the matter. The main goals are accurate, effective expression and communication in Latin, though Erasmus expects much besides literature to be learned from the study of literature. He emphasizes the necessity for competent and sympathetic teachers.
Each translation is introduced by the translator, and a general introduction by the editor discusses the significance of each of the works, its relation to the others, and its subsequent fortunes. Wallace K. Ferguson provides an introductory essay, ''The Works of Erasmus.''
Volumes 23 and 24 of the Collected Works of Erasmus series – Two-volume set.
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What is the cost of caring? What are the dangers of getting involved? A small group of people find out the answers all too well after stumbling upon the truth behind the scandalous pastimes of the world''s wealthy elite. But is there any way out of the web of intrigue? And what happens when the supernatural begins to invade the events which are unfolding?
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"Quaint, meditative and sometimes dreamy, blankets will take you straight back to your first kiss." --The GuardianBlankets: 20th Anniversary Edition is the story of a young man coming of age and finding the confidence to express his creative voice. Craig Thompson's poignant graphic memoir plays out against the backdrop of a Midwestern winterscape: finely-hewn linework draws together a portrait of small town life, a rigorously fundamentalist Christian childhood, and a lonely, emotionally mixed-up adolescence.Under an engulfing blanket of snow, Craig and Raina fall in love at winter church camp, revealing to one another their struggles with faith and their dreams of escape. Over time though, their personal demons resurface and their relationship falls apart. It's a universal story, and Thompson's vibrant brushstrokes and unique page designs make the familiar heartbreaking all over again.This groundbreaking graphic novel, winner of two Eisner and three Harvey Awards, is an eloquent portrait of adolescent yearning; first love (and first heartache); faith in crisis; and the process of moving beyond all of that. Beautifully rendered in pen and ink, Thompson has created a love story that lasts.
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"Quaint, meditative and sometimes dreamy, blankets will take you straight back to your first kiss." --The GuardianBlankets is the story of a young man coming of age and finding the confidence to express his creative voice. Craig Thompson's poignant graphic memoir plays out against the backdrop of a Midwestern winterscape: finely-hewn linework draws together a portrait of small town life, a rigorously fundamentalist Christian childhood, and a lonely, emotionally mixed-up adolescence.Under an engulfing blanket of snow, Craig and Raina fall in love at winter church camp, revealing to one another their struggles with faith and their dreams of escape. Over time though, their personal demons resurface and their relationship falls apart. It's a universal story, and Thompson's vibrant brushstrokes and unique page designs make the familiar heartbreaking all over again.This groundbreaking graphic novel, winner of two Eisner and three Harvey Awards, is an eloquent portrait of adolescent yearning; first love (and first heartache); faith in crisis; and the process of moving beyond all of that. Beautifully rendered in pen and ink, Thompson has created a love story that lasts.
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A unique insight into an acclaimed cartoonist’s travels through Europe and MoroccoRiding the international success of Blankets, Craig Thompson sets out on a tour across Europe and Morocco, promoting the various European editions of his book and beginning research for his next graphic novel, Habibi. Carnet de Voyage is a gorgeous sketchbook diary of his travels as he finds intellectual and spiritual stimulation during the day-to-day work of being an author. From wandering around Paris and Barcelona between events, to navigating markets in Fez and fleeing tourist traps in Marrakesh, we see glimpses of each place, rendered in Thompson’s exquisite ink line.While desert landscapes and crowded street scenes flow across the pages, the sketchbook is packed first and foremost with people—travelers passing through, the friends and lovers he meets along the way, distant figures of old friends and other cartoonists who freely weave in and out of his subconscious. This expanded edition also includes a new epilogue drawn from his most recent European book tour, including several familiar faces and Thompson’s reflections on keeping a sketchbook. Carnet de Voyage is a casual yet intimate portrait of a celebrated cartoonist at a moment between works—surprisingly open and candid in his observations and revelations.