Cristina Garcia – författare

In the late 60s, three teenagers from around the globe are making their way in the world: Enrique Florit, from Cuba, living in southern California with his flamboyant magician father; Marta Claros, getting by in the slums of San Salvador; Leila Rezvani, a well-to-do surgeon''s daughter in Tehran. We follow them through the years, surviving war, disillusionment, and love, as their lives and paths intersect. With its cast of vividly drawn characters, its graceful movement through time, and the psychological shifts between childhood and adulthood, A Handbook to Luck is a beautiful, elegiac, and deeply emotional novel by beloved storyteller Cristina García.From the Trade Paperback edition.

In this deeply stirring novel, acclaimed author Cristina García follows one extraordinary family through four generations, from China to Cuba to America. Wonderfully evocative of time and place, rendered in the lyrical prose that is García’s hallmark, Monkey Hunting is an emotionally resonant tale of immigration, assimilation, and the prevailing integrity of self.From the Trade Paperback edition.

A fines de los años sesenta, tres adolescentes de varios rincones del planeta tratan de encontrar su lugar en el mundo: el cubano Enrique Florit, que vive en el sur de California con su padre, un mago extravagante; Marta Claros, que se las arregla para subsistir en un tugurio de San Salvador; Leila Rezvani, hija de una acomodada familia de un cirujano en Teherán. Los seguimos de cerca mientras sobreviven guerras, desilusiones y amores, a medida que sus vidas y sus caminos se entrecruzan. Con un reparto de personajes vivamente retratados, una forma agraciada de moverse por el tiempo y aquellos cambios psicológicos que se suscitan entre la niñez y la madurez, Las caras de la suerte es una novela hermosa, melancólica y profundamente emotiva escrita por la estimada narradora de historias, Cristina García.From the Trade Paperback edition.

A medida que los descendientes de inmigrantes mexicanos se han ido estableciendo por todo Estados Unidos, ha surgido una gran literatura, pero sus similaridades con la literatura de México han pasado inadvertidas. En Voces sin fronteras, la primera antología que combina la literatura de ambos lados de la frontera méxico-americana, Cristina García nos presenta un diálogo intercultural de una rica diversidad.Voces históricas de maestros mexicanos como Carlos Fuentes, Elena Poniatowska y Juan Rulfo se entrelazan contínuamente con voces magistrales de chicanos como Sandra Cisneros, Rudolfo Anaya y Gloria Anzaldœa para formar una vibrante tela bilingüe y bicultural. El resultado es esta memorable colección de obras de ficción, ensayos y poesía que brinda una perspectiva emocionantemente nueva de nuestro continente —y de la mejor literatura contemporánea.From the Trade Paperback edition.

When Cristina García''s first novel, Dreaming in Cuban, was published in 1992, The New York Times called the author "a magical new writer...completely original." The book was nominated for a National Book Award, and reviewers everywhere praised it for the richness of its prose, the vivid drama of the narrative, and the dazzling illumination it brought to bear on the intricacies of family life in general and the Cuban American family in particular. Now, with The Agüero Sisters, García gives us her widely anticipated new novel. Large, vibrant, resonant with image and emotion, it tells a mesmerizing story about the power of family myth to mask, transform, and, finally, reveal the truth.It is the story of Reina and Constancia Agüero, Cuban sisters who have been estranged for thirty years. Reina, forty-eight years old, living in Cuba in the early 1990s, was once a devoted daughter of la revolución; Constancia, an eager to assimilate naturalized American, smuggled herself off the island in 1962. Reina is tall, darkly beautiful, unmarried, and magnetically sexual, a master electrician who is known as Compañera Amazona among her countless male suitors, and who basks in the admiration she receives in her trade and in her bed. Constancia is petite, perfectly put together, pale skinned, an inspirationally successful yet modest cosmetics saleswoman, long resigned to her passionless marriage. Reina believes in only what she can grasp with her five senses; Constancia believes in miracles that "arrive every day from the succulent edge of disaster." Reina lives surrounded by their father''s belongings, the tangible remains of her childhood; Constancia has inherited only a startling resemblance to their mother--the mysterious Blanca--which she wears like an unwanted mask.The sisters'' stories are braided with the voice from the past of their father, Ignacio, a renowned naturalist whose chronicling of Cuba''s dying species mirrored his own sad inability to prevent familial tragedy. It is in the memories of their parents--dead many years but still powerfully present--that the sisters'' lives have remained inextricably bound. Tireless scientists, Ignacio and Blanca understood the perfect truth of the language of nature, but never learned to speak it in their own tongue. What they left their daughters--the picture of a dark and uncertain history sifted with half-truths and pure lies--is the burden and the gift the two women struggle with as they move unknowingly toward reunion. And during that movement, as their stories unfurl and intertwine with those of their children, their lovers and husbands, their parents, we see the expression and effect of the passions, humor, and desires that both define their differences and shape their fierce attachment to each other and to their discordant past.The Agüero Sisters is clear confirmation of Cristina García''s standing in the front ranks of new American fiction.From the Hardcover edition.

The “power of sisterhood and female friendships shine” (Publishers Weekly) in this boarding school novel that spans continents and delves deep with maturity and grace.Shirin is an Iranian princess; Ingrid, a German-Canadian eccentric; and Vivien, a Cuban-Jewish New Yorker culinary phenom. The three are roommates at a Swiss boarding school, where they spend their summers learning more than French and European culture. As the girls’ paths cross and merge—summers together, school years separate—they navigate social and cultural differences and learn the confusing and conflicting legacies of their families’ pasts. In the spirit of sisterhood and friendship, Shirin, Ingrid, and Vivien grow together even when they are apart, forming unbreakable bonds along the way.

Because Yumi RuÍz-Hirsch has grandparents from Japan, Cuba, and Brooklyn, her mother calls her a poster child for the twenty-first century. Yumi would laugh if only her life wasn''t getting as complicated as her heritage. All of a sudden she''s starting eighth grade with a girl who collects tinfoil and a boy who dresses like a squid. Her mom''s found a new boyfriend, and her punk-rock father still can''t sell a song. She''s losing her house; she''s losing her school orchestra. And worst of all she''s losing her grandfather Saul. Yumi wishes everything could stay the same. But as she listens to Saul tell his story, she learns that nobody ever asks you if you''re ready for life to happen. It just happens. The choice is either to sit and watch or to join the dance. National Book Award finalist Cristina García''s first middle-grade novel celebrates the chaotic, crazy, and completely amazing patchwork that makes up our lives.

National Book Award finalist Cristina García delivers a powerful and gorgeous novel about the intertwining lives of the denizens of a luxurious hotel in an unnamed Central American capital in the midst of political turmoil.The lives of six men and women converge over the course of one week. There is a Japanese-Mexican-American matadora in town for a bull-fighting competition; an ex-guerrilla now working as a waitress in the hotel coffee shop; a Korean manufacturer with an underage mistress ensconced in the honeymoon suite; an international adoption lawyer of German descent; a colonel who committed atrocities during his country’s long civil war; and a Cuban poet who has come with his American wife to adopt a local infant. With each day, their lives become further entangled, resulting in the unexpected—the clash of histories and the pull of revenge and desire. Cristina García’s magnificent orchestration of politics, the intimacies of daily life, and the frailty of human nature unfolds in a moving, ambitious, often comic, and unforgettable tale.

A “darkly hilarious” (Elle) novel about a fictionalized Fidel Castro and an octogenarian Cuban exile obsessed with seeking revenge by the National Book Award finalist Cristina García, this “clever, well-conceived dual portrait shows what connects and divides Cubans inside and outside of the island” (Kirkus Reviews).Vivid and teeming with life, King of Cuba transports readers to Cuba and Miami, and into the heads of two larger-than-life men: a fictionalized Fidel Castro and an octogenarian Cuban exile obsessed with seeking revenge against the dictator. García’s masterful twinning of these characters combines with a rabble of other Cuban voices to portray the passions and realities of two Cubas—on the island and off— in a pulsating story that entertains and illuminates.

"[A] brave and moving tribute to a brother gone astray; with skill, unflinching honesty, and redemptive compassion, Cristina García tracks his marvelous, complex, and errant life. . . . These poems are the beautiful, painful, astonishing result of a journey to hell and back in search of the brother she loves. With this first book of poems, García, one of our best novelists and storytellers, proves herself to be a talented poet as well."—Julia Alvarez, author of Saving the WorldCristina García is the author of several novels—including Dreaming in Cuban—anthologies, and books for young readers. A National Book Award nominee, she is also a visiting professor and Black Mountain Institute teaching fellow in creative writing at the University of Nevada, Las Vegas.

This book is a book of affirmations and devotion to help Christian women be build up in their confidence using Bible verses and a opportunity to journal down and grow in a relationship with God.