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12 produkter
12 produkter
407 kr
Skickas inom 5-8 vardagar
These 15 essays investigate comic books and graphic novels, beginning with the early development of these media. The essays also place the work in a cultural context, addressing theory and terminology, adaptations of comic books, the superhero genre, and comic books and graphic novels that deal with history and nonfiction. By addressing the topic from a wide range of perspectives, the book offers readers a nuanced and comprehensive picture of current scholarship in the subject area.
- Nyhet
961 kr
Skickas inom 10-15 vardagar
What the popularity of the Fast and Furious film franchise says about Hollywood blockbusters and media productionFast and Furious Franchising charts the transformation of Hollywood through the story of one of its most successful cinematic universes. Released in 2001, The Fast and the Furious became an unexpected hit, developing into a seven-billion-dollar media franchise with nine direct sequels (so far), one "sidequel," copious spin-offs, and licensing deals from board games to theme park rides.Dan Hassler-Forest shows how Fast and Furious paved the way for a new form of serialized storytelling that balanced new distribution practices and expansion into international markets with a savvy awareness of representational politics. By following the series's development over the past twenty-five years, Fast and Furious Franchising reveals distinct phases that reflect larger media-industrial trends: the postclassical blockbuster era of the early 2000s; the emergence of the megafranchise between 2008 and 2014; the franchise's "imperial" era, from 2015 through 2019; and the postpandemic crisis era of media saturation and franchise fatigue.While examining this rapidly changing media landscape, Hassler-Forest offers lively, insightful analyses of the films as they have embraced ever-more-ludicrous plots and unlikely character turns while always maintaining their signature faith in the power of family. As he illuminates the role of the Fast and Furious movies in the global entertainment industry, Hassler-Forest shows how the films' improbable success proves Dominic Toretto's adage that, whether "you win by an inch or a mile . . . winning's winning."Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.
232 kr
Skickas inom 5-8 vardagar
What the popularity of the Fast and Furious film franchise says about Hollywood blockbusters and media productionFast and Furious Franchising charts the transformation of Hollywood through the story of one of its most successful cinematic universes. Released in 2001, The Fast and the Furious became an unexpected hit, developing into a seven-billion-dollar media franchise with nine direct sequels (so far), one "sidequel," copious spin-offs, and licensing deals from board games to theme park rides.Dan Hassler-Forest shows how Fast and Furious paved the way for a new form of serialized storytelling that balanced new distribution practices and expansion into international markets with a savvy awareness of representational politics. By following the series's development over the past twenty-five years, Fast and Furious Franchising reveals distinct phases that reflect larger media-industrial trends: the postclassical blockbuster era of the early 2000s; the emergence of the megafranchise between 2008 and 2014; the franchise's "imperial" era, from 2015 through 2019; and the postpandemic crisis era of media saturation and franchise fatigue.While examining this rapidly changing media landscape, Hassler-Forest offers lively, insightful analyses of the films as they have embraced ever-more-ludicrous plots and unlikely character turns while always maintaining their signature faith in the power of family. As he illuminates the role of the Fast and Furious movies in the global entertainment industry, Hassler-Forest shows how the films' improbable success proves Dominic Toretto's adage that, whether "you win by an inch or a mile . . . winning's winning."Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.
180 kr
Skickas
In the same way that Stallone and Schwarzenegger played film heroes who came to embody the values of Ronald Reagans aggressive conservative agenda in the 1980s, the 21st-century film narratives of Batman, Spider-Man and Superman reflect the policies of the Bush Doctrine after 9/11. This book offers a groundbreaking study of the relationship that exists between post-9/11 American politics and the contemporary superhero movie phenomenon. No other Hollywood subgenre was as consistently popular during the George W. Bush presidency, as films such as Spider-Man, Superman Returns, Iron Man, and The Dark Knight embodied the key contradictions that inform the cultural and political life of the post-9/11 years. By combining in-depth analyses of numerous major superhero films from this era with astute readings of contemporary critical theory, this book offers accessible and academically potent insight into the complex interplay between politics, ideology, and entertainment in the 21st century.
Science Fiction, Fantasy, and Politics
Transmedia World-Building Beyond Capitalism
Inbunden, Engelska, 2016
2 017 kr
Skickas inom 10-15 vardagar
From Tolkien to Star Trek, from Game of Thrones to Battlestar Galactica, and from The Walking Dead to Janelle Monáe’s Afrofuturist concept albums, transmedia world-building offers us complex and immersive environments beyond capitalism. This book examines the ways in which these popular storyworlds offer tools for anticapitalist theory and practice. Building on Hardt and Negri’s theory of global capitalism, Science Fiction, Fantasy, and Politics shows how transmedia world-building has the potential of offering more than a momentary escape from capitalist realism in the age of media convergence and participatory culture. The book features eight fantastic storyworlds that offer vivid illustrations of global capitalism’s contradictory logic. Approaching transmedia world-building both as a cultural form and as a political economy, it demonstrates the limitations inherent in fandom and fan culture, which is increasingly absorbed as a form of immaterial labor. But at the same time, the book also explores the productive ways in which fantastic storyworlds contain a radical energy that can give us new ways of thinking about politics, popular culture, and anticapitalism.
Science Fiction, Fantasy, and Politics
Transmedia World-Building Beyond Capitalism
Häftad, Engelska, 2016
688 kr
Skickas inom 10-15 vardagar
From Tolkien to Star Trek, from Game of Thrones to Battlestar Galactica, and from The Walking Dead to Janelle Monáe’s Afrofuturist concept albums, transmedia world-building offers us complex and immersive environments beyond capitalism. This book examines the ways in which these popular storyworlds offer tools for anticapitalist theory and practice. Building on Hardt and Negri’s theory of global capitalism, Science Fiction, Fantasy, and Politics shows how transmedia world-building has the potential of offering more than a momentary escape from capitalist realism in the age of media convergence and participatory culture. The book features eight fantastic storyworlds that offer vivid illustrations of global capitalism’s contradictory logic. Approaching transmedia world-building both as a cultural form and as a political economy, it demonstrates the limitations inherent in fandom and fan culture, which is increasingly absorbed as a form of immaterial labor. But at the same time, the book also explores the productive ways in which fantastic storyworlds contain a radical energy that can give us new ways of thinking about politics, popular culture, and anticapitalism.
303 kr
Skickas inom 5-8 vardagar
Singer. Dancer. Movie star. Activist. Queer icon. Afrofuturist. Working class heroine. Time traveler. Prophet. Feminist. Android. Dirty Computer. Janelle Monáe is all these things and more, making her one of the most fascinating artists to emerge in the twenty-first century. This provocative new study explores how Monáe's work has connected different media platforms to strengthen and enhance new movements in art, theory, and politics. It considers not only Monáe's groundbreaking albums The ArchAndroid, The Electric Lady, and Dirty Computer, but also Monáe's work as an actress in such films as Hidden Figures and Antebellum, as well as her soundtrack appearances in socially-engaged projects ranging from I May Destroy You to Us. Examining Monáe as a cultural icon whose work is profoundly intersectional, this book maps how she is actively reshaping discourses around race, gender, sexuality, and capitalism. Tracing Monáe's performances of joy, desire, pain, and hope across a wide range of media forms, it shows how she imagines Afrofuturist, posthumanist, and postcapitalist utopias, while remaining grounded in the realities of being a Black woman in a white-dominated industry. This is an exciting introduction to an audacious innovator whose work offers us fresh ways to talk about identity, desire, and power.
837 kr
Skickas inom 5-8 vardagar
Singer. Dancer. Movie star. Activist. Queer icon. Afrofuturist. Working class heroine. Time traveler. Prophet. Feminist. Android. Dirty Computer. Janelle Monáe is all these things and more, making her one of the most fascinating artists to emerge in the twenty-first century. This provocative new study explores how Monáe's work has connected different media platforms to strengthen and enhance new movements in art, theory, and politics. It considers not only Monáe's groundbreaking albums The ArchAndroid, The Electric Lady, and Dirty Computer, but also Monáe's work as an actress in such films as Hidden Figures and Antebellum, as well as her soundtrack appearances in socially-engaged projects ranging from I May Destroy You to Us. Examining Monáe as a cultural icon whose work is profoundly intersectional, this book maps how she is actively reshaping discourses around race, gender, sexuality, and capitalism. Tracing Monáe's performances of joy, desire, pain, and hope across a wide range of media forms, it shows how she imagines Afrofuturist, posthumanist, and postcapitalist utopias, while remaining grounded in the realities of being a Black woman in a white-dominated industry. This is an exciting introduction to an audacious innovator whose work offers us fresh ways to talk about identity, desire, and power.
660 kr
Skickas inom 10-15 vardagar
This book offers an in-depth analysis of Janelle Monáe’s Dirty Computer, an Afrofuturist project that appeared simultaneously as a concept album and a visual album or “emotion picture” in spring 2018.
660 kr
Skickas inom 10-15 vardagar
This book offers an in-depth analysis of Janelle Monáe’s Dirty Computer, an Afrofuturist project that appeared simultaneously as a concept album and a visual album or “emotion picture” in spring 2018.
3 499 kr
Skickas inom 5-8 vardagar
Whether one describes them as sequential art, graphic narratives or graphic novels, comics have become a vital part of contemporary culture. Their range of expression contains a tremendous variety of forms, genres and modes − from high to low, from serial entertainment for children to complex works of art. This has led to a growing interest in comics as a field of scholarly analysis, as comics studies has established itself as a major branch of criticism. This handbook combines a systematic survey of theories and concepts developed in the field alongside an overview of the most important contexts and themes and a wealth of close readings of seminal works and authors. It will prove to be an indispensable handbook for a large readership, ranging from researchers and instructors to students and anyone else with a general interest in this fascinating medium.
710 kr
Skickas inom 10-15 vardagar
Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. Star Wars and the History of Transmedia Storytelling offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies’ projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, Star Wars and the History of Transmedia Storytelling demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building. As such, this collection grapples with the historical, cultural, aesthetic, and political-economic implications of the relationship between media franchising and transmedia storytelling as they are seen at work in the world’s most profitable transmedia franchise.