D. Schwarz – författare

While analyzing Damon Runyon's high spirited work in terms of historical contexts, popular culture, and of the changing function of the media, Schwarz argues that in his columns and stories Runyon was an indispensable figure in creating our public images of New York City culture, including our interest in the demi-monde and underworld that explains in part the success of The Godfather films and The Sopranos . In his lively and exuberant chapters that include a panoramic view of New York City between the World Wars - with a focus on its colourful nightlife - Schwarz examines virtually every facet of Runyon's career from sports writer, daily columnist, trial reporter, and Hollywood figure to the author of the still widely-read short stories that were the source of the Broadway hit Guys and Dolls . As part of his discussion of Runyon's art and the artistry of Runyon's fiction, Schwarz skilfully examines the special language of the Broadway stories known as 'Runyonese', and explains how 'Runyonese' has become an adjective for describing flamboyant behaviour.

In this study the author argues that the narrative and representational aspects of Steven's poetry has been neglected in favour of readings that stress his word play and rhetoricity. Stressing the poet's familiarity with modern painting, this book shows how Steven's concept of representation is deeply influenced by such figures as Picasso and Duchamp. Schwartz shows that Steven's poetry needs to be understood in terms of a number of major contexts including the American tradition of Emerson and Whitman, the Romantic movement and the modernist tradition. Through analysis of selected poems, from every stage of Steven's career, the author shows how the aesthetics and themes evolve. The author sees "The Man with the Blue Guitar" and "Notes Towards a Supreme Fiction" as central poems.

This work explores this crucial period in the development of the English novel, integrating critical theory, historical background and close reading. Divided into two major sections, the first shows how historical and contextual material is essential for developing powerful readings. Thus the first part challenges such New Critical tenets as "exit author" and the "biographical fallacy" and discusses how the author becomes a formal presence in the text. The second section is theoretical and speaks of the transformation in the way that we read and think about authors, readers, characters and form in the light of recent theory, offering an alternative to the deconstructive and Marxist trends in literary studies.

This work explores this crucial period in the development of the English novel, integrating critical theory, historical background and close reading. Divided into two major sections, the first shows how historical and contextual material is essential for developing powerful readings. Thus the first part challenges such New Critical tenets as "exit author" and the "biographical fallacy" and discusses how the author becomes a formal presence in the text.;The second section is theoretical and speaks of the transformation in the way that we read and think about authors, readers, characters and form in the light of recent theory, offering an alternative to the deconstructive and Marxist trends in literary studies.