Dale M. Bauer – författare

Providing an overview of the history of writing by women in the period, this 2001 Companion establishes the context in which this writing emerged, and traces the origin of the terms which have traditionally defined the debate. It includes essays on topics of recent concern, such as women and war, erotic violence, the liberating and disciplinary effects of religion, and examines the work of a variety of women writers, including Harriet Beecher Stowe, Rebecca Harding Davis and Louisa May Alcott. The volume plots new directions for the study of American literary history, and provides several valuable tools for students, including a chronology of works and suggestions for further reading.

Providing an overview of the history of writing by women in the period, this 2001 Companion establishes the context in which this writing emerged, and traces the origin of the terms which have traditionally defined the debate. It includes essays on topics of recent concern, such as women and war, erotic violence, the liberating and disciplinary effects of religion, and examines the work of a variety of women writers, including Harriet Beecher Stowe, Rebecca Harding Davis and Louisa May Alcott. The volume plots new directions for the study of American literary history, and provides several valuable tools for students, including a chronology of works and suggestions for further reading.

Feminism, Bakhtin, and the Dialogic assembles thirteen essays on the intersection of Bakhtin's narrative theory, especially his concept of dialogism. The book explores the dimensions of using Bakhtin for a feminist analysis and discerns the connections between feminist dialogics and cultural materialism. The authors offer various views ranging from studies of ecofeminism, gender theories of novelistic discourse, Bakhtin and French feminism, to analyses of contemporary novelists such as Toni Morrison, Nadine Gordimer, and Pat Barker.Drawing on Bakhtin's sociolinguistics, this book provides an introduction to feminist work on Bakhtin and the development of a cultural politics of reading. Challenging questions are raised: What is dialogic feminism? Can Bakhtin's theories advance a feminist politics? How does a feminist dialogics fit into a materialist feminist practice? Can the "dialogic imagination" also describe some of the most radical moments within feminist thinking? The interdisciplinary focus of these responses represents the ongoing dialogue among literary critics, cultural theorists, and feminists.

Feminism, Bakhtin, and the Dialogic assembles thirteen essays on the intersection of Bakhtin's narrative theory, especially his concept of dialogism. The book explores the dimensions of using Bakhtin for a feminist analysis and discerns the connections between feminist dialogics and cultural materialism. The authors offer various views ranging from studies of ecofeminism, gender theories of novelistic discourse, Bakhtin and French feminism, to analyses of contemporary novelists such as Toni Morrison, Nadine Gordimer, and Pat Barker.Drawing on Bakhtin's sociolinguistics, this book provides an introduction to feminist work on Bakhtin and the development of a cultural politics of reading. Challenging questions are raised: What is dialogic feminism? Can Bakhtin's theories advance a feminist politics? How does a feminist dialogics fit into a materialist feminist practice? Can the "dialogic imagination" also describe some of the most radical moments within feminist thinking? The interdisciplinary focus of these responses represents the ongoing dialogue among literary critics, cultural theorists, and feminists.

This book looks at sexuality in American women's writing.American women novelists of the late nineteenth and early twentieth centuries registered a call for a new sexual freedom, Dale Bauer contends. By creating a lexicon of 'sex expression', many authors explored sexuality as part of a discourse about women's needs rather than confining it to the realm of sentiments, where it had been relegated (if broached at all) by earlier writers. This new rhetoric of sexuality enabled critical conversations about who had sex, when in life they had it, and how it signified.Whether liberating or repressive, sexuality became a potential force for female agency in these women's novels, Bauer explains, insofar as these novelists seized the power of rhetoric to establish their intellectual authority. Thus, Bauer argues, they helped transform the traditional ideal of sexual purity into a new goal of sexual pleasure, defining in their fiction what intimacy between equals might become.Analyzing the work of canonical as well as popular writers - including Edith Wharton, Anzia Yezierska, Julia Peterkin, and Fannie Hurst, among others - Bauer demonstrates that the new sexualization of American culture was both material and rhetorical.

Feminist Dialogics examines the structure of four novels (Hawthorne's The Blithedale Romance, James's The Golden Bowl, Wharton's The House of Mirth and Chopin's The Awakening) through the lens of Mikhail Bakhtin's critical framework. The author draws on Bakhtin's notion of heteroglossia to show how the interaction of many voices forms the social community of the novel and how the functioning of these voices makes clear statements about the position and fate of women in these specific societies. The novels present dialogic situations in which the women misinterpret their social texts and, therefore, fail to understand their own social power. The four works considered in this study represent the struggle for women's construction of self within a dialogic structure of many competing voices.Bauer introduces and enters into dialogue with other theorists who are concerned with the social implications of reading and interpretation, including Rene Girard, Wolfgang Iser, Sandra Gilbert, and Susan Gubar, as well as other American feminists. The recurring theme in the novels of this study is the exclusion and rivalry of discourse: the competition among characters for authoritative and interpretive power. Each voice in the novel is a thematization of an ideological perspective and, as such, competes for domination. The conspiracy of voices to exclude the female reflects the social reality as well. This work is an important contribution to literary criticism and feminist theory.

Feminist Dialogics examines the structure of four novels (Hawthorne's The Blithedale Romance, James's The Golden Bowl, Wharton's The House of Mirth and Chopin's The Awakening) through the lens of Mikhail Bakhtin's critical framework. The author draws on Bakhtin's notion of heteroglossia to show how the interaction of many voices forms the social community of the novel and how the functioning of these voices makes clear statements about the position and fate of women in these specific societies. The novels present dialogic situations in which the women misinterpret their social texts and, therefore, fail to understand their own social power. The four works considered in this study represent the struggle for women's construction of self within a dialogic structure of many competing voices.Bauer introduces and enters into dialogue with other theorists who are concerned with the social implications of reading and interpretation, including Rene Girard, Wolfgang Iser, Sandra Gilbert, and Susan Gubar, as well as other American feminists. The recurring theme in the novels of this study is the exclusion and rivalry of discourse: the competition among characters for authoritative and interpretive power. Each voice in the novel is a thematization of an ideological perspective and, as such, competes for domination. The conspiracy of voices to exclude the female reflects the social reality as well. This work is an important contribution to literary criticism and feminist theory.

The field of American women's writing is one characterized by innovation: scholars are discovering new authors and works, as well as new ways of historicizing this literature, rethinking contexts, categories and juxtapositions. Now, after three decades of scholarly investigation and innovation, the rich complexity and diversity of American literature written by women can be seen with a new coherence and subtlety. Dedicated to this expanding heterogeneity, The Cambridge History of American Women's Literature develops and challenges historical, cultural, theoretical, even polemical methods, all of which will advance the future study of American women writers - from Native Americans to postmodern communities, from individual careers to communities of writers and readers. This volume immerses readers in a new dialogue about the range and depth of women's literature in the United States and allows them to trace the ever-evolving shape of the field.

Nineteenth-Century American Women's Serial Novels explores the prolific careers of four exemplary novelists - E. D. E. N. Southworth, Ann Stephens, Mary Jane Holmes, and Laura Jean Libbey. These commercially successful writers helped to shape the popular tradition of serial magazine fiction by drawing on readers' tastes along with their cultural concerns. Their astonishing productivity led magazine editors and publishers to return to them repeatedly for more serials to be turned into even more novels, even as they reprinted these fictions under new titles. Dale M. Bauer analyzes how serials deployed the repetition of plots and the traumas representing the sources of women's anxieties and pain. Arguing that these novels provided temporary resolutions to the social, economic, and psychological tensions that readers faced, Bauer explains how this otherwise forgotten archive of fiction now offers an extraordinarily expanded range of women's literary effort from the nineteenth to the twentieth century.

Nineteenth-Century American Women's Serial Novels explores the prolific careers of four exemplary novelists - E. D. E. N. Southworth, Ann Stephens, Mary Jane Holmes, and Laura Jean Libbey. These commercially successful writers helped to shape the popular tradition of serial magazine fiction by drawing on readers' tastes along with their cultural concerns. Their astonishing productivity led magazine editors and publishers to return to them repeatedly for more serials to be turned into even more novels, even as they reprinted these fictions under new titles. Dale M. Bauer analyzes how serials deployed the repetition of plots and the traumas representing the sources of women's anxieties and pain. Arguing that these novels provided temporary resolutions to the social, economic, and psychological tensions that readers faced, Bauer explains how this otherwise forgotten archive of fiction now offers an extraordinarily expanded range of women's literary effort from the nineteenth to the twentieth century.