Dan Barry – författare

From the very depths of the ocean floor to self-imposed exile in outer space... From the post-apocalyptic world of New York City in the far-flung future to enslavement in an intergalactic space circus... Science fiction's most enduring icon, Flash Gordon, is back to continue his never-ending battle against intergalactic evil! 'The Lost Continent' reprints all of Dan Barry's daily strips from October 26, 1953 to July 9, 1956, restored from the original tearsheets, and includes a feature on Flash Gordon written by newspaper comic strip expert, Rick Norwood.

Strap yourself in for another rip-roaring romp through the many worlds of Flash Gordon. From the icy cold surface of Pluto, to the Death Planet, to a dimension populated by living machines... These are the continuing adventures of Flash Gordon, science fiction's most enduring and heroic icon. The Death Planet reprints the first four years of Dan Barry's Flash Gordon Sunday strips from July 30, 1967 to July 18, 1971, starting with Mac Raboy's last strip, Captured on Pluto, which Dan completed. This volume also includes an interview with Dan Barry's long-time art assistant Bob Fujitani and a feature on Dan Barry and Harry Harrison written by comic strip expert, Rick Norwood.

In "a worthy companion to . . . Boys of Summer," a Pulitzer prize winning journalist "exploits the power of memory and nostalgia with literary grace" (New York Times).From award-winning New York Times columnist Dan Barry comes the beautifully recounted story of the longest game in baseball history—a tale celebrating not only the robust intensity of baseball, but the aspirational ideal epitomized by the hard-fighting players of the minor leagues.On April 18, 1981, a ball game sprang eternal. For eight hours, the night seemed to suspend a town and two teams between their collective pasts and futures, between their collective sorrows and joys—the shivering fans; their wives at home; the umpires; the batboys approaching manhood; the ejected manager, peering through a hole in the backstop; the sportswriters and broadcasters; and the players themselves—two destined for the Hall of Fame (Cal Ripken and Wade Boggs), the few to play only briefly or forgettably in the big leagues, and the many stuck in minor-league purgatory, duty bound and loyal forever to the game.With Bottom of the 33rd, Barry delivers a lyrical meditation on small-town lives, minor-league dreams, and the elements of time and community that conspired one fateful night to produce a baseball game seemingly without end. An unforgettable portrait of ambition and endurance, Bottom of the 33rd is the rare sports book that changes the way we perceive America''s pastime—and America''s past."Destined to take its place among the classics of baseball literature." —Kirkus Reviews (starred review)"Bottom of the 33rd is chaw-chewing, sunflower-spitting, pine tar proof that too much baseball is never enough." —Jane Leavy, author of The Last Boy and Sandy Koufax

Dan Barry approaches New York from every angle, finding surprise in the familiar, beauty in the rusted, ruined, or paved-over, and intimacy between strangers thrown together by circumstance. Whether visiting the Fulton Fish Market on the day of its closing, watching octogenarian dancers as they re-capture the grace of their youths, or talking to cops, rabbis, hatmakers, bartenders, doctors, boat captains, cabdrivers, engineers, barbers, and other about their jobs and lives, Barry brings the eye of the journalist and the soul of a poet to everything he writes.

A landmark collection by New York Times journalist Dan Barry, selected from a decade of his distinctive "This Land" columns and presenting a powerful but rarely seen portrait of America.In the wake of Hurricane Katrina and on the eve of a national recession, New York Times writer Dan Barry launched a column about America: not the one populated only by cable-news pundits, but the America defined and redefined by those who clean the hotel rooms, tend the beet fields, endure disasters both natural and manmade. As the name of the president changed from Bush to Obama to Trump, Barry was crisscrossing the country, filing deeply moving stories from the tiniest dot on the American map to the city that calls itself the Capital of the World.Complemented by the select images of award-winning Times photographers, these narrative and visual snapshots of American life create a majestic tapestry of our shared experience, capturing how our nation is at once flawed and exceptional, paralyzed and ascendant, as cruel and violent as it can be gentle and benevolent

A generational memoir of the American suburbs, Pull Me Up is a deeply affecting book. With prose that to Frank McCourt "flashes with poetry," New York Times columnist Dan Barry tells the story of an unforgettable American family. He writes so crisply that we not only feel his emotions but also recall our own: the joy of Little League, the thrill of small-town reporting, the pain of losing a parent, and the fear of facing a life-threatening illness. Barry's writing has its own stalwart beauty, a single melody teased out of the American symphony. Here is the voice of an authentic American writer.

Rediscover the golden age of journalism, when columns were events, through this collection of more than 70 pieces by a master stylist and larger-than-life character on the New York and national scene from JFK to TrumpPlus, on its 50th anniversary, revisit the Watergate summer in How the Good Guys Finally Won, an unforgettable portrait of the Congressional leaders who took down a rogue president"He opened us up to a world of possibilities. What we did with them was our concern. He had his own work to do. No one ever did it better." —John Schulian Across a career spanning six decades, from the Kennedy assassination to 9/11, Jimmy Breslin was the greatest newspaper columnist of his era. The 72 columns selected here by editor Dan Barry, more than half of which have not been reprinted since initial publication, reveal Breslin at his best, addressing stories of national and global importance but more often uncovering tales of ordinary New Yorkers, by turns tragic or absurd but always gripping to read. Gathered here are the highlights of his consummate deadline artistry: his celebrated interview with the man who dug the grave for John F. Kennedy, his coverage of the assassination of Malcolm X, his dispatches from the South at the height of the Civil Rights movement and from Vietnam, accounts of his involvement with the “Son of Sam” case as the serial killer who terrorized New York City in 1977, his story about John Lennon’s murder in 1980, his award-winning series about the AIDS crisis in 1986, and his disgusted glimpse of Donald Trump conning the press corps during a book promotion in 1990.  These masterful columns are joined by two of Breslin’s books: How the Good Guys Finally Won (1976), one of the best accounts of the Watergate scandal, centered on House Majority Leader Tip O’Neill and his allies, whose success in forcing Richard Nixon for office scored an unlikely victory for U.S. democracy; and The Short Sweet Dream of Eduardo Gutiérrez (2002), the story of an immigrant laborer killed at a construction site in Brooklyn and of the malfeasance among developers, city officials, and others that enabled the accident to happen.As quintessentially a New York figure as the memorable urban characters he portrayed, Breslin nonetheless transcended the confines of his local audience and became a national celebrity, writing with a novelist’s awareness of the telling detail that reveals the depth of a person’s, and a people's, character.

Featuring two full years worth of non-stop exhilarating, science fiction action-adventure from October 1953-October 1955. The Lost Continent sees Flash and Doctor Zarkoff enjoying a rare day deep-sea fishing that sees them sucked into a vortex and deposited on the lost continent of Atlantis! Then, Flash and Dale are abducted by the psychic Circea and Flash is hynotised into falling in love with her! Alll this and even more stories!

Following the death of Mac Raboy in 1968, Dan Barry took over production of the Sunday Flash Gordon strip. This collection, the first ever, features the first three years of a run that would last for nearly 50 years from The Return of Chameleon 1/14/68, which he completed after Raboy's death, to Radiation Giants in 12/26/71.