Cyrus Ali Zargar – författare

A grand tour of some of the most influential thinkers and enduring practices of Islam, exploring ideas about language that continue to shape scholarship, life, and art.While Islam is almost as varied as its nearly two billion adherents, most Muslims embrace the truth of divine revelation and the Quran as God’s word. This belief in a “speaking God,” one who communicates sublime words to humans, has left its mark everywhere on the Muslim world, including in its philosophies, arts, and cultural achievements.In this new introduction to Islam, author Cyrus Ali Zargar takes a unique approach by exploring how the power of words has profoundly shaped Muslims’ lives across centuries and continents. From talismans to Quranic calligraphy and the powers of prayer with the poet Rumi to the interpretation of dreams with Sufi philosopher Ibn Arabi, readers will come away with a deep appreciation for Islam and its practices.

A grand tour of some of the most influential thinkers and enduring practices of Islam, exploring ideas about language that continue to shape scholarship, life, and art.While Islam is almost as varied as its nearly two billion adherents, most Muslims embrace the truth of divine revelation and the Quran as God’s word. This belief in a “speaking God,” one who communicates sublime words to humans, has left its mark everywhere on the Muslim world, including in its philosophies, arts, and cultural achievements.In this new introduction to Islam, author Cyrus Ali Zargar takes a unique approach by exploring how the power of words has profoundly shaped Muslims’ lives across centuries and continents. From talismans to Quranic calligraphy and the powers of prayer with the poet Rumi to the interpretation of dreams with Sufi philosopher Ibn Arabi, readers will come away with a deep appreciation for Islam and its practices.

The Ethics of Karbala investigates the relationship between sacred narratives and the development of character. Focusing on the warrior ethos expressed in accounts of the Battle of Karbala, Zargar searches for the place of the martial virtues in modern life and warfare.This book is the first of its kind in taking a virtue ethics approach to the study of Islamic history. It offers an ethical analysis of arguably the most pivotal moment in Islamic history. To do so, it makes use of interdisciplinary methods, especially global philosophy and religious studies, and draws on philosophical concepts spanning from Nietzsche to Iqbal. The book’s clear and engaging prose makes it accessible to readers seeking a profound understanding of intersections between practical philosophy and religious myths.This book targets upper-level undergraduate readers seeking to discover Islamic ethics. It will serve nonspecialists, specialists in Shiʿi Islamic studies, and all those interested in Islamic ethics, virtue ethics, cross-cultural philosophy, Nietzsche studies, military science, and religious studies.

The Ethics of Karbala investigates the relationship between sacred narratives and the development of character. Focusing on the warrior ethos expressed in accounts of the Battle of Karbala, Zargar searches for the place of the martial virtues in modern life and warfare.This book is the first of its kind in taking a virtue ethics approach to the study of Islamic history. It offers an ethical analysis of arguably the most pivotal moment in Islamic history. To do so, it makes use of interdisciplinary methods, especially global philosophy and religious studies, and draws on philosophical concepts spanning from Nietzsche to Iqbal. The book’s clear and engaging prose makes it accessible to readers seeking a profound understanding of intersections between practical philosophy and religious myths.This book targets upper-level undergraduate readers seeking to discover Islamic ethics. It will serve nonspecialists, specialists in Shiʿi Islamic studies, and all those interested in Islamic ethics, virtue ethics, cross-cultural philosophy, Nietzsche studies, military science, and religious studies.

A groundbreaking study of Farid al-Din ʿAṭṭār, one of Persian literature's greatest poets.Religion of Love explores the life and work of the Persian Sufi poet and sage Farīd al-Dīn ʿAṭṭār. ʿAṭṭār changed the face of world literature, leaving his impact on all cultures that have valued Persian Sufi writings. Considered for the first time through the lens of religious studies, ʿAṭṭār's oeuvre offers much to contemporary readers. ʿAṭṭār's poems cast a light on the relationship between revelation and the intellect. They also encourage liberation from self-centeredness through the fiery path of love. Thus, Religion of Love considers one of Persian literature's greatest poets as more than just a poet, but also as a thinker and a commentator on moral psychology, ethics, and the intellectual debates of his age, debates that shed light on today's religious complexities.

A groundbreaking study of Farid al-Din ʿAṭṭār, one of Persian literature's greatest poets.Religion of Love explores the life and work of the Persian Sufi poet and sage Farīd al-Dīn ʿAṭṭār. ʿAṭṭār changed the face of world literature, leaving his impact on all cultures that have valued Persian Sufi writings. Considered for the first time through the lens of religious studies, ʿAṭṭār's oeuvre offers much to contemporary readers. ʿAṭṭār's poems cast a light on the relationship between revelation and the intellect. They also encourage liberation from self-centeredness through the fiery path of love. Thus, Religion of Love considers one of Persian literature's greatest poets as more than just a poet, but also as a thinker and a commentator on moral psychology, ethics, and the intellectual debates of his age, debates that shed light on today's religious complexities.

Sufi Aesthetics argues that the interpretive keys to erotic Sufi poems and their medieval commentaries lie in understanding a unique perceptual experience. Using careful analysis of primary texts, Cyrus Ali Zargar explores the theoretical and poetic pronouncements of two major Muslim mystics, Muhyi al-Din ibn al-'Arabi (d. 1240) and Fakhr al-Din 'Iraqi (d. 1289), under the premise that behind any literary tradition exist organic aesthetic values. The complex assertions of these Sufis appear not as abstract theory, but as a way of seeing all things, including the sensory world.In this study Zargar responds to a long-standing debate in the study of Sufi poetics over the use of erotic language to describe the divine. He argues that such language results from an altered perception of Muslim mystics in which divine beauty and human beauty are seen as one reality. The Sufi masters, Zargar asserts, shared an aesthetic vision quite different from those who have often studied them. Sufism's foremost theoretician, Ibn 'Arabi, is presented from a neglected perspective as a poet, aesthete, and lover of the human form. Ibn 'Arabi in fact proclaimed a view of human beauty markedly similar to that of many mystics from a Persian contemplative school of thought, the "School of Passionate Love," which would later find its epitome in 'Iraqi, one of Persian literature's most celebrated poet-saints. Many in this school advocated the controversial practice of gazing at beautiful human faces, a topic Zargar also discusses.The examination of central Sufi texts in Persian and Arabic establishes that the profundity attributed to mystical encounters with the sensory and supersensory has far-reaching extensions in evaluations of that which is seen, that which is deemed beautiful, and that which is expressed as a result. Through this aesthetic approach, this comparative study overturns assumptions made not only about Sufism and classical Arabic and Persian poetry, but also other uses of erotic imagery in Muslim approaches to sexuality, the human body, and the paradise of the afterlife described in the Qur'an.