Dan Franklin – författare

In 1993, in the market town of Wimborne Minster in Dorset, England, the heaviest band in the world was born: Electric Wizard. Led by guitarist and singer Jus Oborn, the band inhaled the iniquity of their lives and vomited it out in colossal waves of doom metal, synthesising the forbidding local landscape, biker culture, video-nasties, black magic rituals and titanic doses of psychedelics.Come My Fanatics is the story of the rise and fall and triumphant return of the band, of their revolutionary andmind-expanding output, their legendary and calamitous tours, and of their legacy. It is a kaleidoscopic exploration of the subculture the band has absorbed and, in turn, created. From seventies exploitation cinema, through the writers of Weird Tales magazine and a panoply of the marginal and downright sinister, to the band's own live ceremonial happenings - this is Electric Wizard's world. We're just dying in it.

A captivating biography of Slipknot by acclaimed music writer, Dan Franklin, to coincide with the 25th Anniversary of Iowa: an album that redefined metal.Slipknot is one of metal's most iconic and recognisable bands. In late August 2001, Slipknot released their extraordinarily brutal second album, Iowa. With it, nine masked maniacs from the American Midwest captured the zeitgeist and reimagined the genre. The album's emotional intensity and aggression was matched only by its commercial success, as it topped album charts and defined the nu metal era.Two weeks after its release, the world changed forever. After the attacks of 9/11, Slipknot collided with history and a generation in upheaval. As the band's members struggled with their own demons, it wasn't certain that Slipknot would survive. What followed is a story that's as tumultuous, gripping, and as real as it gets. Somewhere Between Screaming And Crying is the story of Iowa's difficult birth and its remarkable impact in a world seemingly coming apart at the seams. As nu metal is embraced by a new generation today, Dan Franklin unravels how and why this much-maligned subgenre still connects so strongly and explores the ongoing influence of Slipknot as one of the most recognisable and artistically vital bands in metal today.

SOMEWHERE BETWEEN SCREAMING AND CRYING will land on the 25th anniversary of Slipknot's Iowa album and 9/11. For the first time, it will tell the story of this extraordinary No.1 album (which many consider their best) within its full context during this extraordinary period in history.

A captivating biography of Slipknot by acclaimed music writer, Dan Franklin, to coincide with the 25th Anniversary of Iowa: an album that redefined metal.Slipknot is one of metal's most iconic and recognisable bands. In late August 2001, Slipknot released their extraordinarily brutal second album, Iowa. With it, nine masked maniacs from the American Midwest captured the zeitgeist and reimagined the genre. The album's emotional intensity and aggression was matched only by its commercial success, as it topped album charts and defined the nu metal era.Two weeks after its release, the world changed forever. After the attacks of 9/11, Slipknot collided with history and a generation in upheaval. As the band's members struggled with their own demons, it wasn't certain that Slipknot would survive. What followed is a story that's as tumultuous, gripping, and as real as it gets.Somewhere Between Screaming And Crying is the story of Iowa's difficult birth and its remarkable impact in a world seemingly coming apart at the seams. As nu metal is embraced by a new generation today, Dan Franklin unravels how and why this much-maligned subgenre still connects so strongly and explores the ongoing influence of Slipknot as one of the most recognisable and artistically vital bands in metal today.

'A weighty discussion of metal, for both passionate fans and neophytes' Guardian'Heavy opens an ornate portal into a murky subculture, illuminating the marginalia as well as the big beasts' Sunday TimesWhat exactly is heavy metal music? How deep do its roots go?Long established as an undeniable force in culture, metal traces its roots back to leather-clad iron men like Black Sabbath and Judas Priest, who imbued their music with a mysterious and raw undercurrent of power. Heavy unearths this elusive force, delving deep into the fertile culture that allowed a distinctive new sound to flourish and flaying the source material to get to the beating heart of the music. From the imminent threat of nuclear apocalypse that gave rise to Metallica's brand of volatile thrash metal to Bloodbath and Carcass, the death metal bands resurrecting the horror of medieval art. But there are always more lines to be drawn. Cradle of Filth and Ulver trade in the transgressive impulses of gothic literature; Pantera lay bare Nietzsche's 'superman'; getting high leads to the escapist sci-fi dirges of Sleep and Electric Wizard; while the recovery of long-buried urns in the seventeenth century holds the key to the drone of Sunn O))). Dissecting music that resonates with millions, Heavy sees Slipknot wrestling with the trauma of 9/11, Alice in Chains exposing the wounds of Vietnam and Iron Maiden conjuring visions of a heroic England. Powerful, evocative and sometimes sinister, it gives shape and meaning to the terrible beauty of metal.

'Electric Wizard is heavy, man - we don't sing about love and flowers.' Jus ObornIn 1993, in the market town of Wimborne Minster in Dorset, England, the heaviest band in the world was born. Led by guitarist and singer Jus Oborn, Electric Wizard began as an untameable power trio. They inhaled the iniquity of their lives and vomited it out in colossal waves of doom metal, synthesising the forbidding local landscape, biker culture, video-nasties, black magic rituals and titanic doses of psychedelics. In 1997 they released their revolutionary second album, Come My Fanatics... Then, after triumphant and calamitous tours of the USA and following the release of arguably the heaviest rock album ever recorded, 2000's Dopethrone, Electric Wizard all but imploded, destroyed by the very reality they were fighting against. However, when guitarist Liz Buckingham joined Oborn on guitar for We Live, they drew a magic circle around themselves in a new line-up that went on to explore deeper occult horrors on modern doom classic Witchcult Today onwards. Come My Fanatics is a kaleidoscopic exploration of the subculture the band has absorbed and, in turn, created. From seventies exploitation cinema, through the writers of Weird Tales magazine and a panoply of the marginal and downright sinister, to the band's own live ceremonial happenings - this is Electric Wizard's world. We're just dying in it.